Category: Movies (Page 351 of 498)

Blu Tuesday: The Wrestler, Frost/Nixon and Sin City

The Blu-ray community is positively obsessed with the technical specs of every high-def release, but that doesn’t mean you should only invest in movies that make the most of that technology. While there are some titles this week that look and sound great because of it, there are a few others that still belong in your collection – even if they don’t exactly benefit from the enhanced audio and video that Blu-ray delivers.

“The Wrestler” (Fox Searchlight)

With each passing year, the Academy Awards become easier and easier to predict. There are so many awards given out by different organizations before the big night that by the time it finally arrives, the race has already been won. This year was a little different – Sean Penn stole the Best Actor prize when the Academy decided to make a political statement following the passing of Proposition 8, even if that meant denying comeback kid and frontrunner Mickey Rourke from completing the collection – but that shouldn’t take anything away from Rourke’s touching performance as an aging professional wrestler. Though the movie is pretty simple in terms of story and filmmaking (especially considering Darren Aronofsky is the one behind the camera), “The Wrestler” is a must-have for anyone searching for a good American drama. The included bonus features aren’t particularly enticing (the lack of a commentary is the biggest offense), but for a movie as gritty as this, it sure looks good in HD.

“Frost/Nixon” (Universal)

Another film that’s dependent almost entirely on the strength of its performances, “Frost/Nixon” was one of the 2008’s best movies, but you wouldn’t know it from the little attention it did receive during awards season. Ron Howard is the kind of director who isn’t as talented as the material he’s working with, but he sure knows how to pick a good story. Based on the Tony Award-winning play of the same name (which was in turn based on David Frost’s famous series of interviews with then former president Richard Nixon), “Frost/Nixon” blazes through its tension-filled 122-minute runtime so fast that you almost forget to breathe. Constructed like a boxing match where the opponents take jabs at each other with words instead of punches, Peter Morgan’s script is filled with the kind of dialogue-heavy scenes that you’d expect to find in a stage play, but wouldn’t expect to work as well on film. Remarkably, it does, but without Frank Langella and Martin Sheen in the lead roles, “Frost/Nixon” wouldn’t be quite as captivating. Add to that some pretty cool extras, and you’re looking at one of the unlikeliest films to prosper on Blu-ray.

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Wolverine and the X-Men: Heroes Return

It’s been six years since we’ve had an “X-Men” cartoon on the air, and with “X-Men Origins: Wolverine” due in theaters this summer, there couldn’t be a better time to launch a new animated series. Enter “Wolverine and the X-Men,” Marvel’s latest show based on the superhero group that debuted at the end of last year. Combining the look of “X-Men: Evolution” with the storytelling of the popular 90s series, the latest iteration finds Wolverine in charge of the team when Professor Xavier suddenly goes missing. Though Volume One (dubbed “Heroes Return”) only includes the first three episodes, “Wolverine and the X-Men” doesn’t take long to pull you in. All of the familiar characters are there (Cyclops, Jean Grey, Iceman and Beast), as well as a few welcome surprises (Emma Frost, Angel and Forge), while the overarching story of the season promises a clever spin on the “Days of Future Past” storyline. The character designs are solid (even if some of the costumes suck, like Cyclops’ angry rocker look) and the writers seem intent on remaining true to the comic’s long history by reintroducing and reinventing classic stories. It’s hard to imagine this show ever becoming as big of a hit with the fans as the aforementioned “X-Men: The Animated Series,” but based on “Heroes Return” alone, it certainly has the potential.

Click to buy “Wolverine and the X-Men: Heroes Return”

Splinter

Independent horror films are a dime a dozen these days (they’re cheap to make and even cheaper to market), but every once in a while, a gem slides through the cracks that makes you wonder how much better it could have been with the proper financial backing. Writer/director Toby Wilkins’ “Splinter” might not feature the world’s greatest script, or even quality acting, but it does have something that the genre is sorely lacking: one of the most original movie monsters in years. Paulo Costanzo and Jill Wagner star as a young couple whose romantic getaway is interrupted when a pair of criminals (Shea Whigham and Rachel Kerbs) steal their car and take them hostage. The rest of the plot is pretty standard stuff, but horror fans will get a kick out of the film’s creepy beast – a prickly parasite that transforms its victims into deadly hosts. Though the filmmakers too often resort to the kind of quick-cut editing that prevents the viewer from ever getting a really good look at the monster, the premise is just cool enough to ensure that you’ll be glued to the screen throughout the film’s brisk 82-minute runtime. It’s not particularly gruesome (except for a brutal amputation à la “The Ruins”), but “Splinter” has just enough going for it that you’ll wish it was given the theatrical release it deserved.

Click to buy “Splinter”

A Chat with Chris O’Dowd (“The IT Crowd”)

You lot over the UK may have been well familiar with “The IT Crowd” for quite some time now, but here the States, we’ve only just recently gotten the opportunity to be introduced to it. First, we had the Independent Film Channel (IFC) to thank, and now MPI Home Video has released Season 1 of the series onto DVD. Actually, there had been talk that the set would be released quite some time ago, but, then, that was back when NBC was still threatening to give us an Americanized version of the show. After those plans were canceled, so was the release of the set…’til now. We had a chance to chat with Chris O’Dowd, who plays Roy on “The IT Crowd,” about his experiences on the show, and we took the opportunity to quiz him a bit about a couple of upcoming film roles, including the re-telling of “Gulliver’s Travels,” starring Jack Black and Jason Segel.

Stay tuned for…

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Lost 5.13 – Some Like It Hoth

First thing’s first: tonight’s episode must had one of the coolest titles in the history of television. It’s exactly this kind of geek humor that makes the “Lost” writing team one of the best in the business. (Check out Will Harris’ interview with executive producers Carlton Cuse and Damon Lindelof for further proof.) In fact, I liked it so much that it wouldn’t have even mattered if it didn’t make any sense in the end, but as it turned out, it did, and suffice it to say that it led to one of the biggest laughs of the night. I thought for sure Hurley was scribbling something in his journal a little more important than a script for “The Empire Strikes Back,” but then again, that’s Hurley for you. His scenes with Miles have helped fill the void ever since the big guy became friends with Sawyer, and though tonight’s episode was all about Miles, it was a great to have Hurley along for the ride.

Along with Faraday, Miles has been one of my favorite characters since his arrival in Season Four, so it was nice to finally get some backstory other than the brief bits we saw in the episode featuring his first appearance. I believe Cuse and Lindelof intended to address Miles’ past at some point last year, but had to cut the story when the season was shortened by the strike. Whatever the reason, it actually worked for the better now that the Losties have travelled back in time. We always knew that his sixth sense was the reason he was recruited by Widmore, and some of us have even had the hunch that Marvin Candle (or Pierre Chang) was his father when it was suggested that he had previously visited the island, but I don’t think anyone realized that Miles knew as well.

As it turns out, he’s known ever since his third day as a member of the Dharma Initiative when he spotted his mother in the lunch line at the cafeteria. (At least he didn’t hit on her à la “Back to the Future.”). Heck, he even saw himself as a baby later on, which begs to ask the question: is Miles’ special ability a product of his time on the island or is it just sheer coincidence? I don’t think we’re going to find out the answer to that just yet, but one thing we do know is that Miles is adamant about not wanting to meet his father. He’s more or less forced to, though, when Horace gives him a special assignment to deliver a package (read: dead body) to Candle at the Swan station.

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