Category: TV Comedies (Page 62 of 154)

That Girl: Season Five

When Marlo Thomas turned up as Rachel Green’s mother on “Friends,” ’60s TV aficionados had a good laugh at the appropriateness of the casting, since Ann Marie – Thomas’s character on “That Girl” – could easily have been Rachel’s mother, given all of their similarities. By the fifth and final season of “That Girl,” things had finally gotten serious between Ann Marie and her longtime beau, Don Hollinger (Ted Bessell), with the two of them at long last getting engaged…not that we actually saw them tie the knot by the end of the series. (Apparently, Marlo didn’t want to send a message to young women that marriage was the ultimate goal for them.) Virtually every episode this season features a recognizable guest star, but some of the bigger names include Cloris Leachman, Regis Philbin, Alex Rocco, Dick Van Patten, Milton Berle, and Marlo’s daddy, Danny. Meanwhile, fans will be glad to find that Marlo has returned, along with series co-creator Bill Persky, to contribute a foursome of audio commentaries, including one for the final episode. Kudos to Shout Factory for successfully putting out the entire series of “That Girl” onto DVD; it might not be the funniest sitcom of the ’60s, but it’s an important one that deserves to be remembered.

Click to buy “That Girl: Season 5”

A few updates from Ausiello’s cheat sheet

Michael Ausiello is keeping track of all the cancellation and renewal news. Here are a few updates:

Castle: Could go either way. Now a safe bet.
The Unit: A long shot. Now hearing it’s a goner. Back to being a long shot.
Dollhouse: Could go either way. Now hearing it’s a long shot.
Fringe: Sure thing. Now officially renewed.
Chuck: Could go either way. Now a safe bet. (Yay!)
Life: A long shot. Now hearing it’s a goner. Now officially canceled.
Medium: Safe bet. Reportedly renewed for 13-16 episodes.
Southland: Sure thing. Officially renewed for 13 episodes.

I gave up “Life” last season when it failed to stand out, and I gave up on “Chuck” this season as it got too repetitive and silly. I know that there are a lot of “Chuck” fans out there that will be happy to see that it will likely return in the fall. “Medium” has been good this season and deserves renewal, as does “The Unit,” though it’s worrisome to hear that it’s a long shot.

Great Actors: Callie Thorne

A couple of years ago, when I wrote a post entitled “Bad Actors: Tina DiJoseph,” which was dedicated to the “Medium” actress who plays Lynn DiNovi, a few readers (mostly her friends and family) said I was “negative” and “cruel,” but I just call ’em like I see ’em.

And when I watched this week’s episode of “Rescue Me,” I saw one of the best performances I’ve seen in a long time. I’ve admired Callie Thorne’s work on the show since the start, and now that her (wonderfully nutty) character, Sheila, is no longer dating and/or sleeping with Tommy Gavin, she hasn’t gotten as much screen time over the past couple of seasons, and the show has suffered because of it. (Don’t get me wrong — this season has been great, but there was a stretch there when I was wondering if the creators had a plan to wrap things up.)

Anyway, on this week’s episode, appropriately titled “Sheila,” Thorne is a tour de force. Her first scene is with her son, Damien (played by Michael Zegen), and the two are having lunch in a restaurant discussing Damien’s decision to become a fireman instead of finishing his studies at NYU. Sheila is understandably concerned and frustrated with this decision, and she hides those emotions for a while under the guise of “new Sheila.” But when Damien insists that Tommy guide him through the academy (instead of Mike the Probie), she flips out and goes on a minute-long rant about how spoiled and ungrateful he is.

Later on, she’s at the firehouse and runs into Tommy. She starts off by not speaking to him (because she’s angry about his failure to tell her about the news footage that proved that her husband died in the second tower, not the first), but with Tommy being Tommy the two start to argue. She goes off on him for being a closed-off prick and punctuates the scene by kneeing him in the balls.

Finally — and this scene is really the kicker — Sheila does an interview for a French journalist about what was going through her mind on 9/11. The revelation that her husband died in the second tower almost has a calming effect on her, and she dives into a four-minute monologue that is as touching, emotional and well-acted as any four minutes that I’ve seen in a long time.

For the first few seasons, I was rooting for Tommy and Sheila to end up together, mainly because I wanted to see her character find happiness, but now I hope she finds it somewhere else. It’s clear that Tommy just isn’t loyal or dependable enough for her, and her story arc this season has been about her exploration into why she is (or was?) so obsessed with him. Yes, Sheila has her flaws — after all, she drugged and (pretty much) raped Tommy and almost killed him in the house fire — but, hey, she just has a lot of love to give, right?

Unfortunately, the episode isn’t up on Hulu yet, but it’s an Emmy worthy performance, so catch it if you can.

A Chat with Bill Lawrence: The “Scrubs” Exit Interview

By the time you read this, “Scrubs” will have completed its eight-season run. Or not. That’s kind of still being decided, actually. But for all practical purposes, the series has still come to some sort of a conclusion, since even the rumored continuation of the show – which is still under discussion by ABC – would almost certainly be a new permutation that might or might not resemble the existing series. As such, we decided we’d check in with “Scrubs” creator Bill Lawrence and chat with him not only about this season but, indeed, to offer a few random questions about the series as a whole. Mind you, it took for-freaking-EVER to finally get him on the phone, but we decided to let him slide. After all, the dude’s got a broken leg and he created the best blend of comedy, drama, and medicine this side of “M*A*S*H.” That kind of thing tends to earn you a little slack from TV critics.

Bill Lawrence: Hey, Will! How’re you doin’, man?

Premium Hollywood: I’m good, man. How are you doing?

BL: I’m good. Sorry to keep you waiting.

PH: Not a big deal. The beauty of working at home: I’m always busy. So how did you break your leg, and why didn’t it make it into the gossip rags?

BL: I know, right? I was just playing basketball. It’s kind of a drag.

PH: Recovery going all right?

BL: Yeah, I’m just doing rehab for a couple of months. I can’t tell you how boring having a broken bone as an adult is. (Laughs)

PH: Well, I dared to ask my Facebook friends for questions, and the predominant one seemed to be, more or less, “Why does my favorite show have to end?” But, then, at last report, it was still undecided if it actually was ending.

BL: Well, you know, we’ll see, right? Yeah, it’s definitely a “we’ll see.” It’s 50/50. But either way, Will, even if the show goes on past this, it won’t be the same show. And to me, the thing is, after nine years, there’s no way that we wouldn’t get repetitive next year, so even if it does go on, this’ll feel like the end of “Scrubs.” To me, it’s the end of “Scrubs” as we know it either way.

PH: So have you been happy with the show’s performance on ABC? I presume, at the very least, ABC has been happy with it.

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NBC releases fall schedule, no mention of “Chuck” or “Medium”

It looks like we’re not going to find out the fates of “Chuck” and “Medium” until May 19.

NBC unveiled its fall lineup this morning, but conspicuously missing was any mention of bubble shows Chuck, Law & Order, Medium, Life, or My Name is Earl. According to a Peacock insider, a final ruling on the fate of all five shows will come on May 19. (Medium and Law & Order are both expected back; insiders say NBC execs are just finalizing the episode counts.)

The network gave the go-ahead to four new dramas: “Parenthood” (a re-imagining of the film starring Peter Krause), “Trauma” (which follows first-responder paramedics), “Mercy” (a hospital drama that focuses on the nurses) and “Day One” (a post-apocalyptic tale of survival). Of the four, I’m most interested in “Day One.” (After all, is the world really clamoring for more medical dramas?) Here’s the pitch:

From executive producer/writer Jesse Alexander (Heroes, Lost, Alias) and director Alex Graves (Fringe, Journeyman), Day One tells the story of life on earth following a global catastrophe that has devastated the world’s infrastructures. Beginning with the immediate aftermath of the cataclysmic event, an eclectic band of survivors — played by Adam Campbell (Date Movie), Catherine Dent (The Shield), Julie Gonzalo (Eli Stone), David Lyons (ER), Derek Mio (Greek), Carly Pope (24), Thekla Reuten (Sleeper Cell) and Addison Timlin (Cashmere Mafia) — strives to rebuild society as they unravel the mysteries of what happened and face their uncertain future. The group, all residents of one apartment building in suburban Van Nuys, Calif., embarks on a quest for survival and discovers that hope is found in small victories — and heroes are born every day.

Sounds interesting.

The network also greenlighted the sitcom “Community,” which stars “The Soup” host Joel McHale and focuses on a group of community college students.

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