Category: Movies (Page 170 of 498)

It’s your end of the week movie news dump.

Posting over the next few days is going to probably be news-free, so we’ll make hay while the cinema news sun shines. We start off with casting news.

Jeremy Renner in * Jeremy Renner of “The Hurt Locker” is “near a deal” to play Hawkeye in the Avengers film to be (theoretically) directed by Joss Whedon, who hasn’t said a word officially to anyone in months, as far as I can tell. Renner is a smart choice. Playing a character who hasn’t previously been introduced is going to be a special challenge in this movie and actors without real ability and charisma probably need not apply.

* So, if the Wrap is correct, Brad Pitt likely won’t end up staring in the U.S. remake of “The Girl With the Dragon Tattoo.” It looks like that will be Daniel Craig, instead. Having seen the Swedish film, it seems to me he’s a much better fit for the part of the male lead. The character has a bit of a hang-dog, defeated quality to him that just doesn’t fit Pitt. I think Craig can pull that off easily. He should probably gain or lose a bit of weight for the part. This guy might do okay with woman, but he’s a coffee-and-cigarette addicted journalist, not a perfectly exercised super-spy.

* Speaking of matters Bondian, as per the Playlist, Christopher Nolan is describing his very highly anticipated “Inception” as his Bond film, in a way.  I’m personally not a fan of “On Her Majesty’s Secret Service,” but it’s an interesting model, nonetheless.

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Let’s see them do an American remake of this!

From the alleged producer of “Dead Snow” not listed in IMDb, “Norwegian Ninja” is here.

H/t to the Daily Mubi and Twitch for this.

You probably laughed when you saw that “Norwegian Ninja,” is a true story — but it turns out that there really was an Arne Treholt who was convicted of treason for working with the KGB and the Iraqi Intelligence Service in 1984. His Wikipedia page mentions nothing about ninja skills, however — but then, it wouldn’t.

“Shrek Forever After” to live up to its name?

Shrek Forever After Quite possibly, if three weeks constitutes “forever.” The final installment of the CGI animation series was considered a fairly major disappointment in its first week, earning a relatively anemic amount just under $71 million, tens of millions less than prior entries. However,  “Shrek Forever After” has shown decent staying power, indicating that the relatively strong reviews this time around might be reflective of something that actually matters to audiences. If we are to believe jolly Carl DiOrio, it is once again the probable box office champion. Indeed, DiOrio expects the grosses to be between $25 and $30 million, which could easily double almost all of the four, count ’em, four major new releases coming out this week, assuming his lowish guesses for the other films are right.

To a lesser extent, the second week of the widely hated “Sex and the City 2” is also a contender for third place according to DiOrio — in his video, he doesn’t mention it in writing — but the Numbers see things quite a bit differently. I’d personally expect a bigger than average drop-off from it’s unimpressive debut simply because I get the feeling that hardly anyone liked it much, perhaps not even the franchise’s biggest fans.

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Met Them at the Greek — a press day chat with Russell Brand, Jonah Hill, Rose Byrne and Nicholas Stoller of “Get Him to the Greek”

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If you saw “Forgetting Sarah Marshall” — and I hope you have as its one of the stronger comedies to be made over the last several years — you’ll likely have noticed the strong comic chemistry between British comedy sensation Russell Brand as three-quarters insane, recovering addict rock star Aldous Snow and Jonah Hill (“Superbad“) as a resort waiter and somewhat overly devoted fan of Snow’s. Well, you’re not the only one, and so we have the somewhat slapdash, sometimes brilliant, and ultimately winning new comedy, “Get Him to the Greek,” which once again brings us Brand as Aldous Snow, who, since the events of “Sarah Marshall” has suffered a failed marriage to rocker Jackie Q (Rose Byrne), had a seven-year old son, and removed the “recovering” from his addiction — kind of impressive since “Sarah Marshall” was only two years ago.

Nevertheless, having fallen headlong off the wagon, Snow needs help arriving on-time and semi-cognizant for an important TV appearance, a sound check, and a special comeback performance at L.A.’s Greek Theater. The task falls to ambitious young record company assistant Aaron Green (Hill, playing a different character than in “Sarah Marshall”), a huge fan of Snow’s in a sweet but rocky relationship with his improbably adorable doctor girlfriend (Elizabeth Moss of “Mad Men“). Frequently vomit-stained hijinks ensue as Green and Snow barely survive a number of unfortunate events, including a nearly apocalyptic visit to the set of “The Today Show,” one of the most truly mad Las Vegas sequences in film history, and the kind of freaky three-ways that would make most porn producers blanch. It’s all wrapped up with the sort of good-hearted traditional morality which reminds us that the producer is the Walt Disney of male-centric, R-rated comedies, Judd Apatow.

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“Yes, yes I remember, I had lasagna.”

It’s never been a secret that the Zucker-Abraham-Zucker parody classic, “Airplane!,” was largely inspired by a not-that-frequently seen 1957 disaster flick called “Zero Hour!.”  Audiences were, however, familiar with countless other similar films that combined possibly immanent death with various types of melodrama. The definitely included the then-recent series of hugely successful airborne movie suspense-soaps that started with 1970’s “Airport.” It may have helped that “Zero Hour!” had been co-written by Arthur Hailey and “Airport” was based on a best-seller by Hailey.

Still, having never seen “Zero Hour!,” I had no idea just how close the two movies could be until I saw the following. Shirley Surely, you’ll see the resemblance.

Great work, someone. A huge h/t to /Film.

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