Just in time for all your Tronica festivities.
H/t Topless Robot.
Just in time for all your Tronica festivities.
H/t Topless Robot.
Like every godfearing critic, I’ve been a bit ticked with Kevin Smith lately for reasons I don’t feel like going into right now but which I’ll refer to briefly as “silly, needless tantrums” — even though I actually enjoy his films more often than not. On the other hand, I’ve been curious about his upcoming “Red State,” a horror tale inspired by the genuinely evil Fred Phelps of the beyond extreme, hate-spewing Westboro Baptist Church. Since this was Smith, I wondered if this would be more of a satirical horror comedy or something more serious and really different from past films. A very brief teaser trailer is out, and I think I might have my answer — just in time for the holidays!
I agree with Kevin Jagernauth. This really does look unlike anything we’ve seen from Mr. Smith. Definitely interesting.

How can anyone with a taste for swingin’ 60s residue resist the first U.S. made film by French kitsch-meister Roger Vadim (“Barbarella,” “And God Created Woman”), written by “Star Trek” creator Gene Roddenberry, and starring Rock Hudson as a self-styled high school guidance counselor who seduces his most beautiful female students and deflowers a priapic male protegee (Jon David Carson) via English teacher Angie Dickinson? What if I throw in a murder mystery plot and supporting performances by Telly Savalas as a pre-“Kojak” homicide cop, Keenan Wynn, Roddy McDowell, James “Scotty” Doohan, and several under-clothed starlets as the misnamed maidens? Try seeing it.
For the first 15 minutes, 1970’s “Pretty Maids All in Row” is almost as interesting as it sounds. Hudson is actually giving one of his better performances and Vadim did have a Playboy photographer’s gift for presenting beautiful women. That, however, leaves another 75 minutes that is about as sloppy and offensive as a mainstream black comedy can be. Even making some allowances for the time, and the fact that Hudson’s character, “Tiger” McDrew, seems to limit his advances to seniors, there is a serious ethical problem here. Based on a novel by Frances Pollini, the film takes a step beyond unfunny 60s sexism into misogyny and, eventually, into seeming to excuse murder or just about anything else. If Roman Polanski had made this movie instead of Vadim, it would have been Exhibit A — it would also have been a lot funnier and more coherent. This one earned its obscurity.
A new guy-centric comedy that’ll be premiering at Sundance (!) directed by Miguel Arteta. Ed Helms and John C. Reilly head a very interesting cast that also includes Anne Heche and the eternally underrated Stephen Root. (Sigourney Weaver is actually supposed to be in this movie, but you’d never know it from the trailer.)
This one made me laugh but it was much funnier the first time I watched than the second, and that’s not always the case with me. Anyhow, John C. Reilly has pretty much a direct route to my funnybone, but what is it about Ed Helms and befriending hookers in these movies?
H/t Mike Fleming.
For some odd reason, the safe-for-work green band trailer for this fun looking blend of stoner comedy, Hope/Crosby road picture and old school sword & sorcery isn’t as funny as the NSFW red band trailer we had up awhile ago, but there are some other differences that might make this worth a look, including some decent EFX work.
H/t Rope of Silicon.
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