Category: Interviews (Page 3 of 69)

Mickey Rourke confirms what everybody else was already thinking

When you interview a guy like Mickey Rourke, you can be sure that you’re going to walk away with at least one or two tasty pull quotes, which is exactly what the actor delivered when Bob Westal sat down to talk to him about his new film, “Immortals.” But while he chatted extensively about working on the Tarsem Singh action fantasy, it was in a discussion about an earlier projects — the 1986 film “9 1/2 Weeks” — that made our day:

I never watched that movie until about five years ago… I saw it [again] about a year or so ago, like little pieces of it, and I said, “That fuckin’ Kim [Basinger] was hot as shit!” I used to go home with a boner every night. Really. That was no fun…

Head over to the Bullz-Eye Blog to read the full interview, including more about “Immortals,” his experience working with directors Darren Aronofsky and Francis Ford Coppola, and how he feels about some of the newer technological advances in film.

Carla Gugino isn’t just a pretty face

We already know that Carla Gugino is smoking hot, but she’s also proven on numerous occasions that she’s a pretty good actress as well. (Her recurring guest spot on HBO’s “Entourage” is still one of our personal favorites.) And though Gugino has never been shy in front of the camera, the actress is always eager to show that she can play a variety of roles. She elaborated on the matter in a recent interview with Bullz-Eye’s Will Harris:

For me, it’s always been about that. It’s really about…you know, I’m so thrilled that [“The Mighty Macs”] is a G-rated family movie that everybody can go to, because that story is so appropriate for that. And I love that “Californication” is made for adults. It’s a totally different kind of humor and a different kind of… yeah, it’s a much sexier show and all those things. And then I’m about to go do an Athol Fugard play on Broadway with Rosemary Harris and Jim Dale, which is a decidedly different thing. So to me, aside from the people that I love, acting really is the love of my life. I want to be able to play everything and be able to disappear into roles and have people accept and believe me in those. I’m much more interested in that than my image as an actor. So it is thrilling to be able to mix it up, and I’m appreciative that I get to do that.

Head over to Bullz-Eye to read the full interview, including more about her new film “The Mighty Macs” and past projects like the short-lived TV series “Karen Sisco.”

Is William Shatner’s love/hate relationship with “Star Trek” finally over?

He’s a god among geeks (and more specifically, “Star Trek” fans), but William Shatner hasn’t always returned that affection when it comes to talking about his career-defining work as Capt. James T. Kirk on the “Star Trek” TV series and movies. Shatner has even gone on record as saying that he doesn’t “get” Trekkies and sometimes comes across as if the iconic role was more of a burden than a blessing. But it sounds like he’s finally starting to appreciate what the show did for his career, and even said as much in his recent interview with Bullz-Eye:

No, I knew from the very beginning – or at least when it made me popular – what a profound effect it had, but to bring yourself to understand it again, to have another insight, is helpful about everything, whether it’s the love you have for the people around you or your work or…eating an apple. (Laughs) As long as you live in the moment and appreciate it, that’s really what makes you happy.

Check out the interview for more about Shatner’s new documentary, “The Captains,” as well as some of his other past and future projects.

A short chat with Ryan Gosling of “Drive”

No disrespect to Keri Russell or Justin Timberlake, but Ryan Gosling is easily the most powerfully versatile actor to emerge from that thespian crucible we call the Mickey Mouse Club. He’s done very well playing relatively straightforward leads in “Fracture” and the chick-flick phenom, “The Notebook,” but the 30-year-old Canadian with an oddly urban accent has specialized in playing a wide variety of oddballs and doing it better than anyone of his generation. Right now, he can be seen going way into the violent dark side of life with the rather remarkable thriller, “Drive.” From Danish filmmaker Nicolas Winding Refn, it’s a fascinating blend of 70s/80s aesthetics, true romance and deliberately ugly brutality. Describing his attraction to the film, Gosling says, “I’ve always wanted to be in a violent John Hughes movie. I always thought that if ‘Pretty in Pink’ had a head smashing, it’d be perfect.”

He was more serious than you might think when he said that. And so it went as a very interesting Mr. Gosling spoke with Bullz-Eye and other journos about his latest film. Check out a sample of the roundtable discussion below and then head over to Bullz-Eye to read the full interview.

On his unusual relationship with violent cinema and on being a head-smashing “superhero.”

When I was a little kid, when I first saw “First Blood,” it put a spell on me. I thought I was Rambo; I even thought my face felt like Sylvester Stallone’s face when I touched it. I went to school the next day. I put steak knives in my Fisher Price Houdini kit, and I took ’em, and I threw them at all the kids at recess. I got suspended, rightfully so, and I’m sorry and I learned my lesson and I never did anything like that again. But my parents said, “This guy can’t watch movies, or violent movies anyways.” They put me on a leash and I could only watch Bible. National Geographic movies, and black and white comedies, Abbott and Costello…

I understand the effect that movies can have on you, and the kind of spell that they can cast on you. When I first read this script, I felt like this is a guy who’s just seen too many movies. He’s going around acting like he’s the hero of his own action movie. I wanted to play a superhero, but all the good ones are taken. I thought, “Well, I can create my own, potentially.”

On working with “Drive” director Nicolas Winding Refn, best known previously for such hyperviolent slices of cinema as the acclaimed “Bronson” starring Tom Hardy and the Danish “Pusher” trilogy.

Look, ever since Nicolas was a little boy, his mother has been telling him he’s a genius and everything he did was genius. Even when he was watching “Texas Chainsaw Massacre” while he ate his cereal before he went to elementary school in the morning. Obsessively, she believed he was a genius. I think that, you get told that enough, eventually it becomes true. I’m not sure that he really started out as one, but I do believe he’s become one.

He is a very unfiltered filmmaker. He just makes what he wants to see. If it’s boring to him, he won’t shoot it. He fetishizes things, in a way… He sexualizes things because he can’t maybe be as sexual as he’d want to be [because he’s married]. He talks about filmmaking a lot like having sex. It has to arouse him and has to be sexually interesting to him, even if it’s a pair of gloves or where you hand is in the frame. It has to literally turn him on.

Steven Bauer talks “Scarface” and more

Actor Steven Bauer is the sort of down-to-earth guy who’s willing to come right out and tell an interviewer that, overall, his career in Hollywood has been “kind of… a little iffy,” so it really does the heart good to see him currently experiencing a bit of an upswing in his success. If you’re a fan of “Breaking Bad” – and, really, why wouldn’t you be? – then you saw him make the first of his two appearances on the show this season, and the timing couldn’t be more perfect: between those episodes lies the Blu-ray release of “Scarface,” where Bauer ably held his own against Al Pacino with his performance as Tony Montana’s brother from another mother, Manny Ribero. Although we only had a short time to talk, Bullz-Eye still managed to get Bauer’s recollections of working on both of these projects.

Check out a sample of our chat with him below and then head over to Bullz-Eye for the full interview.

Bullz-Eye: With “Scarface,” my understanding is that it was a combination of your very authentic Cuban background and your audition that helped you get the part. How did you prepare for the audition?

Steven Bauer: Wow, it was… I’ll tell you what: it was pretty daunting at the time. What I did was… y’know, I read the script, I knew the script and I understood it, knowing that I had very little in common with this character of Manny. Fortunately, I’d met guys like that, so I had something to draw upon. Because I’m the antithesis of Manny. Well, I was then. I probably became more and more like Manny as I got older. (Laughs) But at 24 years old, I was more like Justin Bieber than Manny Ribera! But I had seen those guys, y’know, growing up in Miami. I’d seen guys who were that way, and that’s really what I drew upon. Also, it was the sensibilities of the Cuban who has lost his homeland and is really sort of adrift in the world and looking for any harbor. Landing in the United States is the opportunity to do anything you want to do and be anything you want to be.

BE: Talking about your inherent Cuban-ness, did it ever give you pause at all that so many non-Cuban actors were selected to play Cubans in the film?

SB: Not at all. Will, honestly, it was an amazing coming together of actors, and I for one… well, first of all, who am I to judge? (Laughs) But secondly, there was no room for judgment, because the actors that they chose, beginning with Bob Loggia as Frank Lopez. He did his own work, he did his own research, and he came up with a totally original Cuban character that… I recognized him immediately. He’s that guy who laughs at his own jokes. He’s a big blowhard, y’know? It was a fantastic character that he created. And then Murray Abraham created that weasel of a man, Omar. And the other guys who weren’t Cuban, the guy who played the Bolivian – God rest his soul, Paul Shenar, who passed away years ago – he was fantastic. And he had no knowledge of any Bolivian. But he did tremendous research. And when you look at the whole canvas of the actors that were chosen, they’re all stars. They’re all beautiful, amazing artists. Michelle Pfeiffer, in her second film role ever, she created this beautiful, beautiful character, this haunted girl who’s just completely lost and attached to this power, to this man, and then attaches himself to the other man as soon as he gets the power. And again, the actors who were playing Cubans, they were all… the ones who were playing the important roles in the film, they all did amazing, amazing work. I always, always defend it.

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