Category: External TV (Page 123 of 419)

Entourage 6.10 – Berried Alive

Consider this just another case of art imitating life, but I couldn’t help but think about T.R. Knight’s recent decision to leave “Grey’s Anatomy” during tonight’s episode. Drama has been put through the wringer ever since his altercation with Dan Coakley, and now that his character on “Five Towns” looks to be headed for Comaville, his screen time is sure to be reduced. Just like Knight, Drama is more concerned with the work than the paycheck, and when he learns that the producer of the new “Melrose Place” has him in mind for a role, he goes to Lloyd for help getting out of his contract.

What Drama doesn’t realize is that Lloyd has just left Ari for Adam Davies. Ari, meanwhile, has to find out about the betrayal from Vince, and in an attempt to spite Lloyd, he personally goes to Coakley to help out Drama and entice him to stay at the agency as one of his clients. It works at first, but when Lloyd tries to win back his only client with, I must admit, a damn good speech, Drama discovers where his best bet lies. Ari isn’t even mad about it since he wouldn’t have the time to properly invest in Drama’s career anyway, but it will be curious to see how far they take this new rivalry. I can’t imagine Lloyd will be gone for too long, but they’ll definitely drag it out until either the season finale or next season’s premiere. Drama, on the other hand, is taking a big risk by leaving “Five Towns,” and it would seem almost too easy if he did get the gig. Then again, maybe he’ll be able to win over the network by proving that he really can act – at least, when compared to the standards of other likeminded shows on The CW.

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While Drama ponders a career move, Eric decides to confront Ashley about why she’s been giving him the cold shoulder. As expected, it all boils down to her trust issues. When Eric laughs off the most recent incident involving a misunderstanding about Vince’s alias (check out last week’s post if you’re confused), she decides that if they’re going to stay together, he has to promise that he won’t screw Brittany the Assistant and give her the freedom to read his e-mails. Eric agrees at first, but after conferring with a few sources and realizing that Ashley may be crazy, he decides to break it off. As it turns out, Ashley is a little nuts (as evidenced by her mini breakdown in the middle of a restaurant), and it’s probably smart for Eric to get rid of her before things get worse. It’s a shame, because Alexis Dziena is pretty easy on the eyes. Then again, Kate Mara isn’t too bad herself, and we all know Sloan will be back before long.

Turtle’s current predicament might seem just as cut and dry, but he’s certainly making it more complicated than it needs to be. When Jamie Lynn admits to being jealous about his new admirer (which, for the record, I find totally ridiculous), Turtle begins second guessing his ability to stay loyal. While I understand where Turtle’s coming from in that this is the first time he’s ever had one woman interested in him, let alone two, it’s absurd to think that any sorority girl would trump Jamie Lynn Sigler. For starters, she’s obviously only interested in him because he’s famous (Best line of the night: “Is that Vincent Chase? Who are you?”), and second, he’s already dating Meadow freaking Soprano. Granted, her new job offer is certainly going to throw a wrench into their relationship, but if given the choice between Jamie Lynn and the new girl, is there even any doubt as to who he should pick? Yeah, I didn’t think so.

Greetings to the New Show: “Bored to Death”

You may recall that, during my TCA press tour wrap-up, I declared the panel for HBO’s new series, “Bored to Death,” to be the funniest of anything presented to us by any cable network. But in fairness, I also admitted during my coverage of the panel itself that, at the time, I still hadn’t actually seen the show, though I was still willing to take what I’d seen in advance clips and heard from the panelists and say, “Basically, if this show isn’t a hit, then it’s at least destined to be remembered as one of the greatest cult sitcoms of all time.” I think I’m still pretty safe in sticking with that theory, but now that I have seen the first few episodes of “Bored to Death,” I have to admit that, although it gets a good head of steam during the second episode, it’s rather slow-going when it comes out of the gate tonight.

HBO’s press release for the series summarizes “Bored to Death” thusly: “Jonathan Ames, a young Brooklyn writer, is feeling lost. Heʼs just gone through a painful break-up, thanks in part to his drinking, canʼt write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies – moonlighting as a private detective – because he wants to be a hero and a man of action.” That doesn’t really do tonight’s premiere justice, though. Things do kick off with Jonathan (Jason Schwartzman) watching his girlfriend move out of their apartment, but it’s in a moment of quiet desperation – and with a coffee cup full of white wine – that he spontaneously decides to put an ad on Craigslist, claiming to be a private detective. Despite admitting that he’s not licensed, he nonetheless gets a call in short order, and he’s off on his first case…though it’s probably not a good sign that his client, before their first meeting is over, has asked, “Are you sure you’re a detective…?”

As with all first episodes, we spend more time setting the stage than anything else. We meet Jonathan’s best friend, comic book illustrator Ray Hueston (Zach Galifianakis), as well as his boss, magazine editor George Christopher (Ted Danson), but the predominant purpose of tonight’s premiere (“The Stockholm Syndrome”) is to give us an idea who these guys are and what roles they play in Jonathan’s life. Rest assured that, in the subsequent couple of episodes, they will find a much larger place within his new profession…and also rest assured that, if the premiere of “Bored to Death” does indeed leave you feeling like its title, the odds of the sensation continuing next week are few.

Old Show, New Season: “Curb Your Enthusiasm”

Fair warning: those of you who have been chomping at the bit to see the much-vaunted “Seinfeld” reunion on this season of “Curb Your Enthusiam” had better cool your jets, at least for this week. Although the press (and I’m including myself in their number) immediately latched onto the season’s major plot arc and ran with it, there’s only the tiniest hint in tonight’s episode about the events to come. What we get instead is something which longtime fans of the series will nonetheless appreciate: a follow-up to the Season 6 finale.

If you were there at the end of Season 6, then you remember that Larry, now separated from Cheryl, had managed to find an unexpected love connection with Loretta Black (Vivica A. Fox). Well, they’re still together, amazingly enough, but it’s hard to say how much longer the relationship is going to last. Part of it is because she’s starting to drive him crazy, but the other reason is…well, it’s better that you learn it for yourself. Suffice it to say that it’s a development which will immediately make you go, “Oh, God, this is going to be like Susan on ‘Seinfeld’ all over again…” Maybe it won’t be, but that’s certainly the first thing that leapt to my mind.

The season premiere is entitled “Funkhouser’s Crazy Sister,” and the title character – named Bam-Bam – is played by Catherine O’Hara. I gotta tell ya, it’s always great to see O’Hara, and she hits a home run with her role tonight, particularly after one of the characters makes the very foolish choice of indulging in a liaison with Bam-Bam. We also get a brief appearance from Wanda Sykes, and although she’s definitely not a strong presence within the episode, Cheryl does manage to turn up for a few minutes; it’s a testament to how much Larry has missed her, however, that he doesn’t completely lose it when their paths cross. (She unabashedly uses his name to get a good table at a restaurant.)

There’s one thing that doesn’t work very well in the season premiere: the action performed by Loretta’s doctor which annoys Larry and thereby sets off the episode’s series of intertwined events. I think any “Curb” fan worth his or her salt knows that Larry’s pretty easily annoyed, often by the most ridiculous things, but it just isn’t as funny when Larry does something that you know you’d probably do, too. And, trust me, anyone would stand aghast at the doctor’s action. It’s completely inappropriate.

Then again, when you think about it, there really isn’t that much about “Curb Your Enthusiasm” that is appropriate, so I guess it all works out okay in the end. And, besides, as ever, it’s just nice to have Larry David back for another season.

X-Men: Volumes Three and Four

The first two volumes of the “X-Men” animated series contained some of the most memorable episodes in the show’s five-year run. Unfortunately, the same can’t be said of Volumes Three and Four. In fact, many of the episodes that appear are nothing more than retreads of previous stories, like the four-part “Dark Phoenix” saga and the two-part “One Man’s Worth,” which plays out like “Days of Future Past: Part Deux.” Throwaway villains like Sauron (“Savage Land, Strange Heart”) and Shadow King (“Xavier Remembers”) also return, even though there are far more interesting baddies in the X-Men universe that have yet to appear. It isn’t all doom and gloom, however, as we do get guest appearances from Dazzler, Iceman, X-Factor, Nightcrawler and Psylocke, as well as some great one-off episodes featuring Wolverine (the cleverly titled “Weapon X, Lies and Video Tape” and “The Lotus and the Steel”). And in keeping with the comics of that time, the two-part “Sanctuary” is a virtual scene-for-scene remake of Chris Claremont’s short-lived, three-issue “X-Men” run. It’s not good enough to rank among the best episodes, but it’s definitely one of the high points of these surprisingly hit-and-miss two-disc sets.

Click to buy “X-Men: Volume Three” and ” Volume Four”

If you don’t watch the premiere of “Community” tonight on NBC…

…then you’ll be missing the best new show of the fall season.

You may recall from my Fall TV Preview that I said of the pilot for “Community,” “When I watched it, I was convinced that I was watching the funniest sitcom of the new season. I was not wrong.” Now, granted, I was predisposed to like the series before I’d even put the screener of the pilot into the DVD player – I’m a fan of Joel McHale’s work (I’ve got a TiVo season pass for “The Soup”) and Chevy Chase’s work in virtually every film that he made during the ’70s and ’80s (though, to be honest, the only film he’s done since then that I still enjoy revisiting is “Memoirs of an Invisible Man”) – but it certainly didn’t hurt seeing “Daily Show” correspondent John Oliver turn up in a meaty guest role within the first few minutes, and it didn’t take long for me to fall for the ensemble as a whole.

Here’s a rundown of the characters:

* Jeff (McHale), a fast-talkin’ lawyer whose degree has been revoked
* Pierce (Chase), a man whose life experience has brought him infinite wisdom
* Abed (Danny Pudi), a pop culture junkie
* Britta (Gillian Jacobs), a 28-year-old dropout with something to prove
* Troy (Donald Glover, a former high school football star trying to find his way
* Shirley (Yvette Nicole Brown), a sassy middle-aged divorcée
* Annie (Alison Brie), a high-strung perfectionist
* Señor Chang (Ken Jeong), a slightly unhinged Spanish professor

When I arrived at the TCA summer press tour, I was a man on a mission: to interview as many members of the cast of “Community” as I possibly could, so that I might do my damndest to get people to watch the series. Not that it necessarily needs my help, given the incredible promotional push that the network is putting behind the show, but, still, it’s been a long time since I’ve seen a sitcom that’s this funny and has this strong an ensemble from the word “go” (seriously, I think I’d have to go back to “NewsRadio”), and I wanted to do whatever I could to get the word out. In the end, I ended up chatting with five of show’s regulars during the tour (McHale, Pudi, Brown, Glover, and Jeong), catching up with two more by phone after making back (Jacobs and Brie).

Sadly, Chevy Chase was surrounded by hordes of my peers through his time at the tour, and attempts to secure a phoner with him prior to the run date of this piece were unsuccessful. We’re keeping our fingers crossed that we’ll be able to talk to Chevy sometime in the near future…and, y’know, don’t be afraid to drop NBC an E-mail and ask them to try and make it happen for us…but in the meantime, click here (or on the above graphic), then sit back and enjoy these conversations with the rest of the cast.

When you finish, I’ll be very surprised if you don’t run straight to your TiVo and order yourself up a season pass for “Community.” It’s that good. I swear. And if you don’t believe me, here’s proof:

Finally, check out Chopard, one of the most recognized watch and jewelry brands in the world.

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