Tag: W

Admit it: you were too busy drooling over Megan Fox on the cover of the October issue of GQ that you completely forgot to check out director Oliver Stone’s candid interview about his new film, “W.” It’s all right if you haven’t, because the brief chat can also be found online, and let me tell you, it’s well worth reading. Though it may seem like Stone is gunning for the incumbent president with his self-proclaimed political satire, the veteran director actually appears to have a good understanding of the man. In the article, Stone admits he’s cut from the same cloth as Bush, and if it weren’t for the fact that he took a completely different route growing up, he may have turned out the same way. Oh yeah, and “Vietnam drove out whatever arrogance [he] carried.”

The rest of the interview covers everything from the difficulties of making such a film to his long-running problems working within the studio system. Posted below are some excerpts, but to read it in full, click here.

On his first choice for the lead role:

“Originally I went for Christian Bale. We did some rigorous prosthetic tests and spent a lot of dough—thousands and thousands of dollars—and then Christian said, “I just don’t feel like I can do it.” I met Josh and liked him. He was more rural Americana. But man, he was scared shitless.”

On why “W” could be considered a comedy:

“Well, it has to be done with an ebullience and a certain fun, because the guy is goofy. He’s a goofball! And I think he endeared himself to people because he couldn’t get anything right. Kubrick was an idol of mine. I grew up on “Strangelove” and movies like “Network,” and they made a big impact on me. So yeah, W. is a satire.”

On the state of his Mai Lai massacre project, “Pinkville”:

It can probably only come back if UA would give us the movie without paying them the money they’ve already spent. We started to make the movie. I mean, we built a whole village in Thailand! We have tons of stuff sitting in crates! There’s $6 million against the movie. And I don’t have that kind of money. They didn’t even pay all the bills. They stuck us with a bunch of them.

First they kept cutting our budget. We had our locations, we had our actors, we had everything picked out, and it was a very reasonable plan. Then Bruce Willis walked, and they were thrilled, because that gave them the final excuse to call it, even though we got Nicholas Cage. That was three weeks before shooting and right before Christmas. Let me remind you, that’s 120 Americans and 500 Thais put out of work right before Christmas. It was a cruel, heartless decision, and it was probably made because “Lions for Lambs” was perceived as a mess, a failure, and we were linked to these Iraq movies that weren’t working.