Category: Movie Comedies (Page 141 of 195)

Labor Pains

After failing to make the jump from kid star to adult actress (not to mention her two-year stint as every gossip magazines’ favorite drunken/slutty/anorexic/lesbian celebrity), “Labor Pains” was supposed to be Lindsay Lohan’s grand return to the big screen. Things didn’t go quite the way they were supposed to, however, and instead of getting a proper theatrical release, the film was dumped onto ABC Family as their movie of the week. Granted, “Labor Pains” is very much movie-of-the-week material, but that doesn’t mean it isn’t any good. Lohan stars as Thea, a twentysomething college drop-up working as a secretary at a small-time publishing company. When her boss (Chris Parnell) threatens to fire her after she accidentally harms his canine companion, Thea pretends to be pregnant in order to keep her job. What follows is exactly the kind of formulaic comedy that you’d expect just from looking at the poster, but despite its shortcomings, it’s still far more entertaining than your average made-for-TV movie. Her messy private life aside, Lohan is always fun to watch, and this time around, she gets invaluable support from comedy vets like Parnell and Cheryl Hines. It might not be for everyone, but “Labor Pains” is sure to find an audience as a great alternative to “America’s Next Top Model” reruns.

Click to buy “Labor Pains”

Movie moments: Sidney Poitier

We’re going to be taking a break from news today to spend a little time with the two extremely notable arts recipients of this year’s Presidential Medal of Freedom.

Let’s start by watching the most famous slap in movie history.

And here is Sidney Poitier uttering the most famous line of his career, from the same movie. In context, the impact of that line and what precedes isn’t too different from a slap in the face. Also, check out Poitier’s expression during the pauses. This is some interesting movie acting.

Continue reading »

Will “Funny People” be a sad clown at the box office?

Whatever my reaction to it winds up being when I finally see “Funny People,” Judd Apatow has my respect. As a producer, writer, and sometime director of mostly R-rated comedies, he’s enjoyed a level of unusually consistent box office and artistic/critical success over a large number of movies that only Pixar, which takes much longer to make its very different brand of crowd-pleaser, can top right now.

Making good movies requires taking risks, and Apatow is taking one right now with a film that is being described as a tragicomedy and with his only hedge being a cast dominated by popular comic actors led by Adam Sandler. That the film seems to be largely dividing critics and generating confused reactions would, if I were Apatow or Universal, make me a little nervous. Actually, Universal may be more nervous than Apatow. As Nikki Finke and everyone else is reporting tonight, the hyphenate comedy guy just inked a 3-picture deal with them, so he’s set for the time being.

Variety‘s Dave McNary reports that box office predictions vary pretty widely for the film, from the low twenty millions to the mid-thirties. No wonder. A casual look around the wilds of Rotten Tomatoes indicates that the Apatow’s third feature as a director after “The 40 Year-Old Virgin” and “Knocked Up” is far different piece of work and what you might call “difficult.” As far as I can remember, this has almost never indicated an immediate box office success — better to have critics universally detest the movie, it seems, than be conflicted. Movies that elicit this kind of reaction have more than once emerged years later as cult hits or even, as in the case of “Blade Runner,” legitimate classics. On the other hand, Adam Sandler’s name will count for something, and the presence of Seth Rogen and Jonah Hill, among others, certainly won’t hurt. But, on the other other hand, we’ve seen the power of stars amount to less than expected results more than once over the last year or so.

Continue reading »

Another televisionary movie moment

As we anxiously await Will Harris next post from the TCA, and my box office preview later today, it’s time for another television related movie clip. This time it’s courtesy of co-writer/star Will Ferrell and co-writer/director Adam McKay from 2004’s “Anchorman: The Legend of Ron Burgundy,” backed up by a slew of familiar faces.

Here we see where the roots of the greatness of today’s local news shows as they emerged in that very special time and place of seventies Southern California.

And, yes, folks who post videos at YouTube, double-checking your spelling is never a bad thing.

It’s money that matters

Filthy lucre is today’s theme in movieland. Really, it’s every day’s theme, but it’s on my mind today.

* Nikki Finke, who actually makes money blogging, notes a pay cut for William Morris assistants, who already work ridiculously hard for the hope of decent money some day, and are expected to work a minimum of fifty hours a week. Presumably they get some overtime (though one wonders if they’re not working actually quite a bit more — Hollywood and Walmart have been known to have a few things in common in the past). They’d better because their boss’s brother is the White House chief of staff. Could get messy, otherwise.

Finke also has an interesting — inasmuch as I can follow it — look at some silver linings amidst the major studio’s fiscals clouds.

* A noted casting change in the third “Twilight” will probably not affect grosses perceptibly, but there’s no stopping those wagging tongues.

* And with all the fuss at Comic-Con, the appearance of anime genius Hiyao Miyazaki got all but ignored by the media, as far as I can tell. “Princess Mononoke” beat “Titanic” in Japan. If it had done so here, it’s fair to say he wouldn’t have been a relative afterthought.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑