Category: TV Cartoons (Page 4 of 14)

Kinda midweekish movie news

Again, plenty to do so I’ll try to keep things efficient this evening as I go over a few stories. Some of them, I must admit, are left overs from last night. Still, just like the way cold chicken can be even better after sitting in the fridge, maybe this news will have improved slightly with time.

* If we can believe the Wall Street Journal, it appears that the Weinstein/Burkle deal to kinda-sort retake Miramax is off, writes Monika Bartyzel at Cinematical.  Since the company is actually named after the parents of Harvey and Bob Weinstein, I imagine this might hurt a little.

Dominic Cooper in * John Slattery of “Mad Men” was one of the more pleasant surprises of “Iron Man 2” as a middle-aged (actually long-deceased) Howard Stark. Now, we know who’ll be playing Stark as a young man in “Captain America: The First Avenger.” It’s Dominic Cooper, the male ingenue of “Mamma Mia,” whose other recent parts includes playing Uday Hussein, so he’s definitely running the gamut.

* Jesse Eisenberg, who had a rather good weekend with two films in limited release, is reteaming with his “Zombieland” director, Ruben Fleischer. The picture sounds like a pretty fun black comedy about a bizarre bank robbery. Aziz Ansari is also in the film as a middle-school teacher which, right off the bat makes me laugh.

* Sam Rockwell as…Joe Christ?

* There’s very little reason to expect the Paul W.S. Anderson 3-D version “The Three Musketeers” is going to be anywhere near one of the better versions of the oft-filmed adventure tale, but I actually like the idea of elf-to-punching-bag actor Orlando Bloom as a bad ass villain. I’ve missed most of his non-elven performances, so I’m not yet a Bloom-hater. Anyhow, it’s good for actors to stretch a bit.

*  I might have been tempted to run clips from the ongoing “Star Wars” spoofery going on at “The Family Guy” only I have this strange, yet deep, inner conviction that Seth MacFarlane should in no way be confused with someone who makes funny shows. The clip from a table read embedded on a  post by Geoff Boucher only strengthens that conviction. I seriously do not understand what those people are laughing at. I’ve asked this question before and have never received a good answer: is the “joke” of his shows that all the jokes are bad?

* If the movie adventures of young Jack London get more kids to actually read Jack London, I think that’ll be great. Confession time: I’ve only read The Sea Wolf. The movie, despite having Edward G. Robinson, John Garfield, and Ida Lupino in it, didn’t begin to do it justice. Steling Hayden or Robert Ryan were the only men ever born to play the half-insane, ultra-macho, pseudo-intellectual control freak Wolf Larsen. Actually, Russell Crowe could not only play Wolf Larson, I suspect he is Wolf Larsen.

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Orson Welles at 95

Okay, so he’s been off this mortal coil for 25 years now, today would have been his 95th birthday, which means it’s been nearly seventy years since he made “Citizen Kane.”

First, you shall know him through his parodies.

Oh, here’s a bit from the real thing. Notice aside from the still-striking angles and use of deep focus and some never-before-seen camera tricks, that both of these short scenes are largely one take.

After the flip, Welles discusses working with his “Kane” cinematographer, Gregg Toland, who was arguably as important a person in film history as Welles himself, and also just what he thought of “Rosebud.” (He wasn’t overly fond of it.)

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Movie news night notes

The lesson for tonight is never rely on the “save and quit” feature of Mozilla to actually, you know, save your tabs. Here’s what I’ve been able to salvage.

* Probably the biggest geek movie news of today was word via Mike Fleming that “Nick and Norah’s Infinite Playlist” director Peter Sollett, also of the critically acclaimed “Raising Victor Vargas,” may helm the upcoming comic book adaptation, “Runaways.” Created by Brian K. Vaughn for Marvel, the book deals with the teenage angst of a group of kids who find out that their parents are supervillians and, of course, like all of us, they have some genetic baggage to deal with. Vaughn is also reportedly working on a script.

Another frequently mentioned name in connection with this project, who may or may not still be in the directorial running, is Joss Whedon, perhaps the cultiest of cult creators these days. Whedon is a natural thought given that he’s an accomplished film-maker comfortable with both relationships and action, made his name dealing with teen-angst on “Buffy, the Vampire Slayer” and, much more recently, wrote several issues of “Runaways.”

On the other hand, “Playlist” has a bit of a cult following of its own though Sollett hasn’t had to deal with action yet. Christopher Campbell notes that Sollett “did make an indie romantic film, so like Marc Webb he gets a Marvel superhero movie” and gathers the predictably diverse reaction.

* This may not be the most thoughtful reaction, and it sure does sound like some funny people are involved with it, but the news of the animated “Star Wars” sitcom brings one response to mind: “Noooooooooo!!!”‘

* Another item from AICN’s Hercules, much more to my liking — it’s about the latest restoration of what has to be one of the most often restored movies in film history and certainly one of the most important science fiction films ever made, Fritz Lang’s enormously influential silent film, “Metropolis.” The latest version actually brings the film to its original roughly 2.5 hour running time — the 90 minute version of my youth was more recently brought up to about 2 hours — and will be getting a theatrical run before the inevitable Blu-Ray/DVD release.

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Better yet,  for me anyway, is that opening night will be at Hollywood’s Chinese Theater as part of the festival sponsored by my favorite movie cable channel by far, the great and glorious TCM.

Do I sound like I’ve been bought off ? That’s because I have been. Specifically, my press credential has just cleared and it looks like I’ll be at that premiere with a live musical accompaniment, come heck or high water. But why does it have to be running opposite Tony Curtis hosting a showing of probably the best sex farce ever made, “Some Like it Hot“?

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NPH to dance with “Smurfs”

On the list of movies I really think are not great ideas, like, say “Battleship,” a “Smurfs” film is probably up there. On the other hand, it looks like the upcoming film will be testing the theory that anything with Neil Patrick Harris is worth a look, even a truly smurfed up movie. And, considering that we’re on the precipice of Oscar Weekend 2010 and the power of a certain blue-creature filled science fiction film, well, there’s only one video to play.

The League of Quality Superhero Animation plugs “Crisis on Two Earths” at Paley Center

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It’s an old story. You’re a superhero minding your own business and then you bump into someone who looks very familiar but, well, something’s just not right. Gee whiz but this person looks a lot like you and is even wearing similar clothes, but then you notice your new acquaintance looks like he or she is made from rocks, uses terrible grammar and does everything the opposite of you. (“Me want to not save world!”) Or the newcomer looks like one of your deadliest enemies, but turns out to be no Bizaaro, but as heroic as you are. What’s a superhero to do?

It’s an old superhero comic story that has yet to find its way into a big-time costumed-hero flicks — but at least it’s finally been used in a solidly entertaining and often slyly funny direct-to-DVD animated production. Rated a mild PG-13 for non-deadly “action violence,” Warner Home Video’s “Justice League: Crisis on Two Earths” shows us the fall-out of an alternate universe where the equivalents of our most famed superheros are essentially costumed Mafioso, while a bald guy named Luthor and a joker named the Jester vainly fight the power of organized caped crime.

When the alternate Luthor (Chris Noth) manages a reality jump into the original DC Comics Universe, he enlists the aid of  most of the Justice League. And so, Superman (Mark Harmon), Wonder Woman (Vanessa Marshall), and a less than cooperative Batman (William Baldwin), become involved in a desperate quest to free Good Luthor’s universe from super-powered criminal domination by the vicious Crime Syndicate and it’s Jersey-thug-like leader, Ultraman (Brian Bloom) — and also to stave off the possible destruction of all existence by an off-his-evil meds Dark Knight of the Soul, Owlman (James Woods), and his only slightly more sane GF, Super Woman (Gina Torres).

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The 72 minute direct-to-video feature was premiered at both of the coastal outlets of the Paley Center, and I attended the one located on Earth Prime’s Beverly Hills. Us members of the local geek press were allowed to commune with members of the cast and crew and, in my case, that started with the extremely busy animation casting and voice director, Andrea Romano. The loquacious performer and voice director, whose work includes everything from “Animaniacs” to “Spongebob Squarepants” and “Ben Ten,” is held in as high esteem by super-animation fans as any actor, writer, or director. Her work on DC superhero projects goes back to the early nineties and “Batman: The Animated Series,” which revolutionized superhero cartoons with quality writing from creators like Bruce Timm and Paul Dini, animation, and, thanks to her efforts, acting.

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