Category: Heroes (Page 7 of 22)

TCA Tour, Jan. 2009: NBC newsflash

Angela Bromstad, President of Primetime Entertainment, and Paul Telegdy, Executive Vice President of Alternative Programming, just popped up on stage to offer the following tidbits of information, some of which were announced awhile ago but which we haven’t yet covered on Premium Hollywood:

* “Southland,” the new drama from John Wells (which was formerly known as “Police”), will premiere on April 9th, Thursday at 10 PM.

From Emmy Award winners John Wells, Ann Biderman and Chris Chulack comes a raw and authentic look at the police unit in Los Angeles. From the beaches of Malibu to the streets of East Los Angeles, “Southland” is a fast-moving drama that will take viewers inside the lives of cops, criminals, victims and their families. Michael Cudlitz plays John Cooper a seasoned Los Angeles cop assigned to train young rookie Ben Sherman. Cooper’s honest, no-nonsense approach to the job leaves Sherman questioning whether or not he has what it takes to become a police officer. Cudlitz and McKenzie are joined by other cast members including Regina King who plays Detective Lydia Adams. Adams lives with and is the primary caregiver of her mother. Her partner, Detective Russell Clarke (Tom Everett Scott) is an unhappily married father of three. Michael McGrady plays Detective Daniel “Sal” Salinger. Sal oversees fellow gang detectives Nate Moretta (Kevin Alejandro) and Sammy Bryant (Shawn Hatosy). Arija Bareikis plays as patrol officer Chickie Brown, a single mom who dreams of being the first woman accepted into SWAT.

* They have ordered 3 more episodes of “ER,” bringing the season total to 23. The series finale will now air on April 2nd, with a one-hour retrospective preceding the two-hour finale. Why the additional episodes? “Why not?” asked Bromstad. She then clarified, however, that it allows John Wells time to get “Southland” ready.

* They have officially signed on for additional seasons of “The Office” and “The Rock”

* NBC has signed Don Cheadle and his company, Crescendo Productions, to a two-year, first-look television development deal.

* Due to its success up against “American Idol,” they will indeed be picking up another season of “Biggest Loser” for next season.

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Heroes 3.13 – When They Said to Choose A Side, It Made You Want To Hide

First things first: Hayden Panetierre is not a great actress. When her time on “Heroes” has finally come to a conclusion, I’d bet dollars to doughnuts that she ends up doing the straight-to-video or TV-movie circuit for the remainder of her career. I’ve been wrong before on guessing people’s ultimate career fates, but having watched the scenes tonight where Claire and Sylar are battling over the intercom, I’m feeling pretty good about this one. With precious few exceptions, she just can’t seem to deliver a menacing line without making it sound like the height of cliche…which it is, of course. But a better actress could’ve made it sound cool, while her delivery just made me groan.

I was way disappointed with how little action we got out of HRG’s plan to release the villains to serve as chum. In the end, it basically just felt like an excuse to break out the Puppet Master again…not that there’s anything wrong with that. But even that didn’t pay off. You knew the showdown between Sylar and the Puppet Master was going to turn out poorly for the latter, but I was hoping for at least a little more action than just Sylar asking, “You think you can control me?” Bam, Puppet Master’s strings are cut. Boring.

Sorry to see Claire’s biological mom go, as I kind of liked her, but once she got that shot of adrenaline, I figured she wasn’t long for this world, and I was right.

Finally, Tracy breaks out her powers again…and, subsequently, Knox breaks into a whole bunch of little pieces. It was a nice and shocking moment, to be sure. We really only got one other Tracy moment that’s worth discussing, but it was arguably the best scene of the episode: her encounter with Hiro. First, Tracy’s David Spade impression made me laugh (“And you are…?”), then she called Hiro “Pikachu,” which earned a giggle, but then Hiro offering an apology followed by a sock in the face was almost as funny as Daphne’s expression thereafter.

Speaking of Daphne, when she said, “And you were there, and you were there,” all I could think was, “Hello, ‘Wizard of Oz’ reference,” and the same went for “A Few Good Men” when Sylar screamed, “Tell me the truth!” Was this intentional? Were there more unabashed line thefts that I missed…?

Who doesn’t enjoy the opportunity to see George Takei wielding a sword again? There wasn’t really much to that scene, except to get a good laugh out of the father/son battle and to finally show the moment where the formula was torn in half, but, again, it’s George Takei wielding a sword.

Overall, I was really only “meh” about this episode. The scenes with Nathan and Peter were just more brotherly bickering, the conversation between Sylar and Mama Petrelli had limited emotional heft, given that we knew full well that she wasn’t his mother, and the whole subplot about Ando developing his time-travel-related ability was just plain ridiculous. Frankly, I’m glad to see PrimaTech finally go up in smoke; it’s about time we got more of a look at the heroes and villains outside of the same world they’ve always been centered around.

Then again, maybe I’m just tired.

Heroes 3.12 – This House Is Just A Broken Home, Left All Alone

Pretty ballsy of Nathan to blow into Papa Petrelli’s office and talk shit tonight, wasn’t it? And, yet, he was right: he does have the power…politically speaking…to help make Papa’s plan a reality. Of course, if he thinks Papa isn’t going to blow his mind if he makes a wrong move, he’s ridiculously naive. I continue to be interested in the militaristic side of Nathan’s storyline, but I have to say that this idea of having a super-powered fighting force seems like a really bad idea to me. Even if Papa’s people do have control over who gets what abilities, it only takes one strong bastard to figure out how to use his powers and the element of surprise to take control of the operation. But maybe that’s just me. Unrelated question: how utterly useless a character is Tracy these days? Why give her that awesome power if we’re not even going to get to see her use it?

Mama Petrelli’s cool delivery never fails to entertain me, especially tonight, when she calmly and carefully laid out the method by which her son should kill her husband. I appreciate Peter’s insistence that he has to be the one to take out his father, but you’d think he’d at least be willing to accept the help of the Haitian. But, noooooooo, it’s gotta be his responsibility…

Despite our readers’ suspicions to the contrary, Elle sure looked pretty damned dead to me when the episode began, and when Sylar covered her in gasoline and set her ablaze…well, if she isn’t dead, she’s at least going to be extra crispy. It was, of course, nice to see the unequivocally evil Sylar return, but the highlight had to be when Sue Landers’ co-workers burst in on him while he was in mid-attack. “Cake…?” Nice. The moment in the elevator was pretty funny, too. (“Huh. It does kind of tingle.”)

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Heroes 3.11 – Hope Will Fall Tonight with Broken Wings

Sylar and Elle had a bad case of coitus interruptus, huh? Well, if you’re gonna be shooting up HRG’s little girl, you’ve got to be willing to pay the price. The cat-and-mouse game between HRG and Sylar and Elle was pretty cool, particularly when Sylar threw the money at the guy in the drugstore in the most pitiful attempt ever at buying time, but, wow, I totally did not expect HRG to slit his throat like that.

Claire, meanwhile, was having trouble dealing with her gunshot wound because her body is reacting to infection as if she’s never been sick before…which, given that her healing abilities would’ve kept her in top-notch condition, makes sense. But, wow, I didn’t quite expect her condition to go into as much of a tailspin as it did, nor did I expect them to actually kill her. Granted, it’s not like you didn’t know that both she and Sylar were gonna come back when the eclipse ended, but even so, I was impressed with the way they took both storylines to the edge like that.

I wouldn’t have thought that Peter and Brother Voodoo would make a good team, but I liked Peter’s comment about wanting to prove to his father that he could be a hero even without his powers. Hey, that’s what Papa gets for shrugging off his son just because he wanted to be a nurse! You know, I was actually more intrigued by this storyline than anyone else’s, possibly because it seemed so unlike anything else that’s gone on before, what with the Haitian general and everything; with Pete turning into a gun-toting Rambo and Brother Voodoo cracking heads and then going all apeshit on his brother, I was not disappointed. Nathan’s change in attitude was an unexpected one, but it’s a fascinating one which has a lot of potential.

Mohinder’s stuck in the lab, trying to figure out the connection between the eclipse and the loss of the abilities of the heroes and villains. The good news is that he’s under the watchful eye of Flint, who’s about as much of a dumb lackey as you could hope for, and although he might still be a tough guy even without his powers, he proves to be no match for Mohinder. Well, actually, it looked pretty close there for a second; at first punch, I wasn’t entirely sure that Mohinder’s attack plan was going to succeed. But, hey, he pulled it out, and that’s what counts. Surely I’m not the only one who cringed, however, when he picked up that post-it with Maya’s name and address on it. Thank goodness for the small blessing that his “curse” came back before she had a chance to drag the episode down. I also appreciated the fact that Mohinder’s fly-ish tendencies are downplayed when he’s in the lab.

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Heroes 3.10 – The People with the Answers Won’t Tell the People with the Questions the Answers

When a music geek is handed an episode with a title like “The Eclipse,” you’re given a lot of different choices for lyrical references as the title of your blog entry. Should I go with Pink Floyd (All that you slight, everyone you fight…), or should I go with Bonnie Tyler (Once upon a time, there was love in my life…)? Instead, I went with a relative obscurity – a line from the closing track of the Beta Band’s Hot Shots II – but given the way the series has been going, it seemed rather appropriate.

Let’s split this week’s blog into two parts, shall we?

Before the Eclipse:

Arthur has just been a sketching fool since taking on the power of poor Usutu, but, wow, he’s really let his people skills drop off. Really, though, can you blame him? Thanks to his new abilities, he knows what’s coming…and, yet, he can’t seem to do a damned thing to change it.

The relationship between Sylar and Elle turned darker this week than I expected. I mean, I know I made a comment a few weeks ago about how Sylar’s so freaking wishy-washy that he’ll probably switch sides half a dozen more times before the end of the season, so I shouldn’t have been surprised that he left his touchy-feely side behind, but I just didn’t expect Elle to be the one who turned him. She’s a complex character, that one. (Her throwaway description of HRG as “Glasses himself” was hilarious.)

Mohinder really just isn’t a very good scientist, is he? “I, uh, didn’t think the eclipse had anything to do with it,” he mutters. Whoops. From there, it was back to “Return of the Fly,” unfortunately.

Matt and Daphne’s quest to find Hiro turned out to be a short one when he and Ando turned up, courtesy of their comic book intel. I loved the interplay between Ando and Daphne, not to mention Hiro and the turtle, but I’m wondering how long this whole back-and-forth thing between Matt and Daphne is going to go on. That said, once the boys followed Daphne to Lawrence, Kansas, I had to laugh at Hiro’s exclamation: “Holy crap!”

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