Category: TV Comedies (Page 29 of 154)

TCA Tour: NBC Executive Session

I think it’s fair to say that there wasn’t a single member of the Television Critics Associate who wasn’t chomping at the bit to see how this session was going to go down. With all of the controversy breaking about the reported cancellation of “The Jay Leno Show” and rumors of its host moving to a half-hour slot at 11:35 PM, thereby moving the other members of the late-night line-up – “The Tonight Show starring Conan O’Brien” and “Late Night with Jimmy Fallon” back by an hour, everybody wanted to know how NBC was going to handle damage control.

“I see we have a full house,” said NBC Universal TV chairman Jeff Gaspin, as he walked onto the stage and stood before a ballroom filled with TV critics, many of whom were poised to pounce. “I heard there were some scalpers outside.”

The levity quickly went by the wayside, however, as Gaspin went into the recitation of what one can only presume was a well-tweaked statement, confirming that, starting February 12th, “The Jay Leno Show” will no longer air at 10 PM. He admitted that, although the series performed at acceptable levels for the network, it did not meet the needs of the network’s affiliates, hence the change in programming strategy. He also stated that NBC’s goal was to keep all three of its hosts as part of the late-night landscape – “The Jay Leno Show” at 11:35 PM, “The Tonight Show starring Conan O’Brien” at 12:05 AM, and “Late Night with Jimmy Fallon” at 1:05 AM – while acknowledging that this plan was in no way a done deal and that talks are still ongoing.

“It’s a fluid situation,” said Gaspin. “Everybody has the weekend to think about it, and we’ll see what happens when we start the new week tomorrow.”

While he would not confirm the hosts’ specific reactions to the new plan, Gaspin said that all three gentlemen were “incredibly gracious and professional” and that they acknowledged that they knew it was a difficult situation. As for anything else that went down during the discussions, he merely described it as a “private conversation,” adding, “When it’s all settled, you can go and ask them what their feelings were.”

Gaspin expects that the new late-night line-up will be in place by the time NBC’s coverage of the Olympics begins in February.

Unsurprisingly, the critics’ claws were soon out, with one wanting to know exactly what happened with the network’s assurances during the summer TCA tour that the success or failure of “The Jay Leno Show” would not be determined fully until the series had run for a full 52-week cycle. Gaspin maintained that the 52-week plan still would’ve been his preference but again cited the affiliates’ concerns as being the driving force behind the comparatively-quick removal of the series from its prime-time berth.

“Starting in November, the affiliates started calling, saying that local news was being affected more than expected,” said Gaspin. By the end of the month, the stations which utilized people meters for their ratings continued their complaints, now citing statistics where, in some cases, #1 local news broadcasts had dropped to #3. Gaspin continued his constant dialogue with the affiliates, requesting that they wait and see how the show would do against repeats…and, indeed, “The Jay Leno Show” did do better, but only by about a tenth of a rating point, still coming in second to either CBS or ABC on a regular basis. When the smaller affiliates without people meters got their November book numbers, “the drum beat started getting louder,” Gaspin said, and as it became progressively more clear that they were only going to be getting more vocal about their displeasure, throwing around comments about possible preemption, “we realized things were not going to go well if it was kept in place.”

Gaspin continued to clarify, however, that despite the feelings of the affiliates, NBC did not feel that “The Jay Leno Show” was a disappointment on a network level. “It was working at acceptable levels financially, making money at 10 PM,” he said. “For the network, it was not a wrong decision.”

He also underlined that, insofar as he was concerned, the reason behind the limited viewership had nothing to do with the show or its level of quality. “There’s a lot of choice at 10 PM,” he said. “We thought it could be everybody’s second choice, but there were just so many other choices that people thought were better.” In the end, Gaspin conceded that “The Jay Leno Show,” while being easy entertainment, simply wasn’t the first or even second choice of enough viewers.

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TCA Tour: Showtime Executive Session

You’ll have already seen my story about Showtime greenlighting “The Borgias,” which I posted because it was easily the biggest news within the network’s executive session, but Robert Greenblatt, Showtime’s President of Entertainment, did have a few more things to say during his remarks…and these are some of them:

* First of all, it must be said that Greenblatt had us from “hello,” offering an opening which couldn’t have been more perfectly designed for his audience. “I’m glad this is the first day,” he said, “because it’s so great when you guys are not sort of at the end of the rope here after rolling your eyes from all of what we’re saying to you, and I hope I can engage you enough today, because I’m sure all of you are just waiting for tomorrow’s NBC presentation. I’d love to get my temporary TCA card so that I could sit in on tomorrow’s session.”

* Coming soon is Showtime’s first foray into the world of traditional reality series. Get ready for “The Real L Word of Los Angeles,” which Greenblatt says will be on the air probably this summer. “We’ve just cast those women,” he said, “so at some point we will parade them in front of you for some kind of grilling…and I mean ‘parade’ in the best sense of the word.”

* When discussing the network’s new series, “The Big C,” a dark comedy starring Laura Linney as a woman dealing with a diagnosis of stage-four cancer, Greenblatt said, “I hope you all got our press announcement yesterday that we greenlighted a series about a character facing a terminal illness; I just want to make it clear that we have not picked up ‘The Jay Leno Show.'” Ouch…and ho, ho, HO!

But seriously, folks, Greenblatt says, “We look at the show essentially as a wake-up call as she begins to kind of look at her life and decide how she’s going to live it for the last amount of time that she has, and I think in the best possible world here, I think what we’ll do with this show is humanize the dilemma of her illness. Obviously, the show will walk the line between drama and comedy, and I don’t think there’s anybody better who could do that than Laura Linney. We’ve also surrounded her with some extraordinary people, an ensemble of great actors: Oliver Platt plays her husband, and we have Gabourey Sidibe, who’s the star of ‘Precious,’ who’s in the show as well.”

The pilot for “The Big C” was directed by Bill Condon, who already has experience with directing Linney and Platt from when they all did “Kinsey” together. We aren’t yet privy to the entire pilot, alas, but Greenblatt offered us a sizzle reel from it, and it looks really good, but for my money, no line topped this one from Linney to Sidibe: “You can’t be fat and mean. You can either be fat and jolly or a skinny bitch. It’s up to you.” The network has ordered 13 episodes, and the series goes into production as soon as Linney finishes her current commitments at the Manhattan Theater Club, with a premiere planned for later this summer.

* Greenblatt also spoke briefly about “Episodes,” the network’s new comedy, which was announced a few months ago. Created by David Crane and Jeffrey Klarik, the series is about a British couple who have a hit series on the BBC and, when an American TV network comes to them and convinces them to come to Hollywood and do an American version of their show, Hollywood just systematically destroys the show.

“Not,” added Greenblatt, “that that would ever happen at Showtime.”

Although “Episodes” won’t actually begin production until the spring, the producers thoughtfully put together a short piece to give us an idea of the flavor of the series…and it was funny. As you may have heard, the series will start the former Joey Tribiani, Matt LeBlanc, who will play himself as the woefully miscast star of the show within the show, and the piece showed us what he had to go through to get the part. (“I’d be playing myself, and I have to read? Fuck Showtime!”) Production on the series starts in late spring, and Greenblatt hopes the series will be on the air in the fall…and if it maintains the tone of what they showed us, then so do I.

10 “New” TV Series Which In No Way Matched The Shows That Inspired Them

Since we offered up a “New”-themed movie list to kick off the new year, it seemed like a reasonable idea to put together a TV-related list as well, but when we looked back and saw the number of series which featured the word “new” in their title, we noticed a recurring theme: many of the “new” series didn’t come anywhere close to living up to the standards set by the shows which inspired them. These are but ten examples, but rest assured that there are many more which could’ve made the cut.

10. The New Leave It To Beaver (1985): You may recall that this show was entitled “Still the Beaver” when it premiered as a Disney Channel original series, but when it transitioned over to TBS for its second season, that’s when the “New” title kicked in. It’s possible that it doesn’t really belong here, since it’s been ages since I last saw it (the rights to the series are sitting in limbo at the moment, which means that we won’t be seeing it in syndication anytime soon, let alone on DVD), but my recollection is that, although the TV movie that inspired the show was pretty great, the show itself often wasn’t. Still, while “The New Leave It To Beaver” may not come anywhere close to matching the perfection of the original series, it deserves a certain amount of credit for being the most successful series revival / sequel of all time, bringing back virtually every single surviving member of the cast: Tony Dow (Wally Cleaver), Barbara Billingsley (June Cleaver), Ken Osmond (Eddie Haskell), Frank Bank (Lumpy Rutherford), and, of course, Jerry Mathers as the Beaver.

9. The New WKRP in Cincinnati (1991): Given the success of the original “WKRP” in syndication, it’s no wonder that someone had the idea of bringing the show back, but while the new version did manage to corral a few of the old cast members – Gordon Jump (Mr. Carlson), Frank Bonner (Herb Tarlek), and Richard Sanders (Les Nessman) all came back – the folks who opted out of the series were replaced by tepid new characters who couldn’t hold a candle to those whose shoes they were filling. Given how disappointing “The New WKRP” was, it really should be higher on this list, but I’m keeping in this slot because the show did manage to convince Loni Anderson (Jennifer Marlowe), Tim Reid (Venus Flytrap), and Howard Hessman (Dr. Johnny Fever) to make guest appearances at various points.

8. The New Avengers (1976): Fans tend to be split about the merits of the return of John Steed with two new partners, Mike Gambit (Gareth Hunt) and Purdey (Joanna Lumley), but you can hardly blame them, given how iconic a figure Emma Peel was. It’s said that the reason Steed had a pair of partners this go-round was that producers weren’t entirely confident that 54-year-old Patrick Macnee could hack the work regiment anymore, but he managed to pull it off pretty well, all things considered. Nowadays, it’s no wonder that the original series is the one which stands the test of time best: “The Avengers” had a look which helped define a decade, whereas “The New Avengers” has a look which is defined by its decade. Mind you, it doesn’t exactly help that you can’t look at Purdey without thinking, “Hey, it’s Patsy from ‘Absolutely Fabulous’!”

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Family Guy: Something Something Something Dark Side

When FOX decided to give “Blue Harvest” – the first of the “Family Guy”-themed “Star Wars” specials – its own DVD release separate from the season sets, fans were a little annoyed. The studio must have made a killing in sales, though, because it’s gone one step further in screwing over its loyal audience by releasing the follow-up, “Something Something Something Dark Side,” direct to DVD. The betrayal wouldn’t burn so much if the 54-minute special lived up to the quality of its predecessor, but despite the reputation of the film it’s spoofing, this is one sequel that falls well short of that. There are a few good jokes about AT-ATs, the shitty accuracy of Stormtroopers, and the looming fate of Luke’s right hand, but a majority of the jokes fall flat. It feels more like a straight retelling of “The Empire Strikes Back” with “Family Guy” characters than a parody, and though guys like Mort Goldstein (as Lando Calrissian), Carter Pewterschmidt (as Emperor Palpatine) and the Giant Chicken (as Boba Fett) finally have a role to play in the story, it’s more out of necessity than because it’s funny. The addition of a snarky pop-up trivia track helps increase the special’s replay value, but it doesn’t change the fact that “Something Something Something Dark Side” is a bit of an unexpected disappointed for fans of “Star Wars” and “Family Guy” alike.

Click to buy “Family Guy: Something Something Something Dark Side”

2009: A Year’s Worth of Interviews – The Top 100 Quotes

Some people think that the life of a work-at-home entertainment writer is one of the most lax jobs out there, since the perception is generally is that all you do is sit around and watch DVDs, occasionally venture out of the house to see movies or concerts, and then sit in front of the computer and write about them. Okay, it’s a fair cop. But when you throw interviews into the mix, there’s a bit more work involved. First, you’ve got to get the interview (they aren’t always handed to you on a silver platter), then you’ve got to do the research to make sure that you can ask some halfway knowledgeable questions, and after you conduct the interview, let’s not forget that you’ve got to transcribe it, too. In other words, yes, there really is work involved…and when I went back and discovered that I’d done well over 130 interviews during the course of 2009, I suddenly realized why I’m so tired all the time.

For your reading enjoyment, I’ve pulled together a list of 100 of my favorite quotes from the various interviews I conducted for Premium Hollywood, Bullz-Eye, Popdose, and The Virginian-Pilot this year, along with the links to the original pieces where available. As you can see, I had some extremely interesting conversations in 2009. Let us all keep our fingers crossed that I’m able to chat with just as many fascinating individuals in 2010…

1. Pamela Adlon: “In the first season (of ‘Californication’), when we had the threesome with the nipple clamps, I was, like, ‘I don’t get this, I don’t know how you’re gonna do it.’ And then, all of a sudden, there’s a crane with a camera hanging over our heads, and you’re, like, ‘Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?’ And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.”

2. Jonathan Ames: “After my first novel, my mother said to me, ‘Why don’t you make your writing more funny? You’re so funny in person.’ Because my first novel was rather dark. And I don’t know, but something about what she said was true. ‘Yes, why don’t I?’ Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I’ve done has a comedic edge to it.”

3. Ed Asner: “I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, ‘Are you planning on going into journalism?’ I said, ‘Yeah.’ He said, ‘I wouldn’t.’ I said, ‘Well, why not?’ He said, ‘You can’t make a living.’”

4. Sean Astin: “When somebody brings up a movie (of mine) that I haven’t heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, ‘Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.’ It’s real. I really did do that, because someone today remembers it.”

5. Darryl Bell: “The legend of ‘Homeboys in Outer Space’ has become much more incendiary than the actual show. It’s funny how I usually challenge most people who talk about how much they disliked ‘Homeboys’ to name me five episodes. Most of them can’t, because they just bought into the ‘oh, it’s awful, just the title. Oh, it’s terrible.’ What’s interesting is that I had a great conversation with Chi McBride, who was doing ‘The Secret Diary of Desmond Pfeiffer,’ which, if you want to talk about in terms of the imagery of what was wrong, that show was much more infamous than ‘Homeboys.’ Yet it’s not remembered in the same way because the title didn’t grab you in the same way. I remember Chi pulled me aside and he was, like, ‘Look, everyone who is criticizing what you’re doing would take your job from you in two seconds. All of them. So all I can tell you is that this is one blip on both of our careers, and we are moving on.’”

6. Adam Campbell: “For some reason, people always pick on the British sensibility, and we always come across as stupid, but remember: we used to run this country!”

7. Nestor Carbonell: “Let me make this perfectly clear: I do not wear make-up, and I do not wear eye-liner. This is something I’ve had to deal with my whole life. I remember I was in college in Boston, I had a commercial agent, and they sent me out for some print commercial stuff. And they called me into the office and said, ‘Look, we called you in to talk to you because we just want you to know that…well, we don’t think you need to wear eyeliner.’ And I’m, like, ‘What?’ ‘Yeah, it’s okay, you don’t have to wear it for print ads.’ ‘No, I’m not wearing eyeliner!’ And I kept dabbing my eyes and saying, ‘Look! No eyeliner! I’m not wearing any!’”

8. Elaine Cassidy: “The last two days of shooting (‘Harper’s Island’) was probably the most hardcore, the coldest anyone has ever been. It was like your head was freezing, and my motivation for most scenes was, ‘The minute this scene is over, I’m heading straight over to that heater to get warm.’”

9. Chris Cornell: “I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I’d been in, and I’d gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, ‘Hey, I could be in a band and be the singer, and it would be a lot easier!’”

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