Category: External Entertainment (Page 26 of 513)

Winter 2011 TCA Press Tour: Top 10 Quotes from Day 2

The first half of the second day of the Winter 2011 TCA Press Tour belonged solely to the Turner networks, who had been notably MIA from the summer tour. Although there were unconfirmed reports that they were not entirely thrilled with the dates that had been set for that tour, as most of their summer programming had already premiered by the time the tour kicked off, but during the opening remarks, we were assured that “we ask for time on the critics tour schedule when we can make it worth your while.” Fair enough, then.

After an “Adventure Time”-themed breakfast from Cartoon Network, Adult Swim brought on a plethora of panelists for “Childrens Hospital” (everyone in the above photo was in attendance, plus executive producers Jonathan Stern and David Wain), TNT followed with “Franklin & Bash,” “Falling Skies,” and “Men of a Certain Age,” then HLN and CNN wrapped things up by getting real and presenting the new talk shows from Dr. Drew Pinsky and Piers Morgan, respectively. Given that I ended up pulling one-on-one interviews with Malcolm McDowell, Mark-Paul Gosselaar, Breckin Meyer, Garcelle Beauvais, Ray Romano (and Jon Manfrellotti), Scott Bakula, and Henry Winkler, I am hard pressed to have an unkind word to say about the Turner experience…except, that is, the fact that I diligently and politely contacted publicists for both networks and studios in an effort to nail down interviews in advance but was still ultimately left to fly by the seat of my pants and spend the morning in catch-as-catch-can mode.

Our working lunch was brought to us by the unlikely tag-team of BET (“The Game,” “Let’s Stay Together”) and Playboy TV (“Brooklyn Kinda Love,” “Swing”), and from there it was on to the Discovery family of networks: Animal Planet (“Taking on Tyson,” a look into Mike Tyson’s love of pigeons…yes, seriously), Science Channel (“An Idiot Abroad,” with Ricky Gervais, Stephen Merchant, and title character Karl Pilkington), Investigation Discovery (“The Injustice Files”), and the mothership, the Discovery Channel (“Gold Rush – Alaska” and “Kidnap & Rescue”).

By then, the excitement / cynicism in the room was palpable: it was time for the OWN Network presentations. We’d been promised a welcome from Oprah, but we didn’t get one. Instead, we got an introduction from network CEO Christina Norman. She’s a very nice lady, but it wasn’t quite the same, and she admitted as much when she came onstage after a lengthy series of clips featuring Ms. Winfrey, saying, “I know: after all that Oprah, I am a massive disappointment to all of you.” Her Majesty did indeed deign to participate in a Q&A with us, but not until after we sat through panels for “Your OWN Show” (10 finalists compete to get their own series on the network), “The Gayle King Show,” and “Our America with Lisa Ling.” After Oprah held court, using what my esteemed colleague Bill Harris of the Toronto Sun referred to as the George W. Bush Technique, which involved offering incredibly lengthy answers in order to minimize the number of questions actually asked.

After the Q&A came to a close (and you can believe that it only ended when Oprah wanted it to end), we were all invited to attend the evening event which, although it was ostensibly brought to us by the OWN Network, nonetheless featured attendees from shows throughout the Discovery family of networks. This resulted in my having close encounters with Mike Tyson, author James Ellroy, and…well, I didn’t actually get to talk to Oprah, but I did stand very close to her (along with Carson Kressley and Nancy O’Dell, hosts of “Your OWN Show”) and breathe the same air as Oprah, so my understanding is that I will now never get cancer…which is nice, of course, but, damn, I really could’ve used a new car.

I know, you wish I’d gotten a new car, too. Don’t be sad, though, as I’m already sad enough for both of us. Besides, I’d much rather you read my selections for the top 10 quotes of Day 2 and leave me wallowing in my own car-less misery. No, don’t worry about me, I’ll be fine…just as long as you don’t forget to come back for my coverage of Day 3.

1. “The one note we did get (for ‘Children’s Hospital’), it was from Warner Brothers…I hesitate to even tell you this, but when we turned in our first script for the web series, Warner Brothers called us up and said, ‘Um, do you think you could cut the shot where we actually see the Twin Towers burning?’ And we were like, ‘Yeah, do you know what? That’s a great note.’” – Rob Corddry, “Children’s Hospital” (Adult Swim)

2. “I actually improvise all my own parts. I don’t know why they hire writers. I enjoy ad-libbing greatly, because I…basically, I can’t remember what the hell I’m doing. What’s the show called?” – Malcolm McDowell, “Franklin & Bash” (TNT)

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It’s 2011 and time for the return of the Friday night news dump

I haven’t done this in awhile and I know I’m missing a bunch of stories from early in the week, but you’ll read this and you’ll like it, damn it!

* Mike Fleming is claiming a “toldja” on the news that Elijah Wood will be appearing in “The Hobbit” as Frodo Baggins who is, I believe, not yet born during the events of Tolkien’s original children book. The rumor from earlier in the week has now been confirmed and nothing will ever be the same.

* Mr. Fleming also has the latest on speed-crazed Hollywood buying the rights to a book that has yet to be published and the remake rights on a documentary almost no one has seen. At least we know what the documentary’s about, and it does sound like material for a good movie — except, of course, it’s already a movie.

* Robert De Niro will be heading the jury at Cannes this year. This will be his third go-round in the gig.

* There’s been a ton of quibbling on why it’s not a sequel and maybe not even a spin-off, but the fact remains that Judd Apatow is building his next film around the terrific characters from “Knocked Up” played by Paul Rudd and Apatow’s real-life wife, Leslie Mann. I have to admit I find these kind of fine distinctions to be marketing-driven annoyances. Novelists cast supporting characters from past books in leading roles in newer books all the time and no one calls these books anything other than “novels.” Novelists like Sinclair Lewis and Kurt Vonnegut treat their worlds like the Marvel Universe, so why can’t there be an Apatow-verse?

knocked-up

* Ricky Gervais has apparently signed up to play Mole in an upcoming version of “Wind in the Willows.” Ordinarily, I’d be a little bit excited about this news, but this is a project coming from Ray Griggs, who I frankly wonder about for a number of reasons. I’ve written about him before, at least he had the good sense to hire WETA in on the project. Still, if I were a friend of Gervais’s I advise him to stay away. It has a funny smell about it.

* Oscar winning writer-director Paul Haggis is taking his complaints with the Church of Scientology public in an upcoming book-length expose to be written by Lawrence Wright. Haggis is a former member of the church. I’d tell you what I think of Scientology, but that’s a whole other blog post. I will say I think this will be big.

* Danny Strong played the greatest geek ever on “Buffy, the Vampire Slayer” and went on to become a respected screenwriter with his script for the Jay Roach television movie about the 2000 election, “Recount.” Now he’s back in the genre world with a gig rewriting something called “Earth Defense Force,” which Sam Raimi is producing.

* Stan the Man got his star on Hollywood Blvd. Excelsior!

* Ron Howard wants you to know that the “Arrested Development” movie is really still happening. Sure, why not?

Caprica: Season 1.5

When “Caprica” first premiered, I wondered (out loud) if anyone was really clamoring for a prequel to the “Battlestar Galactica” story and outlined the obstacles that the series faced at the time:

“Caprica” has the same challenge that the “Star Wars” prequels had: Everyone knows how it turns out. The question is whether or not the history is compelling enough to outweigh the certainty of the story’s outcome.

The two-hour premiere was solid, but the plodding start (lots of death and mourning) and uneven storyline made it something of a tough watch for many “Battlestar Galactica” fans. In fact, our own Ross Ruediger gave the Season 1.0 DVD set just two stars out of five:

With “Galactica,” we rooted for the characters because they were fighting for survival. With “Caprica,” there is nobody to root for, mostly because the characters are nearly impossible to care about and their struggles are negligible. It was probably too soon to mount another lengthy chapter in the “Galactica” concept. I don’t think creators Ronald D. Moore and David Eick had enough distance from the original series to be able to see this one clearly. It was also too soon for viewers, who weren’t clamoring for this new story, having been exhausted by the ride that was “Galactica.” The series feels as though it was put together solely to capitalize on a brand name, and not because there was actually a compelling story to tell.

I was willing to forgive the slow start in the hopes that Moore and Eick would be able to pull it together for the long haul. As it turns out, the series was canceled before the final five episodes even aired, so we now have the Season 1.5 DVD set to review. It contains the final nine episodes, along with a plethora of special features, including deleted scenes, cast and crew commentaries, podcast commentaries and more.

Having finally watched the entire run, I’d only recommend the series to “Battlestar Galactica” (and easily pleased) fans who are interested in finding out how and why the Cylons were created and how they became sentient. Most of those fans have probably already watched the series, so I’m not sure what subsection of sci-fi fans this review really speaks to. There’s no doubt that “Caprica” is a disappointment when compared to its predecessor, but those expectations were probably impossible to meet from the get-go.

For those fans that lost track of the show after the first nine (or thirteen) episodes, it’s worth finishing, because Moore wisely ramped up the action and intensity in the final hours and provided a five-minute “Shape of Things to Come” epilogue that quickly shows what happened to the main characters in the “Caprica” story, answering a few of the lingering questions along the way and providing some closure for those that need it.

Despite excellent acting from its ensemble cast (especially Polly Walker, who is positively loathsome as Clarice Willow) and the trademark Moore production values, “Caprica” was done in by largely unlikable characters and a meandering storyline that took way too long to get moving. The conflict between the humans and Cylons in “BG” was clearly drawn, but over the course of 18 episodes, I never really understood why the two religious factions in “Caprica” (monotheists and polytheists) hated each other so vehemently. Seeing as this was the crux of the plot, it’s understandable why “Caprica” failed to capture an audience as devoted as its predecessor’s.

Friday trailer: Pardon my Kutcher

I guess at this point I’ve chosen my destiny to the extent that, barring some miraculous talent infusion, I will probably never interview Ashton Kutcher. It’s not just that he’s a mediocre actor, I’m just allergic to the guy. Something about his onscreen persona — a sense of entitlement backed up by pseudo intelligence, perhaps — just sets my teeth on edge and makes me want to punch him, and I am a very bad puncher who should never be punching anyone.

Nevertheless, I present this red-band trailer for his latest rom-com, “No Strings Attached.” It’s completely NSFW because it’s a bit fuck-happy, both in terms of the act and the heavy and loud use of the word itself, and it does have some chuckles. There’s a bit of Kevin Kline as Kutcher’s father at the beginning, heretical though the thought is that one of my favorite extant actors could begat a Kutcher. Also, for those of you to whom this is an inviting or repellent thought, be advised this trailer also contains a brief moment of what may be naked Kutcher keister. Natalie Portman is, at least, underclothed in many of the shots even if no specific naughty bits are revealed.

Box office preview: “Season of the Witch” to lose to “True Grit” or “Little Fockers”

January is traditionally the month when the studios release their weakest films and the first weekend after New Years is traditionally one of the softest of the year. So, if ever an adult western from with a slightly dark and offbeat cast to it could be the #1 movie in modern America, this would be the time. Still, it might be a game of inches as Paramount’s “True Grit” will be up against the declining but still popular “Little Fockers” from Universal and one major new wide release with limited prospects.

Nicolas Cage and Ron Perlman in

As per Box Office Mojo, “Season of the Witch” will be opening in over 2,800 theaters this weekend. It’s a blend of action and dark fantasy starring a downcast Nicolas Cage and the very cool Ron Perlman, who I had the pleasure of interviewing this week. If anyone reading my review thinks I’m being a bit hard on it, they should be aware that this film is probably one the worst reviewed films in some time, getting a terrible 3% “Fresh” from Rotten Tomatoes. However, a closer look shows that it’s not so much a film that everyone hates as a film that no one cares to recommend.

The creepy actioner is the maiden voyage as a distributor for Ryan Kavenaugh’s very busy mini-studio, Relativity Media, and it is expected to make as much $12 million or so according to THR’s Pamela McClintock (where are you jolly Carl DiOrio?) and Ben Fritz of the L.A. Times, though somewhat less seems entirely possible. What the film has going for it is a very low budget for an action flick these days, just $40 million.

Another entry, “Country Strong” is expanding to about 1,400 theaters this weekend, but hopes for this musical drama are modest indeed, though fans of country singer Tim McGraw and actress Gwenyth Paltrow should account for something. It’s going to be that kind of a weekend.

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