Category: TV Comedies (Page 61 of 154)

Concession Stand: Stand Up and Drink

Welcome back to “Concession Stand,” where Premium Hollywood takes a look at DVDs while indulging in whatever food or beverage has recently been provided to us by a publicist…or, should there be a lapse in the free provisions, we’ll go find something from Dollar Tree, Big Lots, or Ollie’s Bargain Outlet that we’ve never heard of before but which screams to be tasted. Thankfully, however, there’ll be no need to leave the house this go-round, as we have a lovely bottle of spirits which was recently delivered to our front doorstep that will do the trick nicely. Why? Because we’ve decided to tackle a trio of stand-up comedy DVDs, and everyone knows that comedy is always funnier when you’ve got a few adult beverages in you.

The beverage: Three Olives Cherry Vodka. The idea of flavored vodka seems kind of lazy and cost-cutting, doesn’t it? It’s like saying, “Gosh, I’d like to mix my vodka with something to make it taste better, but then I’d have to walk two extra steps to the refrigerator to see what I can add to it, and if there’s nothing there, then I’ll just feel like I’ve wasted my time for nothing, so why don’t I just save myself the trouble and buy a bottle of vodka that already has a flavor to it?”

I’m not quite as lazy as all that, but I can still buy into the inherent concept…and based on the number of flavored vodkas being produced by Three Olives these days, it’s pretty clear that I’m not the only one. They offer – wait, let me take a breath first – berry, cherry, chocolate, citrus, grape, mango, orange, pomegranate, raspberry, root beer, vanilla, watermelon, and, triple shot espresso.

Oh, right, and they also have a plain vodka for you boring old purists out there.

The bottle they sent to me, as you may have guessed from the photograph hovering off to the right, was cherry-flavored. Seemed like the best possible flavor, really, given that A) I can manage to drag myself from the liquor cabinet to the refrigerator, and B) cherry blends well with just about any cola you might have in stock…which is exactly what I did blend it with when I sat down to enjoy the first of these three stand-up comedy DVDs. In truth, I actually had enough stand-up DVDs stockpiled to review more than three while under the influence of cherry vodka, but I figured, hey, why waste a perfectly good opportunity to do a sequel? Besides, three strong drinks could make even Harland Williams’s Har-Larious seem funny…and when you’ve reached that point, it’s clearly time to close the laptop and go to bed.

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Motherlover

How do you follow up an Emmy-winning hit like “Dick in a Box”? With a tribute to mothers everywhere, just in time for Mother’s Day.

Kudos to Susan Sarandon and Patricia Clarkson for signing on to play the “loved” mothers.

How “The Office” has kept the Jim/Pam romance fresh

Brian Lowry of Variety lauds the fact that the writers of “The Office” have kept the Jim/Pam dynamic from going stale.

Much of the credit goes to the writers and performers involved, and it’s a testament to their talents that Pam and Jim have recently enjoyed a relatively stable, even happy relationship — despite her impulsive decision to join boss Michael (Steve Carell) in his stand-alone business endeavor — without sending that key aspect of the show toppling into disarray.

In most instances — and “The Office” hasn’t been immune to this — taking the romantic plunge has subsequently required erecting some arbitrary impediment to again pull the same characters apart, usually with varying degrees of credibility. Mindful of the fact that happy couples are hardly the fixings for good drama (and can be equally challenging in comedy), writers thus find themselves dismantling romances that they have meticulously labored to inspire the audience to root for — as evidenced by the visceral thrill of the “Office” second-season finale, when Jim finally let Pam know how he felt about her.

Lowry mentions “Moonlighting” and “Cheers” as shows that suffered after the two leads finally got together, but doesn’t go into much detail about how “The Office” has been able to avoid the usually inevitable staleness.

To me, “The Office” is much more than Jim and Pam. I don’t know that you can say the same thing about “Cheers” (Sam/Diane) and certainly not “Moonlighting” (David/Maddie). “Cheers” featured a strong supporting cast, but Sam and Diane were still the central figures. On “The Office,” one could argue that Michael Scott is the main lead. Jim and Pam are up there, but the whole show doesn’t revolve around them. Once they got together, the writers deftly transitioned the more romantic storylines over to Michael, who continues to struggle to find companionship in his life. By doing this, the writers are able to check back with Jim and Pam from time to time and highlight the best (and funniest) things about being in a secure, committed relationship, while continuing to mine Michael’s love life — as well as the whole Dwight-Angela-Andy love triangle — for consistent laughs.

The bottom line is that, at heart, “The Office” is an ensemble comedy, and by spreading around the wealth, the writers can spread around the risk. If handled correctly, this characteristic can make a show “jump the shark”-proof (or at least “jump the shark”-resistant), which is one reason “The Office” has been so strong for so long.

Gavin and Stacey: Season 1

Many a sitcom has driven viewers mad with the plot device known as “will they or won’t they,” as you might guess from its name, keeps viewers guessing as to whether or not two of the main characters will consummate their relationship. There really isn’t much guessing, however, since the presumption is always that, yes, of course they will. It’s all down to when it’s likely to happen. “Gavin and Stacey,” however, speeds up the process considerably, presenting a series where the titular characters have been conversing on the phone for ages but are only just preparing to embark on their first date when the first episode commences. As a result, it’s a fair bet from the get-go that any such encounter is likely to happen far sooner than later – and it does.

God love Mathew Horne and Joanna Page. The story of two individuals who work for the same company at different locations and fall in long-distance love is one which, on paper, seems to be little more than a comedic device for wacky shenanigans. And so it might be, were it not for the fact that you cannot watch the performances of Horne and Page and not immediately believe that Gavin and Stacey were made for each other. It’s remarkable, really, because when you’re talking about a series that lasts only six episodes and encompasses approximately as many weeks of time unfolding within the show itself, you’d expect that it would feel horribly rushed for the couple to meet, go out, get engaged, and get married. But it doesn’t. From the moment they meet, you know they love each other, and you know they’re destined to end up together forever.

There are shenanigans after a sort, though they’re not so much wacky as realistic. Gavin’s best mate is a robust, rotund gentleman named Smithy (James Corden), Stacey’s gal pal is the equally formidable Nessa (Ruth Jones), and although the series ignores the traditional “will they or won’t they” formula with them as well, having them hook up in the first episode, they’re still great comedic characters. Nessa’s back history is convoluted, but the bits and pieces that emerge – her first husband was one of Gladys Knight’s Pips, her second husband was executed by a firing squad – are hilarious, and although Smithy seems on the surface to be the standard sitcom fat guy who loves to party, his sentimental side emerges before season’s end.

And what fun would rapid-fire wedding plans be without involving the families of the bride and the groom? Gavin’s dad, Mick (Larry Lamb), is as down to earth as his son, and his mum, Pam (Alison Steadman), is well intentioned but with a tendency to approach hysteria when trying to put on the best of all possible fronts in social situations. Stacey’s dad is deceased (though he plays a part in the season finale which may well bring you to tears), but his brother, Bryn (Rob Brydon), more than fulfills the fatherly role in her life, and her mum, Gwen (Melanie Walters), is fiercely protective. Neither, however, is immediately certain that Gavin is the man for Stacey – though, to be fair, that’s because she’d been engaged five times before he entered the picture.

“Gavin and Stacey” succeeds not because it’s funny (though it certainly is), but because it tries to stay as close to reality as possible with the love story between its two characters. The sidebar visits with everyone else add to the comedy, but Horne and Page make this the best TV romance in recent memory.

Special Features: Once again, the BBC does not let us down by offering insufficient bonus material. There are audio commentaries on three of the six episodes from Corden, Jones, and director Christine Gernon, outtakes, a making-of featurette, and footage of the show’s filming in Leicester Square. If you learn nothing else from these various items, then you will come to be assured that, when it comes to Joanna Page’s performance in the series, there’s precious little acting involved. She is Stacey.

Click to buy “Gavin and Stacey: Season 1”

BONUS!

Check out the contribution from the “Gavin and Stacey” cast to the UK’s annual Red Nose Day, with contributions from Robin Gibb and Sir Tom Jones. Brilliant, it is.

TV Roundup: “Dollhouse” ratings fall, “Scrubs” update and more

DEADLINE HOLLYWOOD writes that the “Gossip Girl” spinoff (“Lily”) is already dead, and TV.com speculates its because there just isn’t enough room for all of the hour-long dramas the CW wants to debut next fall. That is, unless “Privileged” gets the boot. I, for one, find Lily van der Woodsen to be the most interesting character on “Gossip Girl” and would like to see a spinoff surrounding a young Lily in the ’80s.

THE LIVE FEED reports that the ratings for the series finale of “Dollhouse” dropped to a season-low. Not a good sign.

– Amidst all the information that VARIETY provides in terms of new shows for fall, it looks like “Scrubs” and “Better Off Ted” may each see another season. After watching the season finale of “Scrubs,” I have no idea where they go from here, but hey…

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