I’m in the midst of a crazy day that for me that will include a screening tonight and then a quick jaunt across the street over to the New Beverly, which is in the midst of Dante’s Inferno, to catch a movie I’ve literally been trying to see for decades. It’s 1967’s “The President’s Analyst,” a political-thriller/spy comedy satire, which is basically three or four of my favorite genres all mushed up together. Writer-director Theodore J. Flicker went on to create “Barney Miller,” so there’s that, too. Sadly, I’ll miss the even more obscure first feature which I featured here just a couple of weeks back, “Cold Turkey.”
Anyhow, I shall be brief, or not. Starting now, anyway:
* It looks like there may be yet one more “last Kubrick movie” to come and it’ll be a Holocaust-themed drama to be directed by Ang Lee. Something tells me we’re looking at a Fall or Winter release here.
* Matthew Vaughn’s “Kick-Ass” is attracting strong studio interest, not surprisingly. And I can still remember a time when they’d have to put a picture of a donkey on the film poster in order to get away with that title.
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Filthy lucre is today’s theme in movieland. Really, it’s every day’s theme, but it’s on my mind today.
* Nikki Finke, who actually makes money blogging, notes a pay cut for William Morris assistants, who already work ridiculously hard for the hope of decent money some day, and are expected to work a minimum of fifty hours a week. Presumably they get some overtime (though one wonders if they’re not working actually quite a bit more — Hollywood and Walmart have been known to have a few things in common in the past). They’d better because their boss’s brother is the White House chief of staff. Could get messy, otherwise.
Finke also has an interesting — inasmuch as I can follow it — look at some silver linings amidst the major studio’s fiscals clouds.
* A noted casting change in the third “Twilight” will probably not affect grosses perceptibly, but there’s no stopping those wagging tongues.
* And with all the fuss at Comic-Con, the appearance of anime genius Hiyao Miyazaki got all but ignored by the media, as far as I can tell. “Princess Mononoke” beat “Titanic” in Japan. If it had done so here, it’s fair to say he wouldn’t have been a relative afterthought.
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