Category: Movies (Page 309 of 498)

Silly time in movie land

Still in the midst of a busy day, so I’m keeping it short…

* In the “haven’t we seen this item already” category, it seems that Warners is now planning a movie based on Legos. Apparently, they have run out of video games and dolls and now they are basing a movie on a toy building material. Hey, I’m not saying it will necessarily be bad, but what next: “Lincoln Logs: The Movie”? And, coming soon, the R-rated comedy for adults: “Drywall.”

* The good kind of silliness, from my friends, ‘net superstars the Perry Boys of “Retarded Policeman” fame. This may seem familiar.

For more of the Perry Boys’ exploits, click here.

David Mamet taking on a new “Anne Frank” film

Disney has acquired the rights to do a new version of The Diary of Anne Frank, this time to be written and directed by David Mamet. I know the temptation here is to start making dumb (but possibly funny) jokes about F-words being thrown into this latest version of the frequently filmed accidental classic and classroom perennial. However, this is not the first time Mamet has dealt with family-friendly material. His 1999 G-rated version of Terence Rattigan’s “The Winslow Boy” was a genuine treat and was also drawn from real, though far happier, events.

By the way, via IMDb, I count nine previous versions of the Anne Frank diary itself (not including numerous productions expanding on what was in the actual diary) mostly made for television. There was also an anime version in 1995.

Considering Frank’s legendary postive view of mankind, a post of mine from last year responding to an op-ed by Mamet might be of some interest here.

So, “The Imaginarium of Doctor Parnassus” looks awesome

Many people are going to see this movie simply because it was Heath Ledger’s last role. That’s all well and good, but “The Imaginarium of Doctor Parnassus” has a lot more to offer. The film, which Terry Gilliam directed and co-wrote, began production in December of 2007 and was given a budget of $30 million. Over the years, Gilliam has gathered a worldwide recognition, and many fans have been eagerly awaiting this film, which is his first since 2005’s “Tideland.” Perhaps best known as the only American in Monty Python, he also directed their films “Monty Python and the Holy Grail” and “The Meaning of Life.” Gilliam later went on to direct such classics as “Brazil” and “Fear and Loathing in Las Vegas.” After Ledger unexpectedly died, Gilliam and co-writer Charles McKeown made some changes to this script, which now had Ledger’s character going through physical transformations. Thus, Johnny Depp, Jude Law, and Colin Farrell were cast to play different versions of Ledger’s character. Outside of some entertaining comedies, it’s been a pretty dry year for movies. Thankfully, it looks like “The Imaginarium of Doctor Parnassus” won’t disappoint.

Oh, and Tom Waits plays the devil in it. Need I say more?

Links for a fun and strange day

I’m in the midst of a crazy day that for me that will include a screening tonight and then a quick jaunt across the street over to the New Beverly, which is in the midst of Dante’s Inferno, to catch a movie I’ve literally been trying to see for decades. It’s 1967’s “The President’s Analyst,” a political-thriller/spy comedy satire, which is basically three or four of my favorite genres all mushed up together. Writer-director Theodore J. Flicker went on to create “Barney Miller,” so there’s that, too. Sadly, I’ll miss the even more obscure first feature which I featured here just a couple of weeks back, “Cold Turkey.”

Anyhow, I shall be brief, or not. Starting now, anyway:

* It looks like there may be yet one more “last Kubrick movie” to come and it’ll be a Holocaust-themed drama to be directed by Ang Lee. Something tells me we’re looking at a Fall or Winter release here.

* Matthew Vaughn’s “Kick-Ass” is attracting strong studio interest, not surprisingly. And I can still remember a time when they’d have to put a picture of a donkey on the film poster in order to get away with that title.

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Blu Tuesday: These Mutant Ninja Turtles Aren’t Teenagers Anymore

Though there are actually quite a few Blu-ray titles worth discussing this week (like “I Love You, Man” and “17 Again”), I simply couldn’t pass up the chance of using this week’s column to talk more in-depth about Warner Brothers’ hi-def release of all four “Teenage Mutant Ninja Turtles” films. Anyone who grew up in the late 80s and early 90s was obsessed with the Kevin Eastman/Peter Laird creation – from the animated series and live-action movies to the toys and video games – and that includes me. I’ll always hold a special place in my heart for the first live-action film (don’t blink or you’ll miss Sam Rockwell as a Foot Clan thug), and though the other two movies don’t have nearly as great of a reputation, they’re still pretty decent sequels for being geared almost exclusively towards kids.

So when the studio announced that they would be releasing a special Blu-ray collector’s edition to commemorate the 25th anniversary of their comic book debut, it quickly became one of the year’s most highly anticipated titles. Unfortunately, that news might be a little bittersweet for some fans, because while most people would no doubt love to own the first film (and in some cases, even the sequel) on Blu-ray, they’re not going to like being given the ultimatum of buying all four or none at all. Even worse, the live-action films don’t include any special features, and those that appear on the 2007 CGI installment, “TMNT,” are the same ones from the DVD and HD-DVD release. Warner Bros. is hoping to make up for that with some exclusive extras like an Eastman/Laird comic reprint, a signed sketch, and a beanie (all housed in quasi-pizza box packaging), and to some degree, it does, but that’s not going to quiet the critics.

After all, why celebrate such an event if you’re not going to do your absolute best to deliver a worthwhile box set? Surely they could have found something from the vaults to include as an extra, like the long-rumored director’s cut of the original film, or even some promo material or episodes from the animated series. Instead, we get nothing (save for some theatrical trailers), which really sucks, because the movies themselves look about ten times better than they did on DVD. If nothing else, that should convince diehard fans to make the somewhat steep investment, but that doesn’t mean they’ll be happy about it. Here’s hoping Warner Bros. wises up and releases all four films individually in the future, because you shouldn’t have to pay for someone else’s mistake.

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