Category: Movies (Page 320 of 498)

Some travelling music…

Just a few quick thoughts to keep you busy as I make my way on the long, long journey from Orange County to San Diego for Comic-Con (well, it can feel long).

* Lars von Trier is enjoying the hub-bub around “Antichrist” (soon to have it’s second coming). What part of “provocateur” didn’t we understand?

* Karina has only one thing she’ll miss about the con. (Warning — don’t click while eating unless you find a fake ultra-bloodied Lloyd Kaufman palatable.)

* Also from THR: Michael Jackson’s flirtations with filmmaking. The big surprise — it could have been weirder. Even his meeting with Mel Gibson was apparently not incredibly strange, though Mel hugged a pillow.

* I’ve been reading articles like this for decades. The fact that they’re more or less true doesn’t make them less their inaccuracies/shallowness less annoying. Women have been getting more interested in geek stuff for a very long time. That’s a good thing. Personally, I didn’t notice a humongous “Twilight” contingent last year, but perhaps I’m sheltered.

* And now a clip that will be running through my mind as I approach the convention center.

I’ve never been good at avoiding silly places, obviously.

Beau Geste

William Wellman’s 1939 hit is the second and best-known version of the frequently filmed adventure novel by Percival Christopher Wren. This 1939 action not-quite-classic features superstar Gary Cooper (“High Noon”) and then-rising stars Ray Miland (“The Lost Weekend”) and Robert Preston (“The Music Man”) as three English brothers and best pals who flee their ancestral home in the wake of the mysterious theft of an extremely valuable emerald. Joining the infamously torturous French Foreign Legion, the brothers Geste encounter the brutal, greedy, thoroughly villainous but entirely courageous Sgt. Markoff (Brian Donleavy), who quickly hears of the stolen jewel and becomes determined to re-steal it for himself between attacks by Arab groups who’d prefer Frenchie goes home.

Unlike other classic-era tales of imperialist derring-do, “Beau Geste” doesn’t go out of its way to glamorize or morally justify the work of the Legion. At the same time, the mystery of the stolen jewel takes the focus away from the setting and becomes a kind of odd distraction. Ironically made in the same year as two similar but superior adventures, George Stevens’ comedic “Gunga Din” and Zoltan Korda’s wondrous, propagandistic “Four Feathers,” “Beau Geste” has been beautifully restored to its black and white glory and is worth seeing for its lucid direction, a moving finale, ans the outstanding cast. Character actor Brian Donleavy’s evil-but-admirable Markoff pretty much walks away with the film. It’s a savagely honest portrait of pure selfish survival instinct that makes this tale of brotherly love and sacrifice work, more or less.

Click to buy “Beau Geste”

Take that Kyle Smith! A very special movie moment

I could go on and on and on about how stupid I think Kyle Smith’s attempted take-down of the entire Harry Potter series is. But, rather than go on at length with thoughts about how anyone who writes for the mendacious New York Post should think several times before discussing morality in culture, I’ll simply go with a Harry Potter-inspired fantasy movie moment I forgot to include over the weekend.

This one is from perhaps my favorite Roger Corman film, the relatively lavish 1963 B-picture, “The Raven.” Much more a comedy/dark fantasy than a horror film, and only tangentially related to the Edgar Allen Poe poem, it is written by the great horror/fantasy writer Richard Matheson (the novel I Am Legend, both the book and the film “Somewhere in Time,” and innumerable “Twilight Zone” episodes) and featured three of the true greats of old school horror typecasting: Boris Karloff, Vincent Price, and (sadly not featured in this video) Peter Lorre. An extremely young Jack Nicholson is also on hand in the kind of bland, male ingenue roles that helped him to consider writing as a career.

I guess this might be the closest the movies have come to Harry vs. Voldemort until the second “Harry Potter and the Deathly Hallow’s: Part II.” Of course, since I haven’t read the final Potter novel yet, for all I know they settle the whole thing on page 1 with card tricks and an applause meter.

Today in geek film second guessing (updated)

Something is in the air right now that’s just making movie people a bit whiny, maybe it’s pre-Comic Con jitters impacting today’s perhaps over geekified (even for me) film world. To wit:

— Via Screenrant comes word of Todd Gilchrist‘s post on producer Joel Silver’s reminiscences on the “Watchmen” script he spent years developing, which for a time was attached to San Fernando Valley-bred American Python and genuine auteur Terry Gilliam. Basically, he argues that his version was better and more audience friendly. That’s easy to say now and, especially based on Joel Silver’s legendary rep, one expects exaggeration. Though I had seriously mixed feelings about the Zack Snyder’s version, it’s important to remember that Gilliam abandoned the project as unfilmable at any reasonable movie-length. My feeling is that the recent film, despite some truly brilliant visuals, a clever rewrite of the problematic ending of the original, and a number of really terrific flourishes, largely bears this out, though I’m looking forward to seeing the expanded version. (I kind of hated “300” by the way, but that’s probably less Snyder’s fault than his source material, I’m guessing.)

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Blu Tuesday: Watchmen, Coraline and 300

Due to the lack of options that Blu-ray enthusiasts were presented with over the last few weeks, it’s been a while since I’ve written a proper column. Though I had originally planned to combine two weeks’ worth of HD titles into one write-up, I ultimately decided against it because, well, even that selection wasn’t very inspiring. It’s a different story today, however, with three must-buy titles and several more worth checking out.

“Watchmen” (Warner Bros.)

The Blu-ray release of “Watchmen” has been the subject of attention since before the movie even arrived in theaters, but that’s what happens when you adapt something as popular as Alan Moore and Dave Gibbons’ groundbreaking graphic novel. The good news is that after all the legal issues with 20th Century Fox and the film’s less-than-stellar box office performance, Warner Bros. has still come through with one of the coolest Blu-rays of the year. Not only does it feature a director’s cut with over 20 minutes of additional footage, but the three-disc set also introduces the much-publicized Maximum Movie Mode, which is kind of like Universal’s U-Control feature on steroids. Quite simply, this is the future of Blu-ray, with Zack Snyder hosting an in-depth look at key sequences (often pausing the movie to discuss certain details), while other extras — like a timeline comparing historical events from Our World to Their World, picture-in-picture interviews with the cast and crew, and storyboards and comic book comparisons — supplement the experience. Also included are a series of video diaries that you can hop over to while watching the film, as well as a second disc packed with featurettes on the graphic novel, the psychology of vigilantes, and the science of “Watchmen.” If there’s one release that should help convince consumers why Blu-ray is better than DVD, this is it.

“Coraline” (Universal)

“The Nightmare Before Christmas” might have the bigger fanbase, but Henry Selick’s latest stop-motion adventure, “Coraline,” is by far the better of the two films. Then again, when you consider that the source material was written by Neil Gaiman, it isn’t at all surprising that the movie would turn out as good as it did. Though it’s debatable whether or not “Coraline” will scare the younger crowds, the film is unequivocally a must-see for any fan of Selick’s past work. The Blu-ray release makes the experience even better, too, with the option to watch the film in 2-D or 3-D (glasses included), as well as a host of awesome extras ranging from a director commentary to an in-depth making-of featurette that might as well have been called Stop-Motion 101. The two-disc set also includes Universal’s standard U-Control feature with a picture-in-picture video track filled with behind-the-scenes footage, interviews, and the ability to watch the full-length animatic alongside the movie. Were it not for the fact that Warner Bros. was releasing “Watchmen” on the same day, this easily would have been the best release of the week, and possibly the month.

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