People who want a real Academy Award horse-race got probably the best possible news last night at the Director’s Guild Awards. As you’ll no doubt be hearing many, many times over the next month or so, the DGA Award for Best Director and the Oscar for Best Director have only not lined up six times in the history of both awards. Also, of course, the directorial Oscar and the Best Picture Oscar often tend to correlate as well because, sometimes rightly but occasionally wrongly, most of the credit for a good movie tends to go to the director.
Those who remained confident that “The Social Network” remained the favorite for an Oscar sweep despite it getting beaten out in the number of Oscar nominations by two films, were given a sharp jolt because the winner last night was not David Fincher, but the extremely talented fact-based-drama specialist Tom Hooper of “The King’s Speech.” Count me among the surprised.
I’ll save for later why I still think the Oscars’ are either movie’s ball game or could easily be a sort split decision. However, in an amusing not quite coincidence, “Social Network” star and Oscar nominee Jessie Eisenberg had a small surprise of his own to reveal as he hosted “Saturday Night Live” last night.
Let’s see Colin Firth pull that off with King George VI. Also, Mark Zuckerberg can’t complain that he was misrepresented in terms of height, at least. H/t Nikki Finke.
The winner in the best documentary DGA category, by the way, was Charles Ferguson of the hugely acclaimed “Inside Job” which might actually guarantee that it won’t win the Best Documentary Oscar, because that’s the way the documentary category often rolls. We’ll see. For you TV fans, I’ll post/paste the complete list of DGA Awards (nice wins for Mick Jackson and Martin Scorsese,) after the flip.
Three major critics groups gave out their awards on Sunday and, while there were differences, the common thread isn’t going to give Facebook boy billionaire Mark Zuckerberg any relief for his PR agita. The awards also have some good news for Best Actress contender Natalie Portman and possible Best Supporting Actor shoo-in Christian Bale. Among the Best Actor possibilities, however, it was a split with between actors portraying Zuckerberg and his fellow real-life guys turned movie characters, Aron Ralston, and King George VI.
Simply because of geography, the Los Angeles Film Critics is probably the most influential group. The awards here, however, were the quirkiest of the three, with a split of sorts between “The Social Network” and this year’s cinephile cause celebre, “Carlos,” which may well be shut out of the Oscars altogether for a number of reasons. Though a shorter cut of the reportedly action-packed-yet-thoughtful multi-lingual French film about the real-life left-wing terrorist of the 1970s has been playing to general plaudits, a 5.5 hour television version of the film by Olivier Assayas has had shorter but successful engagements here at the American Cinematheque and is much on the mind of many of us film geeks (I just blew another chance to watch it all in a theater and I’m not happy about it.)
Assayas and “Network” director David Fincher tied while Fincher’s movie won Best Picture with “Carlos” as the runner up and also the Best Foreign Film winner. Aaron Sorkin won for his “Social” screenplay while Colin Firth won best actor for “The King’s Speech,” the first runner-up in the category was Edgar Rameriz for playing Carlos, yet another real life person. Kim Hye-Ja from the cinephile-approved Korean thriller “Mother” and Niels Arestrup from France’s violent “A Prophet” won in the Best Actress and Best Supporting Actor categories. While those awards are unlikely to be replicated by the Oscars, Jacki Weaver’s hopes for a possible Oscar nomination and even a win for the Australian critical and festival hit, “Animal Kingdom,” are looking up ever more with another Best Supporting Actress award. The LAFC site has the complete list of winners.
A preview that’s been on all the ‘net, but not here yet.
Even though he was king during the time of England’s greatest troubles, King George VI tends to be overshadowed by his older brother, the famously abdicating and fascist-leaning King Edward, his long-reigning daughter, the present Queen Elizabeth II who’s been on top since 1952, amazingly enough, and Prime Minister Winston Churchill, who actually ran the government during the war. Maybe one reason George VI is so little discussed today is that he didn’t exactly have a natural flair for public speaking.
And therein lies the tale that won the audience award a couple of weeks back at the Toronto International Film Festival and which may well be a player at Oscar time because, like so many of us, the Academy are suckers for English accents.
I admit it, I’m eat this stuff up with a spoon. Great cast led by the ever-better Colin Firth and an impish Geoffrey Rush, interesting topic — stuttering is still a difficult to solve problem for sufferers — probable poignant feel-good conclusion and what appears to be just a bit of cinematic imagination and some really great looking period detail. My cinematic Anglophilia is officially on high alert.