Tag: The Forever War

Midweek movie news, the Lamont Cranston and Kent Allard memorial edition

Comic-Con’s been over for a week and a half and the geek news is flying.

* Mike Fleming is claiming a Finke “Toldja!” for the news that Disney and “Tron: Legacy” director Joseph Kosinski are going ahead with a film version of the comic book, “Oblivion.” I’m not familiar with the book so, should I be more excited about this than I am? Of course, having recently rewatched the original “Tron” I’m even less excited about his other movie. I’m sorry, but it’s got to be one of the thinnest excuses for a piece of entertainment I’ve ever seen. A few interesting visuals aside, it’s easily one of the weakest efforts Disney has ever been associated with as far as I can see. It’s lingering appeal is a complete mystery to me.

* As rumors of the day go, I find this one even less believable than most. That idea is that Quentin Tarantino may be “attached” to what had previously been Sam Raimi’s new version of William Gibson’s influential pulp character, the Shadow — who became best known via a popular thirties radio show starring a very young Orson Welles.  I’m a fan of the character and of Tarantino, so I certainly wouldn’t mind this being true. It just feels significantly off from Mr. Tarantino’s many obsessions, though considering his delving into thirties and forties cinema for “Inglourious Basterds,” you never know.

the_shadow_djcox_202

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Movie news night notes

The lesson for tonight is never rely on the “save and quit” feature of Mozilla to actually, you know, save your tabs. Here’s what I’ve been able to salvage.

* Probably the biggest geek movie news of today was word via Mike Fleming that “Nick and Norah’s Infinite Playlist” director Peter Sollett, also of the critically acclaimed “Raising Victor Vargas,” may helm the upcoming comic book adaptation, “Runaways.” Created by Brian K. Vaughn for Marvel, the book deals with the teenage angst of a group of kids who find out that their parents are supervillians and, of course, like all of us, they have some genetic baggage to deal with. Vaughn is also reportedly working on a script.

Another frequently mentioned name in connection with this project, who may or may not still be in the directorial running, is Joss Whedon, perhaps the cultiest of cult creators these days. Whedon is a natural thought given that he’s an accomplished film-maker comfortable with both relationships and action, made his name dealing with teen-angst on “Buffy, the Vampire Slayer” and, much more recently, wrote several issues of “Runaways.”

On the other hand, “Playlist” has a bit of a cult following of its own though Sollett hasn’t had to deal with action yet. Christopher Campbell notes that Sollett “did make an indie romantic film, so like Marc Webb he gets a Marvel superhero movie” and gathers the predictably diverse reaction.

* This may not be the most thoughtful reaction, and it sure does sound like some funny people are involved with it, but the news of the animated “Star Wars” sitcom brings one response to mind: “Noooooooooo!!!”‘

* Another item from AICN’s Hercules, much more to my liking — it’s about the latest restoration of what has to be one of the most often restored movies in film history and certainly one of the most important science fiction films ever made, Fritz Lang’s enormously influential silent film, “Metropolis.” The latest version actually brings the film to its original roughly 2.5 hour running time — the 90 minute version of my youth was more recently brought up to about 2 hours — and will be getting a theatrical run before the inevitable Blu-Ray/DVD release.

metropolis

Better yet,  for me anyway, is that opening night will be at Hollywood’s Chinese Theater as part of the festival sponsored by my favorite movie cable channel by far, the great and glorious TCM.

Do I sound like I’ve been bought off ? That’s because I have been. Specifically, my press credential has just cleared and it looks like I’ll be at that premiere with a live musical accompaniment, come heck or high water. But why does it have to be running opposite Tony Curtis hosting a showing of probably the best sex farce ever made, “Some Like it Hot“?

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