Category: News (Page 17 of 401)

2010 Year End TV Review: Scott Malchus

2010 was another great year of television, despite the fact that most of the new fall network shows were forgettable. While the big four seem to have a handle on coming up with new comedies, they still can’t develop innovative dramas to compete with the cable channels. Fox made an attempt with their excellent “Lone Star,” but viewers stayed away and the series was quickly cancelled (despite support from the network president). With Lost leaving the airwaves, it seems that if you want to watch something other than a procedural, you’ll have to tune to AMC, FX or HBO. That’s not to say that there aren’t some great cop, lawyer or medical shows (“The Good Wife” immediately jumps to mind), but the TV landscape is wide open enough that stories about all walks of life should be able to survive.

Best Drama: Friday Night Lights (Direct TV/NBC)

Friday Night Lights

There was a lot of great drama on television this year (“Southland” was exceptional, “Lost” went out in glorious fashion, “Men of a Certain Age” was moving and effective), but I would be remiss if I didn’t place “FNL” at the top of my list, just where it has been since the show premiered in 2006. It’s hard to believe that this will be its last season. No other show has me cheering and laughing and crying week in and week out. Even during the cringe worthy moments (Julie’s affair with the TA) I can’t bring myself to raise the remote and fast forward through them. I’ve stated time and again on Popdose that this show is the most realistic portrayal of small town life I’ve ever seen on television, with beautifully written and acted characters, smart direction, and perfect music selections to create the mood of each scene (not to mention W.G. Snuffy’s poignant score). I love the Taylors; I love the community of Dillon, Texas; and I love Friday Night Lights.

Best Comedy: Modern Family (ABC)

Modern Family - cast

A tough category. There are so many strong comedies on television right now, including NBC’s Thursday night lineup and ABC’s Wednesday shows. Of all of them, “Modern Family” makes me laugh the hardest; so hard that my wife and I have to rewind to hear the second and third jokes of each scene. With a great cast and insightful writing, “Modern Family” is a modern classic.

Best Reality: The Biggest Loser (NBC)

The Biggest Loser

I generally hate reality shows on network television, however there is something truly inspiring about “The Biggest Loser” that grabs me every week. Here is a series about people seriously having to take back their lives otherwise they could die. The money at the end never seems to be as important as the health benefits they receive. Unlike most of the reality competitions shows, the inspiration that comes from watching “The Biggest Loser” occurs from watching every contestant, not just a select few. Obesity has overtaken our country and the men and women of “The Biggest Loser” prove that you can take back your life and that you are in control of it.

Continue reading »

Rachel Maddow on why Gov. Rick Perry is f*$#ing with the wrong Mexican

I wrote about the case of Texas v. “Machete” on Friday, but Ms. Maddow puts it in some interesting political context and is also much cuter than I.

Visit msnbc.com for breaking news, world news, and news about the economy

Oh, and for TV’s smartest liberal to say that this was the stupidest tax news story in the week of the tax deal which has torn the Democratic party asunder — let’s just say she’s really saying something.

L.A., New York online, and Boston Critics speak and “The Social Network” is the word + the AFI’s Top 10 (updated)

Three major critics groups gave out their awards on Sunday and, while there were differences, the common thread isn’t going to give Facebook boy billionaire Mark Zuckerberg any relief for his PR agita. The awards also have some good news for Best Actress contender Natalie Portman and possible Best Supporting Actor shoo-in Christian Bale. Among the Best Actor possibilities, however, it was a split with between actors portraying Zuckerberg and his fellow real-life guys turned movie characters, Aron Ralston, and King George VI.

Simply because of geography, the Los Angeles Film Critics is probably the most influential group. The awards here, however, were the quirkiest of the three, with a split of sorts between “The Social Network” and this year’s cinephile cause celebre, “Carlos,” which may well be shut out of the Oscars altogether for a number of reasons. Though a shorter cut of the reportedly action-packed-yet-thoughtful multi-lingual French film about the real-life left-wing terrorist of the 1970s has been playing to general plaudits, a 5.5 hour television version of the film by Olivier Assayas has had shorter but successful engagements here at the American Cinematheque and is much on the mind of many of us film geeks (I just blew another chance to watch it all in a theater and I’m not happy about it.)

079

Assayas and “Network” director David Fincher tied while Fincher’s movie won Best Picture with “Carlos” as the runner up and also the Best Foreign Film winner. Aaron Sorkin won for his “Social” screenplay while Colin Firth won best actor for “The King’s Speech,” the first runner-up in the category was Edgar Rameriz for playing Carlos, yet another real life person.  Kim Hye-Ja from the cinephile-approved Korean thriller “Mother” and Niels Arestrup from France’s violent “A Prophet” won in the Best Actress and Best Supporting Actor categories. While those awards are unlikely to be replicated by the Oscars, Jacki Weaver’s hopes for a possible Oscar nomination and even a win for the Australian critical and festival hit, “Animal Kingdom,” are looking up ever more with another Best Supporting Actress award. The LAFC site has the complete list of winners.

Continue reading »

Weekend box office: “The Voyagle of the Dawn Treader” and “The Tourist” on a dull trip

Things should perk up a bit at the box office next weekend with “Tron: Legacy” and “How Do You Know,”  but this weekend is proving to be a bust. As was just about certain on Thursday, “The Chronicles of Narnia: The Voyage of the Dawn Treader” came in on top, but that doesn’t mean the news is good.

5185852094_31de946e56

The estimate of $24.5 million for the weekend over at Box Office Mojo is more than $10 million shy of the low-end figures that jolly Carl DiOrio trumpeted and which sounded perfectly reasonable to me. Apparently, this series is not being greeted with anything like the same sort of loyalty a Harry Potter or “Lord of the Rings” receives. Just as apparently, Fox and Walden Media’s strategy of targeting those sometimes Harry-negative and nearly always C.S. Lewis-positive evangelical Christian groups didn’t do much. Sometimes people can tell when they’re being marketed to and they don’t always like it.

Even so, this series tends to do very well abroad. Also, as Nikki Finke mentions, the studio is banking on word of mouth to help smooth things over. I imagine the reason for that is the Cinemascore A rating mentioned by Anthony D’Alessandro. Fox’s decision to take this off Disney’s hands, while reducing the outsize budgets, may still prove wise.

It’s budget was a mere $100 million, about $50 million less than “Dawn Treader, and the difference between the prediction and the reality is not as enormous. However, this weekend’s #2 film’s grosses are not something that will put a spring in the step of Sony executives. “The Tourist” nailed an estimate of $17 million for the weekend, as opposed to the $20 million figure that was thrown out earlier. It might be a bit harsh for Nikki Finke to use the “tank” word, but expectations had already been tamped down hugely for a movie from a hot young director starring, pretty literally, the two most famous actors in the world.

Angelina Jolie and Johnny Depp in

When a movie directed by a critical darling like Florian Henckel von Donnersmark (“The Lives of Others”) gets drubbed by critics the way this one has — and the Rotten Tomatoes “top critics” have been especially harsh — there’s more at work than the sophomore slump. On the other hand, “The Tourist” did nail a decent B from Cinemascore, for what that’s worth. We’ll see whether my glib line about this being a movie with a great pedigree that could turn out be just a dog applies to the worldwide box office over the long haul. Despite everything, this could be another “Knight and Day.” Unfortunately, a movie doesn’t have to be particularly liked by anyone to do well.

It’s award season and things are looking a lot more interesting right now in the world of limited release. The week’s highest per-screen average by far was at the four theaters showing “The Fighter.” Grosses for director David O. Russell’s apparent comeback after the box office failure of “I Heart Huckabees” averaged $80,000, for an outstanding opening weekend estimate of $320,000. It’s pretty clear that Paramount’s evident commercial confidence in this film was eminently justified.

Natalie Portman in Also doing amazing business, “Black Swan” enjoyed a boffo second weekend with an average of over $37,000 in 90 theaters. It was actually the #6 movie in the country while showing in only a tiny fraction of the theaters its competitors are playing in, and garnered an estimate of over $3.3 million. Considering the ballet thriller’s $5.6 total take so far, a budget of only $13 million, and the near certainty of multiple Oscar nominations, this could be the year’s sleeper cash cow. I haven’t seen it yet, but I will say that studios should never underestimate the cross-gender appeal of over-the-top melodrama and a bit of terror. Fox Searchlight was smart not to.

2010: A Look Back at a Lot of Interviews

At the end of 2009, I took a look back at 100 interviews I’d done over the course of the year, and it was exhausting…not only for me, but possibly also for you, the reader. Oh, I still think it was a heck of a piece, but I believe I made a mistake by numbering them. I mean, you get about 20 – 25 into the proceedings, and it’s, like, “Oh, geez, I’ve still got 75 left to go? Screw this, I’m out of here.” So this time, I’m not going to tell you how many quotes are in the piece. I’ll just say that I talked to a lot of really funny, fascinating, and decidedly forthright people during the course of 2010, and I’ll let you dive in. Hope you enjoy the chance to reminisce as much I did, and here’s to a great 2011 for us all!

Big Shots at the Box Office

“I was in Australia, touring with my films and live show, and I got an E-mail from my agent, saying that there was interest in me for Tim Burton’s ‘Alice in Wonderland.’ I thought, ‘Okay, that sounds good.’ I thought it would be for a day or two, maybe a few days or something, and I would’ve been very happy to do that. But then the offer came in, and it was for virtually the entire run of the film. I didn’t even know what part it was for, so I asked my agent, and he said it was for the Knave of Hearts. So I looked up the Knave of Hearts in the original book online and…it didn’t really seem like a character that would require the run of the film. I thought, ‘Something must be different.’ And then I got the actual screenplay, and it was extremely different. I could see that it was written as a sequel. But it was a great part, and I was ecstatic to be in it…and I’m still ecstatic to be in it!” – Crispin Glover, Alice in Wonderland

“They called my agent and said they were auditioning for (‘Inception’), so I flew myself back, I read for Chris (Nolan) once, and I left. I think it was later that day that I heard from my agent, saying, ‘They’ve cut everyone except you. Now, they’re going to go to London to see some people, and then we’ll know more after that. So don’t get your hopes up, but…this is great!’ Then I came back and read again, and I got the job. And then, as you might expect, I freaked out completely.” – Dileep Rao, Inception

Dileep Rao

“I was actually down at my ranch in South Texas, and my guys called me and said, ‘Hey, we’re trying to get you a meeting with Sylvester Stallone. He’s casting a movie called ‘The Expendables.’’ Several months went by, and he’d already cast ‘The Expendables,’ but he still wanted to meet me for potentially playing the part of Dan Paine. So I went in to meet Sly, it was the first time I’d ever met him, and I’m a huge fan. I remember watching ‘Rocky’ back in ’76 or whenever it was, then getting up the next morning, drinking eggs, and running down the street…and now here I am meeting with this guy!” – Steve Austin, The Expendables

Steve Austin

“I was privileged and honored to work side by side with Sly (Stallone in ‘The Expendables’). Most of my scenes take place with him, and I’m telling you, man, he took me under his wing, and it was a brilliant thing. I don’t know what else to say. ‘Rocky,’ ‘Rambo,’ just everything he’s done is iconic, and it wasn’t lost on me. I love the man, and I can’t wait to do another one, ‘cause Sly’s the king of the sequels…and in my whole career, I’ve never done a sequel to any one of my projects. So I’m, like, ‘Sly, I’m ready for ‘Expendables 2,’ okay?'” – Terry Crews, The Expendables

Terry Crews

“Jessica (Pare) was just about to disrobe…we were in the (hot) tub…and they were, like, ‘Ready!’ And she took off whatever was covering her in the tub. And somebody asked the boom guy a question just as she was disrobing, and all he could say was, ‘Yesssssss…’ He could only whisper. I didn’t make a joke about it, though. I was just, like, ‘Okay, Craig, keep it cool, keep it together…’” – Craig Robinson, Hot Tub Time Machine

Craig Robinson

“I made the mistake of using one term loosely and saying (filming in 3D) was a tedious process, and somebody made it sound really bad. The bottom line is that it took a little longer, and the one that suffered more than anybody was (director Kevin Greutert) and the camera guy, because they have to get it right. You know, calibration and being specific with lights and all that stuff. For me, it was a good excuse to go play with the crew that wasn’t on set and crack a couple of jokes, so I got to socialize a little bit more.” – Costas Mandylor, Saw 3D

“Usually, when you’re coming in completely blind with who you’re working with, you don’t know if you’re going to get along, nor do some people put the time in to try to get along. We were all in Pittsburgh, and we did do, like, two weeks of rehearsal before we started shooting (‘She’s Out of My League’), and in those two weeks, we hung out a lot…and, luckily, it went good rather than bad. Because sometimes it’s just awful, and you’re going, ‘I can’t stand that guy!’ So we were lucky. I know a lot of people always say this when they come off work, because they’re kind of trained to say it, but with this one, we all really got along, and I think that’s what helps our chemistry on screen so much: we thought each other were funny, we even liked to hang out afterward, and that played well. ” – Nate Torrence, She’s Out of My League

Nate Torrence

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑