Category: External TV (Page 132 of 419)

Starz series “Crash” does its inspiration justice

After mowing through the first season of “Crash” on the Netflix streaming service, I have to say that I was pleasantly surprised. The series is based on the same concept as the 2004 film of the same name — the lives of otherwise disparate Angelinos are ultimately connected.

It stars Dennis Hopper as Ben Cendars, a past-his-prime record mogul. In reality, Hopper is playing the same role he always plays — a man with great presence and intelligence who may or may not be totally insane. He takes a young wannabe rapper (Jocko Sims) under his wing as he tries to wrest control of his record company from his resentful daughter (Kari Matchett).

Another (and more dominant) storyline revolves around a married police officer (Ross McCall) who, via a car crash, gets involved with a beautiful but dangerous gypsy (Moran Atias). His partner (Arlene Tur) is having an affair with a dirty detective (Nick Tarabay) who is moonlighting for a Korean kingpin. A gang-banger-turned-paramedic (Brian Tee) gets tangled in this web, and a detective from another precinct (Tom Sizemore) is called in to investigate.

The series also follows a Guatemalan immigrant who makes the trek through Mexico to the U.S., a married couple that loses their life savings in the real estate market, and a homicide detective who is tasked with keeping a young witness alive long enough to testify against a murder suspect.

As we learned on “The Shield,” dirty cops make for excellent television, and while “Crash” isn’t quite as gritty, it serves as a nice fix for those missing Vic Mackey and Co. I’d also recommend it to those that liked “Southland” in that it’s successful in telling a big story that involves a lot of different moving parts. Unlike these two series, “Crash” is on pay cable, so the creators have even more freedom to tell their story.

Season 2 debuts on Starz on September 18. Between this series and the excellent comedy “Party Down,” Starz has something going.

A Chat with Darryl Bell of “Househusbands of Hollywood”

It feels a little disingenuous for me to talking up a series which I can’t even watch in my area (Cox Communications in Hampton Roads, VA, has yet to pick up Fox Reality), but as someone who works at home and has a 4-year-old daughter, I respect the concept of “Househusbands of Hollywood” enough to do at least a little bit of promotion for it. I’ve already detailed the TCA panel about the show, but when the opportunity to sit down with one of the cast members – Darryl Bell, late of “A Different World” – became available, I couldn’t resist. In addition to his time spent on the “Cosby Show” spin-off, Bell has worked with Spike Lee and done time on a rather infamous sci-fi sitcom, but he’s still very much a working actor. He’s also the significant other of former “Cosby” kid Tempestt Bledsoe, a relationship which led him to this reality-show endeavor…and led me to my first question.

Bullz-Eye: First off, you two seem to be almost a ringer on the show. You’re not even husband and wife yet!

Darryl Bell: That is a good way to put it, Will. We are the ringers. That’s probably caused the most frequently asked questions, like, “You guys are the only couple who is not married, you’re the only ones without kids, so what are you doing here in a show called ‘Househusbands’?” The short answer to that has been Marilyn Wilson. Marilyn’s a good friend, produced Temp’s talk show. Marilyn and I have been out, pitched shows’ and tried to sell other things. We’ve worked together in that capacity. It was her assurances that we’re trying to do something that’s fun and not trying to ambush anyone or be mean spirited. “Come be a part of this, because we think you guys are hilarious.” Apparently, the more that I have even talked to other friends, they are, like, “Oh, we’ve been saying for years that you guys should have your own reality series, because you are just funny.” It just happened to come in this format. I don’t know that we would have agreed to have done this for anyone else. So, there you go.

BE: It makes it a little hard for me to ask, “Is it weird being a ‘Househusband’?”

DB: And I don’t know what that means for me, anyway, only from the standpoint that people ask me that because I’m on this show. But in terms of work-wise, it’s just like…even in the series, when Tempest was coming back from on location, shooting the film, I was going on location to shoot this show for TV One. That’s really the nature of our relationship. You know, it’s rare that we’ll both be doing something at the same time, but we’re always in this cyclical gig that is being a working actor in Hollywood. That’s just how our lives have operated. I was just saying in another interview, when Brad is off shooting a movie, Angelina isn’t always shooting one. She’s somewhere with the kids. Or when Angelina’s shooting and Brad is somewhere…? That’s just the way it works.

BE: So what kind of husbandly responsibilities do you have? I mean, do you chip in, doing the dishes or whatever when she’s not there?

DB: I mean, I can’t really call it husbandly duties. Our house is not a pigsty, but I can say that some of that is attributed to the housekeeper. You know what I mean? That helps out a lot. I can only say that when I think of that…when anything breaks, like most men, it’s, like, “Darryl, come fix it,” you know? I get that. But as a regular responsibility, that’s not me.

BE: Is there anything you do that would typically be considered a gender-specific thing, something that one would normally expect a wife to do?

DB: For us, no. For us, I guess that’s what has been so good: we have talked about not having an ego about anything. She likes to cook, so she has cooked for me, but I’ve cooked for her, you know? So from a relationship standpoint of view, I can’t say that…we don’t have any specifically defined roles, other than, as many men will find the case, she wanted pets and yet somehow they are my responsibility. You know how that works out.

BE: Hey, I feed our cat.

DB: Exactly, exactly. And what man asks for a cat? That’s just not the way it works. I want a Neapolitan Mastiff, but the reason I don’t have one is because she wanted a cat.

BE: Sure, that seems fair.

DB: That’s a whole different relationship kind of issue, you know what I mean? It’s not specific to the show, but that’s how it worked out.

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A Chat with Aidan Turner, Russell Tovey, and Lenora Crichlow of “Being Human”

One of the most consistent pleasures of the TCA Press Tour for an Anglophile such as myself is the opportunity to get the scoop on the latest UK imports to arrive on BBC America. In 2007, I was introduced to “Jekyll” and “Torchwood,” and in 2008, I very quickly fell in love with “Gavin and Stacey” and “Primeval.” This time around, the picks to click were “The InBetweeners” and “Being Human,” and although I’ll be waiting a bit to offer up my conversation with the folks from the former, I’m running a bit late in posting my chat with the cast of the latter. “Being Human” actually made its BBC America debut when I was still in Pasadena, but now that I’m playing catch-up, I wanted to share with you the lovely courtyard conversation that I had with the show’s trio of stars: Aidan Turner, Russell Tovey, and Lenora Crichlow.

Join us now as we embark upon…

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Mad Men 3.2 – The Sky Was Falling, Heaven Was Calling

Okay, before we really get rolling on this week’s “Mad Men” blog, I really think we should start things off in much the same way that tonight’s episode did: by reminding the world just how incredibly hot Ann-Marget was in the early ’60s.

I mean, seriously, was she smoking or what?

It’s no wonder that Peggy immediately slid into catfight mode with that comment about how, if the client was looking for someone like Kim McAfee (Ann-Margret’s character from “Bye Bye Birdie”), they were looking for someone who’s 25 but acts 14. It was a hilariously bitchy line, almost as funny as Sal’s character-perfect reaction when the clip ended. This obviously isn’t the first time Peggy’s been so annoyed by the goings-on within Sterling-Cooper that she’s stepped out of her comfort zone and tried to be someone that she really isn’t, but, wow, her attempts to duplicate Ms. Margret’s moves and vocal stylings made for some highly uncomfortable viewing. Nonetheless, she at least ended up feeling sufficiently empowered to go out for a one-night stand with a hyper-excited college boy.

Mad Men - Peggy Olson

No surprise, though, that she slowed down his base-running – as well she should have, since he was clearly headin’ for home plate at a fast clip – in order to avoid a possible repeat of the Pete Campbell situation. As she slipped out of bed in a failed attempt to avoid a walk of shame, I couldn’t help but notice just how much more attractive Peggy looks when she’s out of her work clothes…but, then again, you could probably say that about most women.

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Entourage 6.7 – No More Drama

This year of “Entourage” has been pretty great so far, but one of the show’s biggest weaknesses has always been its tendency to hit the cruise control and coast through the middle of the season. Thankfully, that doesn’t seem to be the case this time around, as tonight’s episode managed to include not just one, but two major storylines, as well as a fun side adventure starring Vince and Turtle. The latter was obviously the most lighthearted of the bunch, but even though the break-in at Vince’s house was handled quite humorously (stolen underwear, really?), there’s a good chance it could become a little darker during the final stretch of the season. After all, celebrity stalkers shouldn’t be taken lightly, and though the guys have clearly ruled out firearms as a form of protection (“Turtle, you will end up like Plaxico and shoot yourself.”), they might want to take Ari’s advice and hire some security on the double.

Speaking of which, where was Ari tonight? With the exception of a short scene with Vince and Turtle, Ari’s only other involvement in the episode was sending Eric a bunch of pizzas as a gift for starting his new job. Ari may still think of him as a pizza boy, but Eric really hit the ground running on his first day, and I think that he’s going to prove to be a bigger asset than he gets credit for. With the exception of Harvey and maybe Billy Walsh, just about everybody Eric has worked with in the past likes him (or at least respects his work ethic), and that includes Bob Saget, who Murray is desperately trying to sign. At the moment, Saget is being pursued by a fellow co-worker named Scotty Lavin (Scott Caan), but when he fails to close the deal, Eric tries to close it for him after he name drops the former “Full House” star in a meeting.

As it turns out, the only way Saget will sign with the company is if he can have sex in Murray’s office. When Eric informs Scott of the strange request, however, he thinks that he’s being played, so Eric takes it to Murray himself and, just like that, bags himself a new client. Murray certainly seemed impressed with Eric’s initiative, and even jokingly suggests he sign Christian Bale by letting him “execute a cinematographer if he wants.” I highly doubt Eric is quite at that level just yet, but once Scotty learns that he’s been beaten to the punch, it’s not going to bode well for Eric. Of course, this impending rivalry is exactly what the show needs, and I can’t wait to see what the writers have in store for Kevin Connelly, Scott Caan, or even Kate Mara, who’s been cast in the incredibly thankless role of Eric’s assistant. Surely they plan on giving her more to do in the future.

That’s all we had time for this week, however, as the rest of the episode was dedicated to Drama trying to make up for his violent outage. With his job in limbo (Lloyd calls to inform him that all his scenes have been cancelled for the day), Drama races to the studio lot only to discover that he’s been banned to even enter. He tries to apologize to his boss by phone, but he only eggs Drama on even more, resulting in yet another threat – this one strictly verbal. So, with no other choice, Drama bribes the security guard at the gate with sweets and literally begs for his job back.

As it turns out, Drama’s job was never really in danger to begin with (Ed Burns granted him a “stay of execution”), but Dan the studio exec decides he’s going to torture him anyways, and I can’t even begin to imagine what that means for poor Drama. There’s a pretty wide variety of things that could happen to him, but since this is “Entourage,” I’m placing my money on his character having some kind of sexual (read: gay) reawakening. If the writers really wanted to turn the story on its head, however, they’d have Drama dreading the new subplot, only to receive a surprise Emmy nomination for his performance. Hey, it’s “Entourage,” it could happen.

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