Category: External TV (Page 49 of 419)

Hell’s Kitchen: UK bound


So last night was the season finale of “Hell’s Kitchen” and with the finale of “Next Food Network Star” set for Sunday night, I’ll only have “Top Chef” to blog….what am I going to do with myself for the next month? But hey, that’s my problem, not yours!

“Hell’s Kitchen” has progressed a lot in the last few years. It used to be that the season finale was stretched out over two episodes that were usually two hours long each. Now, they have mercifully condensed that to one hour, and in the process there is far less fluff and much more meat.

Continue reading »

True Blood 3.8 – Making Up Is Hard To Do

This episode was one of the few in the series that didn’t begin with a legitimate bang. Bill had just saved Sookie’s life, and all that was left was Sookie’s (screaming) reaction when she saw Bill again. Nobody in that hospital room was about to die, so after Sookie settled down and ‘broke up’ with Bill, life went on. Bill doesn’t really explain why he went crazy on Sookie’s blood, but she explains it away later (to Jason, I think) saying that Bill was near death and couldn’t control himself. Um, okay.

This episode was written by Raelle Tucker (her 6th of the series) and directed by Lesli Linka Glatter, who is an experienced director but hadn’t directed an episode of “True Blood” before. The show always has several balls in the air, but it felt especially scattered in this episode. It wasn’t until the final 10 minutes that anything actually happened.

Everything else was just setup for that final sequence or for some episode down the line. For example, there was Arlene’s vision of Rene, which literally had no impact on anything else that happened in the episode. I’m sure it was entirely necessary, but it only made the hour feel all the more frenetic, and not necessarily in a good way.

So let’s hit the high points. To me, the most interesting storyline was Eric’s continued infiltration of the King’s trust. He was playing both Russell and Talbot in order to put himself into position to avenge his family’s death. He had to flirt with Russell and get down and dirty with Talbot to get there, but he certainly got there, and it will be interesting to see what happens to him now that he’s staked Talbot. It’s not like he can blame it on someone else — both Russell and the bodyguards knew that they were together that night.

Eric’s actions essentially saved Bill’s (and Sookie’s, by proxy) life, because Russell felt Talbot’s death and flew off into the night just as he was about to put Bill out of his misery. The fight at Sookie’s house was intense, and she’s lucky that Bill and Jessica (who just went through a sweet combat training experience at Bill’s house) showed up to help. When Jessica ran outside to chase one of the werewolves, Bill was left with the choice of following her or going upstairs to save Sookie, and he chose Jessica, possibly because he had to, being her maker and all. Once Russell left, Bill went upstairs and he and Sookie made up in a big, big way.

Meanwhile, Jason’s relationship with Crystal takes another turn when she shows up at his place soaking wet after running away from her betrothed. One can only assume she and her kin are werewolves, and Jason’s confrontation with her father is only going to put him squarely in their cross hairs. But my main problem with the storyline is Crystal’s assertion that she had never been out of Bon Temps — if that’s the case, how in the world did she not at some point cross paths with Jason Stackhouse? In a small town, that would seem to be entirely impossible.

Other than Sookie’s flirtation with Alcide, everything else that happened this week seemed to be swirling about on the fringe — Tara’s strange recovery, Lafayette’s mom and Jesus’s arrival, Sam sending his own mom away, and Holly, the new waitress.

Taking a step back, I can see how some might compare the romantic triangle between Sookie, Bill and Alcide with what apparently goes on in “Twilight,” but the books that “True Blood” were based on were published a full four years earlier. So, if anything, “Twilight” is a watered down version of “True Blood,” not the other way around. (I’m not saying it is, I’m just saying that the “True Blood” story came first.)

Anyway, Will Harrris will be back at the keyboard next Sunday, so my time steering the ship has come to an end. Moving forward, while some have been critical of the third season, we have all the makings for a strong finish. (Namely, one crazy, pissed-off, 3000-year-old vampire.)

Mad Men 4.3 – We’re Going to Have to Smoke the Dress

Howdy Sterling Cooper Draper Pryce-heads. Will Harris, your usual “Mad Men” blogger, has found himself here in beautiful Southern California and ensconced at the Beverly Hilton, where — as you may have noticed from his numerous posts — he has been covering the twice-annual conclave of the Television Critics Association (TCA). Ironically, especially considering last year’s Conrad Hilton storyline, the beautiful and very pricey Beverly Hilton does not, in fact, carry AMC and so the job has been left to yours truly.

Now, for some reason, whenever I sit in for Will on one of these posts, there’s always something stressing me out. Tonight it’s these weird twinges in my upper right teeth that I’m hoping are somehow normally associated with the new nightguard I’ve been trying out from the dentist and not an early warning sign of a toothy catastrophe of some sort. However, as Don Draper would no doubt remark over an Old Fashioned, we’ve all got our problems And so it is in spades for pretty much all the featured characters on tonight’s episode, which takes place around the New Year’s holiday of 1964-65.

As we begin, Joan Harris is visiting her affable gynecologist, who is concerned that she’ll be able to have a baby when her and Dr. Greg are finally ready. The doctor is wondering what Joan is waiting for as most newlywed females as positively ancient as Joan is would be desperate to have a baby yesterday, or so it seems to the kindly doc. There is also the obliquely referred to issue of not one but two abortions. One of the procedures was apparently performed by doc, though abortion would remain illegal in New York until 1970. An earlier procedure was performed by a woman who claimed to be a midwife. This isn’t great, but Joan got pregnant (and unpregnant) after that and besides, there’s always the wise words of songwriters Jay Livingston and Ray Evans: “whatever will be, will be.” (I need to remember that about my teeth.)

Then it’s off to offices of SCDP where Don is planning a New Year’s get away to Acapulco, which always seemed to be swinging bachelor destination of choice on sixties sitcoms. Speaking of said sitcoms, Harry Crane, now quite the show biz insider, notes a 24 hour L.A. lay over in Don’s itinerary. Why not hang out at the legendary Brown Derby with Harry’s new acquaintance, producer Bill Asher? It’s not mentioned, but William Asher’s new program in ’64 was a sitcom called “Bewitched” starring Asher’s then spouse, the highly underrated Elizabeth Montgomery, as a witch whose magic powers were often employed in helping her advertising executive husband land and retain new clients. Occasionally “Mad Men” has what I sometimes call “McMahon &  Tate moments” after the firm on the show — usually when someone saves a presentation at the last second with a sudden inspiration. Don, naturally, will blow off that Asher meeting. This trip is all about freedom, after all.

episode-3-don-car
Continue reading »

The Next Food Network Star: tipped off?

During this week’s episode of “The Next Food Network Star,” we may have been tipped off about who would be eliminated this week before they were eliminated. But more on that later.

The Final Four made it to New York City, where they would be duking it out for real to see who would have their own show on Food Network. The finalists? Aarti, Aria, Tom and Herb. And this week they would be battling Iron Chef-style. Alton Brown was waiting for them, as well as Iron Chefs Bobby Flay, Cat Cora, Michael Symon and Masaharu Morimoto. They would be competing in groups of two, making three dishes each based on the secret ingredient. When they weren’t competing they would be floor commentators ala Kevin Brasch.

Continue reading »

TCA Press Tour, Summer 2010: Day 8

Much as the CBS family of networks split their efforts into two days worth of panels – one for CBS, the other for Showtime and The CW – so did Fox give us some breathing room by placing their presentations for FX’s slate of new programming on a separate day. (I wish to God NBC / Universal would take a cue from their peers. I’m so sick of being rushed through a mishmosh of NBC, USA, Bravo, and SyFy series in one long can’t-stop-won’t-stop day.)

Executive Session

Your personal mileage may vary, but for my money, John Landgraf is one of the nicest network heads currently in the game. He’s very low-key, but he’s always ready to give you a quote when you’re looking for one. Today, he offered up the following bits and pieces about the future of FX.

* “Louie” has been renewed for a second season of 13 episodes.

* Ben Garant and Tom Lennon, late of “Reno 911!,” are going to do a pilot for FX called “The USS Alabama.” It’s another partially-scripted, partially-improvised series, and, according to Landgraf, “It takes place in space on the USS Alabama with a crew of spacefarers who might not be too much brighter than the cops in ‘Reno 911!’”

* There are two other pilots in the works as well, the first being “Outlaw Country,” which will star Mary Steenburgen. “Some really talented young actors have joined that cast,” said Landgraf. “That goes into production in, I think, six weeks. It’s a fantastic script. Something we’re really, really excited about.” The other is “Wilfred,” a comedy pilot based on an Australian comedy series, which completed principal photography last week.

* The “Damages” deal done with DirecTV is different from the one that was done with “Friday Night Lights” in that FX will not be offering up the episodes after they’ve run on DirecTV. “The season that has aired, which was the third season of ‘Damages,’ is the last season it will air on FX,” said Landgraf. “For us, we’re also producers on ‘Damages.’ We’ve been co-owners and co-producers through FX Productions, and DirectTV felt very strongly. They were willing to underwrite it, and to a very substantial amount financially, they enabled it to move forward. That was the deal that Sony worked on very aggressively, but they wanted it exclusively, so this was really the best and only way for ‘Damages’ to move forward. So we stepped aside as a network entity, and we’re still involved as a production entity.”

Sons of Anarchy

I don’t know that there’s any series currently on the air that I feel worse about not watching than “Sons of Anarchy.” Everyone tells me it’s fantastic, I have every reason to believe that those people are right, and yet I just haven’t had the time to go back and revisit the show’s first two seasons. But that won’t stop me from bringing you the info that creator Kurt Sutter and his cast provided to us during the show’s panel, of course.

As far as the “big bad” for Season 3, as it were, Sutter says, “We have a couple dual storylines going in Charming and as well as in Belfast, but I guess if you had to pin it down to one specific adversary, I would say that it’s probably the Titus Welliver character, Jimmy O.”

What of the theme of the new season? “I don’t know if there’s one specific overriding theme,” said Sutter. “I think the theme is always about family and Jax sort of defining his role as a father and as a partner and as a son and as a member of this club, and the Abel storyline drives us through pretty much the entire season, and…I don’t want to give anything away in terms of what that means and where that takes us, but, you know, the thing is our seasons, the actual span of time within our seasons is very short. It’s potentially a couple, two or three weeks. So there isn’t a lot of time that passes where you can have a lot of things unfold organically. So it is a very concentrated period of time which I think helps feed, I think, the sense of urgency for the tasks that they have at hand this season.”

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑