Category: Movie Comedies (Page 156 of 195)

Blu Tuesday: He’s Just Not That Into You, Revolutionary Road and Weeds

After what seemed like an avalanche of Blu-rays during the month of May, HD consumers can finally rest their pocketbooks. The lull isn’t nearly as bad as it sounds – after all, studios continue to release catalog reissues every week – but those looking strictly for new titles have fewer options. For instance, last Tuesday brought us only one new release (the Renée Zellweger comedy, “New in Town”) – which is also why there was no new column – but this week offers up a slightly better selection to choose from.

“He’s Just Not That Into You” (Warner Bros.)

Though not quite an instant classic like Richard Curtis’ “Love Actually,” the Ken Kwapis-directed romantic comedy has a lot in common with the 2003 film. Both movies juggle several interweaving storylines (including some that end well and some that don’t), and both feature an all-star cast of actors. “He’s Just Not That Into You” isn’t as memorable, but it’s definitely better than expected thanks to a smart script and some standout performances by Ginnifer Goodwin and Justin Long. While the movie doesn’t appeal to the opposite sex in the same way as Curtis’ rom-com, it’s still an easier sell than most films like it due to the variety of male characters represented in the story. The Blu-ray release is far from extraordinary, but for fans of the genre, you could do a lot worse.

“Revolutionary Road” (Paramount)

I’ll be the first to admit that I didn’t love “Revolutionary Road” quite as much as the other critics, but it’s still a solid period drama with fine performances from the hugely underrated Leonardo DiCaprio and the slightly overrated Kate Winslet. While the story is just as depressing as most of the award films Hollywood is producing these days, there are small moments of happiness sprinkled throughout that helps make what can easily be conveyed as an anti-marriage tale a little easier to swallow. There’s obviously more to story than that, which is why anyone who might have strayed from seeing the film in theaters (and judging by its box office receipts, that’s a pretty big percentage) should definitely give it a go on Blu-ray. The book by Richard Yates has been called one of the greatest novels in the history of American Literature, and while that’s certainly not true of the movie adaptation, it’s still worth seeing once.

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SAG & Swift & Stuff

Steve Benen, who is the main guy at the terrific political blog of the liberal Washington Monthly, frequently posts what he calls “mini-reports,” and as someone who desperately needs an efficient verbal containment device that will discourage me from running off at the keyboard, I’m borrowing his format. You can’t copyright asterisks, can you?
Tom Hanks
* Fortunately for readers, my eyes glaze over just as quickly as yours do when you the subject is proposed union contracts. Nevertheless, the ongoing Screen Actor’s Guild (SAG) vote is important stuff and I can’t completely ignore it, even if I’m utterly unsure how I’d vote if I were in the union. Furthermore, I’m still trying to figure out exactly what happened to the current president of the union, Alan Rosenberg, who I gather has been stripped of his authority by the “new majority” who favor a proposed new contract. I could go on, but I’m already experiencing a minor case of mind melt, so here are the dueling videos: For “Yes” — Tom Hanks. For “No”: a bunch of talented but far less famous folks, including Tom’s good friend Ron’s dad. And a very long, but kind of interesting comment by Justine Bateman. More of this to come, I suspect.

* Ever heard of Tom Swift? I barely have myself, but I gather he was the hero of a series of pre-“Hardy Boys” type adventures with a touch of Jules Verne about a boy inventor. With bigwigs rummaging through such relics of a more polite time in popular culture as “Tintin,” it makes sense that Hollywood (director Barry Sonnenfeld, of “Men in Black” fame, included) is taking an interest.

* Box Office Mojo has some revisions. “Terminator Salvation” beat “Drag Me to Hell” after all.

* THR likes “The Hangover”, and I could go for a Bloody Mary right about now, myself.

The MTV Movie Awards…Bringing People Together

So, just to explain myself real briefly, for the time being you’re going to see the tiny little letters of my name a lot more often ’round these parts, as I’ll be blogging a couple of times a day, every day (or close to it), on movies and such. I’m going to try and keep things short and sweet but my record on those matters is a bit, er, mixed. It’s just very important to me that you know the whole story.

Anyhow, one interesting aspect of this gig is that I’ll be paying attention to things that before might have only gotten a cursory glance from me. Like the MTV Movie Awards.

Not surprisingly, as per Variety, Twilight” won the most awards and High School Musical 3: Senior Year” won stuff as well in the teeny-bopper friendly proceedings, while Andy Samberg and Will Ferrell performed a routine noting the ever increasing filmic phenomenon of movie tough guys who are so cool they refuse to look at explosions. (I haven’t seen the clip, which has already been pulled off YouTube, but that action film cliche goes back at least 13 years to “From Dusk ‘Till Dawn” and continues on into 2007’s “No Country for Old Men” and beyond I’m sure. Personally, I really would like to see Daniel Craig or Russell Crowe as a movie bomber pause to look at an explosion and go, “Wow…that’s so cool; I probably just incinerated a bunch of people, too. Sweet.”)

But none of that is the big news. That would be Sacha Baron Cohen, promoting his upcoming film starring his very, very gay character, Brüno, by doing what he always does — and his target was the rapper most frequently associated with the word “homophobia.” A video is worth a thousand words. (Via Nikki Finke.)

So, the big question is: Was the event staged and, if so, to what degree? Eminem looked genuinely surprised and angry to me and Nikki Finke’s commenters (those elusive “industry insiders” perhaps?) have theories on how some, but not all of it, might have been spontaneous. He might be an okay actor, but I don’t think his reaction, though somewhat understandable if all is as it appears, does anything for the extremely talented but seriously messed up Shady’s image, so why would he fake that? Also, if a hand-puppet could get him angry, a real Anglo-Israeli’s buttocks and barely covered private parts should really do the trick. Via MTV, Triumph, the Insult Comic Dog, has already weighed in. (“I sat on Eminem’s face long before Brüno ever did.”) Any other thoughts?

Somewhat more “real” movie news coming later today.

Weekend Box Office: “Up” Surprises; “Drag Me to Hell” in Limbo

Everyone expected a big weekend for the latest from the seemingly unstoppable Pixar/Disney creative team, but who knew that an elderly human could outperform an immature robot?

Yes, despite apparently being a bit intense for the very small ones, “Up” benefited from its widely noted ability to make adults cry and then laugh a lot as well — and perhaps more pointedly from being shown in what Nikki Finke reports is a record number (over 1,500) of 3-D digital screens. It raised $68.2 million, beating “WALL-E” by about $5 million, making it the third highest grosser in Pixar’s illustrious history. (Though, as always, one should remember that ticket prices keep getting higher.) But for those who think pristine visuals and high tech sound are the only attractions, I also have reason to believe it did well at the few remaining drive-in theaters as well…but more about that in a bit.

Overall, “Family” was apparently the watchword as “Night at the Museum: The Battle of the Smithsonian,” as Brandon Gray points out, dropped what is now considered a very respectable 53.5% to net $25.5 million smackers, buoyed by those premiums for IMAX theaters, both legit and “Liemax.”

Meanwhile, there was just a slight whiff of disappointment in horrorland as the ethically fascinating creepfest “Drag Me to Hell” netted a mere $16.6 million, but Sam Raimi’s presumably lowish budget flick is not quite in the movie toilet. Variety‘s Dave McNary cites a Universal bigwig thusly:

“It was a solid start,” [distribution chief Nikki] Rocco said, who asserted that “Drag Me to Hell” should benefit in coming weeks from a slew of positive reviews.

And, word of mouth of course. Like me, right here. As mentioned in my pre-weekend b.o. post, I really did head down to the Mission Tiki Drive-In in otherwise scenically challenged Montclair, CA. Alongside seeing hordes and hordes and hordes and hordes of families scrambling to see “Up” and meeting some very, very cool fellow cinenerds (some famed far and wide, relatively speaking), I can also say that “Drag Me to Hell” is a genuine hoot. You serious horror fans should be aware that, while it has laughs, they are mostly of the nervous and ironic variety, if that makes you feel any better. I mean, God forbid if a horror movie should actually be, you know, fun — and I don’t mean Dick Cheney’s idea of fun.

Meanwhile, “Terminator Salvation” did a lackluster $16.1 million in its second weekend, meaning that McG, Christian Bale and company likely feel like they’ve been dragged to the unhappy place themselves.

Spring Breakdown

“Spring Breakdown” has been circling the movie release schedule for what seems like years now. After numerous date changes, though, the Ryan Shiraki-directed comedy finally appeared set for release following its premiere at Sundance, only to be dumped on to DVD a few months later. Though it didn’t get rave reviews in Park City, it wasn’t too harshly criticized either, which makes me wonder why Warner Bros. didn’t at least give the movie a limited run in theaters. After all, the film stars two of the best comediennes in the business and features a plot that, while not very original, offers plenty of opportunities for its leading ladies to shine.

Indie darling Parker Posey stars as Becky St. Germaine, the homely office manager of Texas senator “Kay Bee” Hartman (Jane Lynch), who’s heavily favored to replace the current Vice President after a scandal forces him to resign. Afraid that her daughter, Ashley (Amber Tamblyn), will attract negative press while partying on South Padre Island for spring break, Hartman assigns Becky to go undercover and keep Ashley out of trouble. Along for the ride are Becky’s childhood friends, Gayle and Judi (Amy Poehler and Rachel Dratch, respectively), both of whom are looking for a second chance at reliving their college years. What follows is your standard series of comedy shenanigans, and while many of them aren’t funny, the movie is still harmless fun. It’s not nearly as good as the quality of its cast suggests, but “Spring Breakdown” still deserves kudos for making what’s essentially a mild-mannered frat boy comedy with women as the stars.

Click to buy “Spring Breakdown”

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