Tag: Arthur Petrelli

“Heroes” directors talk “Fugitives,” fans, and (Bryan) Fuller

The return of “Heroes” from its mid-season vacation is coming up fast…the show returns with its latest saga, “Fugitives,” on Monday, February 2…and the folks working behind the scenes are excited about it, even if some of the fans are less than thrilled with the way the show has been progressing in its third season.

“Part of the fun of being a fan is the grousing,” acknowledged Allan Arkush, who not only serves as one of the show’s directors but also as an executive producer. “That’s certainly one of the biggest functions of the internet: to be a place where you can get pissed off and show it. But I thought Tina Fey was pretty funny about it on the Golden Globes. I mean, I didn’t disagree with her point of view on it! It’s fine, but I’ve been reading a lot of reviews of the Season 2 DVDs, and people have been saying, ‘Well, when you look at them in a row, it’s a completely different experience, and now I see how the whole thing is threaded together!’”

Arkush doesn’t tend to read the negative press in that much detail, but he did take particular issue with Entertainment Weekly’s recent smackdown of the “Villains” episode.

“I thought it was way off mark,” he said. “They said something about how it was one of the worst episodes of the year of any show, and I thought, ‘That’s not true at all! This is actually a really good episode!’ It was the one where we went back and showed how Sylar met Elle and showed what Arthur Petrelli had done, and I thought it was fun to kind of go back and see how all of that happened and see parts of their lives that we hadn’t seen, but they said, ‘Oh, it’s a very contrived concept.’ I liked it. It was one of my favorite episodes of the year!”

It’s fair to say, however, that just about everyone – not just fans, but, indeed, Arkush as well – is excited about the return of Bryan Fuller to the “Heroes” family. (Granted, they’re probably not that thrilled that it took the cancellation of “Pushing Daisies” to get him back, but you take the good with the bad.)

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Heroes 3.12 – This House Is Just A Broken Home, Left All Alone

Pretty ballsy of Nathan to blow into Papa Petrelli’s office and talk shit tonight, wasn’t it? And, yet, he was right: he does have the power…politically speaking…to help make Papa’s plan a reality. Of course, if he thinks Papa isn’t going to blow his mind if he makes a wrong move, he’s ridiculously naive. I continue to be interested in the militaristic side of Nathan’s storyline, but I have to say that this idea of having a super-powered fighting force seems like a really bad idea to me. Even if Papa’s people do have control over who gets what abilities, it only takes one strong bastard to figure out how to use his powers and the element of surprise to take control of the operation. But maybe that’s just me. Unrelated question: how utterly useless a character is Tracy these days? Why give her that awesome power if we’re not even going to get to see her use it?

Mama Petrelli’s cool delivery never fails to entertain me, especially tonight, when she calmly and carefully laid out the method by which her son should kill her husband. I appreciate Peter’s insistence that he has to be the one to take out his father, but you’d think he’d at least be willing to accept the help of the Haitian. But, noooooooo, it’s gotta be his responsibility…

Despite our readers’ suspicions to the contrary, Elle sure looked pretty damned dead to me when the episode began, and when Sylar covered her in gasoline and set her ablaze…well, if she isn’t dead, she’s at least going to be extra crispy. It was, of course, nice to see the unequivocally evil Sylar return, but the highlight had to be when Sue Landers’ co-workers burst in on him while he was in mid-attack. “Cake…?” Nice. The moment in the elevator was pretty funny, too. (“Huh. It does kind of tingle.”)

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Heroes 3.9 – It’s Coming…But Is It Something Good? (Could Be! Who Knows?)

Aaaaaaaand we’re back in the present again. But was it worth the trip?

Well, as goofy as they were, I have to admit that I enjoyed the breeziness of the segments with Hiro and Ando, though to do so required me to set aside my uncertainty about what the hell had happened to Hiro in the first place. I mean, we’ve seen Brother Voodoo make with the mind wipe maneuver, but based on the way Hiro was screaming, I figured Papa Petrelli was all but ripping his brain to shreds, and when he announced that he thought that he was 10 years old, my presumption was that Papa had wiped out everything he’d known prior to that age. But given Ando’s conviction that he can trigger Hiro’s memories to return, I guess we’re supposed to presume that Papa now has the ability to inflict hysterical post-traumatic amnesia…? Well, fair enough, then. It’s not like it’s the most ridiculous conceit I’ve had to buy into with this series. The scenes in the bowling alley were silly fun, and as a geek of the highest order, Hiro’s rant about the changes in comic books was very much of the “it’s funny ’cause it’s true” variety for me.

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