Category: Movie Dramas (Page 72 of 188)

A bit of the OLD ultraviolence

With “Kick-Ass” raising just a little bit of controversy, below are two trailers and a Siskel & Ebert review for the three movies for which the term “ultraviolence” was originally coined, though I suppose author Anthony Burgess might get the credit for the actual words. Though “A Clockwork Orange” and “Bonnie and Clyde” are both obviously more serious films than an action-black-comedy like “Kick-Ass,” its worth noting that, as is the case now, the juxtaposition of violence and humor in those films was a big part of what so disturbed some critics. As for “The Wild Bunch,” it was just the sheer savagery of the thing.

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Given his review of “Kick-Ass,” I think Roger Ebert’s remark about the children in “The Wild Bunch” is worth noting. I’ll be discussing that some more shortly.

Midweek movie news

It’s quite late, or quite early, here on the west coast, so this edition will be swift.

* Captain America has got his girlfriend, and I’ve never heard of her! However, those of you who keep up with your TV may know Hayley Atwell, who’ll be playing Peggy Carter, Cap’s WWII era love interest. Among other shows, she was featured on the not-so well received AMC redo of “The Prisoner.”

* The folks over at Dreamworks have been busy beavers. First, they began the roll out of their “Kung Fu Panda” “virtual theme park” — basically a collection of Panda-based games for kids. Also, their gearing up for the May release “Shrek Forever After.” Today, CEO Jeffrey Katzenberg spoke at the National Association of Broadcasters (NAB) confab about, naturally, 3-D conversions on the first three “Shrek” productions and how they won’t suck like certain live-action 3-D conversions.

Still, there was a fly in the family-friendly ointment, and that was a photo spread that’s coming out in the glossy Vman Magazine that apparently caused some unhappiness at Dreamworks Animation. I could explain why, and you may definitely read the Paul Bond’s THR article about it. On the other hand, I don’t have to tell you how many words a picture is worth.

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Dial 3 for 3-D, or something

The news that Martin Scorsese will, as previously hinted, be filming “The Invention of Hugo Cabret” in 3-D could be cynically interpreted as simply a case of an artistic but shrewd director jumping on a popular bandwagon. However, I’m not really a cynic and to me it brings to mind the last time that a truly great director made a film in 3-D. With all due respect to James Cameron and his undoubted huge technical achievement with “Avatar,” that was when Alfred Hitchcock took up the huge challenge of shooting in three dimensions with 1954’s “Dial M for Murder.”

The trailer below doesn’t mention the process because, despite the enormous trouble taken to film it in three dimensions, by the time the thriller, an adaptation of a wildly successful play, came out interest was already waning in the process — probably largely due to sub-standard films generated by the 3-D fad (modern day executives take note). Therefore, “Dial M for Murder” was, for the most part, released “flat.” Nevertheless, check out the way Hitchcock uses the (extremely huge) camera and the care he takes with the art direction.

If that phone seems a bit odd to you, it’s because Hitchcock actually had, as per this TCM synopsis by Jeff Stafford, a giant dial constructed to get the exaggerated look he wanted. Mr. Hitchcock was prone to exaggeration and a perfectionist, but one who always had a reason. For example, here’s his note about the portrayal of the film’s main weapon:

This is nicely done but there wasn’t enough gleam to the scissors, and a murder without gleaming scissors is like asparagus without the hollandaise sauce – tasteless.

Someone has probably already said this, but Hitchcock wasn’t always tasteful, but he was never tasteless, if you follow me.

Defendor

With Matthew Vaughn’s “Kick-Ass” due in theaters this Friday, Sony picked the perfect time to release their own movie about a wannabe superhero – only “Defendor” is a little different in that its title character isn’t exactly right in the head. Granted, anyone that decides to get into the vigilante business has to be a little crazy, but Arthur Poppington (Woody Harrelson) is also a little slow. Dressed in a black suit with a duct-tape “D” on the chest and boasting an arsenal of weapons ranging from a WWII trench club to marbles and wasps, Defendor roams the city helping those in need. After saving a crack-addicted call girl (Kat Dennings) from a crooked cop (Elias Koteas) one night, Defendor teams up with her to take down a New York City crime boss that he believes to be a fictional villain named Captain Industry. Highlighted by a solid performance by Woody Harrelson, “Defendor” has its moments, but it ultimately falls prey to some shoddy direction from Peter Stebbins, who doesn’t seem to know whether the movie is supposed to be a dark comedy or a gritty crime drama. Koteas has some funny moments as the sleazebag cop who’s constantly harassed by Defendor, but it’s hard to find the humor in a mentally challenged adult who risks his life because he doesn’t think that bullets can harm him. “Defendor” definitely had the potential to be a great addition to the superhero genre, but it’s never better than mediocre.

Click to buy “Defendor”

Monday movie news

The movie side of the show biz world might not have anything of the magnitude of the big news from Team Coco to talk about today, but there’s plenty of interesting borderline-almost-news to mention in an ironic way…

* I don’t know whether there’s some sort of game of managing expectations going on or if interest really is limited to younger males and no one else, but I’m starting to hear rumblings that “Kick-Ass” is not expected to kick ass do hugely well at the box office this Friday. If so, then Matthew Vaughn has got to be one of the least lucky talented mainstream directors ever after generating so much excitement with his film, at least in the fanboy realms.

Kick-Ass

My main rumbling comes via this Playlist piece which alleges that nothing has been done to expand the interest in the film beyond those who’ve never heard of the comic book.  Literally speaking, that’s not true because I’d never heard of the comic book before hearing about Vaughn’s film of it, though I am certainly a member of the Geek American community. The main thrust of the piece itself is actually on the possibly stronger hopes for “Scott Pilgrim vs. The World” which, as a commenter offers, does seem to have more cross-gender appeal. It also has a well known star and the comic genius Edgar Wright going for it. We’ll see.

In any case, Vaughn appears to be doing what all prudent directors do before their next big film comes out, lining up the next gig just in case the current film really does tank. This story is a glorified rumor, but it does look possible that Vaughn’s next gig might involve a gangster/science fiction vampire comic book written by, of all people, controversial English talk show host and film geek, Jonathan Ross who is leaving the BBC because of a scandal caused, I kid you not, by tasteless prank phone calls. Here, he’d get a promotion. In any case, I’ll always remember him for “The Incredibly Strange Film Show.”

* Never fear, however, “Iron Man 2” will be here in 26 days. Of course it’ll do ridiculously well, but I remember some naysayers just before the first movie came out. Seems all those good reviews were a bit worrisome and even smart people like Michael Phillips and A.O. Scott, if memory serves, were worried the movie was a little too good to make monster bucks.

Myrna Loy* The biggest news in my personal movie world is word via the Los Angeles Times of the resurrection of the statue that classic-era superstar Myrna Loy (“The Thin Man,” “The Best Years of Our Lives”) posed for when she was just a young student and which graced the front of my alma mater for decades. As the News Editor of the Venice High Oarsman (“Rowing, Not Drifting”) back in the pre-pre-pre-pre MySpace era, I was on the Myrna-vandalism beat. This gladdens my heart. A picture, however, would have been nice. Maybe I’ll get to work on that a bit later.

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