Category: TV Action (Page 25 of 145)

RIP Edward Woodward

Edward WoodwardI was very sorry to hear earlier this morning of the death at age 79 of a personal favorite of mine, Edward Woodward.  Although he may still be best known for his roles in the acclaimed fact-based war drama, “Breaker Morant,” the espionage/crime-vigilante TV series, “The Equalizer,” and by our friends in England as the cynical, super-tough spy “Callan,” his role in what was once a fairly obscure cult film all but buried by its studio, the 1973 “The Wicker Man,” is getting the lion’s share of attention in most of his  press obituaries, that’s including the very touching one issued by the BBC this morning.

“The Wicker Man” has been one of my favorite movies since I was teenager and remains so now — not even the worst imaginable remake can touch that film, and that proposition has now been tested.  Still, my admiration of the actor Woodward goes well beyond one single role. He was the kind of performer you could rely on to be great in anything and so he was on countless television programs.  A master of understatement who knew when and how to go big (the oft-spoiled ending of “The Wicker Man” being a case in point), he was a real virtuoso whose un-showy approach probably doomed him to being underrated to a certain degree. Still, he didn’t seem to mind and judging from the press accounts I’ve been reading, he was a real gentleman and as fun to be around as his best known characters were definitely not. He was also, by the way, an accomplished Shakespearian stage actor and a fair-to-middling pop singer. It’s a shame he rarely got to do either on screen, though his voice can be heard to powerful effect during the final scene of “Breaker Morant.” (If you don’t mind learning the fate of his title character, or already know it from history, you can see the conclusion here.)

Two of his more devoted fans appear to have been Edgar Wright and Simon Pegg, who were smart enough to cast Woodward in “Hot Fuzz,” and you can read their thoughts at Wright’s blog and via a message board post by Pegg. (Big h/t to Beaks.) Wright’s piece is really lovely and I strongly recommend you read all of if . However, here’s one line that tickled me, in the spirit of “it’s funny because it’s true.”

I also remember telling him that Quentin [Tarantino] was a huge fan of his film ‘Sitting Target’ (another great soundtrack – btw) and he looked shocked. I’m not sure anyone had ever complimented him on it. He replied “Well, you must tell your friend he is very strange indeed”.

And so it goes, another great lost. I do want to echo Edgar Wright’s entreaty that, especially you’ve never seen it, you watch the 1973 “The Wicker Man” as fast as possible and avoid any place where spoilers about the ending might be found, which seems to be about 99% of what’s been posted about it recently. (I tried to avoid giving too much away in my 2000 review linked to above.)  Woodward’s portrayal of a repressed, bitter, humorless, but also decent, principled, and compassionate man is, to me, very much what acting is all about.  So, why are we surprised to hear about what a funny and regular guy he was in real life? He was acting — extraordinarily well.

Greg of Cinema Styles has more. Highly recommended.

The Return of Bullz-Eye’s TV Power Rankings

Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:


5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did.David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been.R. David Smola

Honorable MentionCougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last.Will Harris

Returning in 2010Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.”Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (“FlashForward”), Kurt Sutter (“Sons of Anarchy”), Jonathan Ames (“Bored to Death”), and Bryan Cranston (“Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

Mouse reshuffles, Leo the lion on the block, and other tales

* In the real world Obama appears to be rethinking Afghanistan; in the cable TV world Lou Dobbs is relieving CNN of his xenophobia and is threatening to go into politics while The Onion has the real scoop. Meanwhile in the movie world, Disney’s new chairman, Rich Ross, is reorganizing. It sounds as if technology will be leading the way in the new regime. Also, the structure of the organization will resemble more a television network, we’re told, than a movie studio. Once upon a time that might have worried me, but these days TV is hardly any worse than movies. I’m not sure if that’s good news about TV or bad news about movies. (A little of both?)

* The lion of Hollywood has been a bit mangy for a long time now. Peter Bart reports that MGM is about to be sold and the whole thing, 4,000 titles and all, is worth about $1.5 billion, which would be a lot of money to you and me but to a once mighty film studio sure sounds paltray. One factor, even the older titles in the library ain’t what they used to be, either. The studio’s signature titles: “The Wizard of Oz,” “Gone With the Wind,” and “Singin’ in the Rain” are now available on Warner Brother’s DVD along with a good chunk of their best known classics.  The ghosts of Culver City’s glory days are restless tonight.

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* Apparently being a movie critic these days is such an unstable, lousy position that some of the best known reviewers are jumping ship and becoming film festival programmers. Yesterday, it was Newsweek’s David Ansen. Today, it’s the L.A. Weekly/Village Voice’s Scott Foundas. Anne Thompson has the depressing news that might nevertheless be creating more opportunities for some of the better known online folks.

* The fruits of my compatriot Will Harris’s London sojourn are appearing in the form of some extremely worth-your-time interviews. First with writer/director Richard Curtis of the criticially underrated “Love, Actually” and the soon to be released “Pirate Radio.” Also roly-poly movie superstud and general all around good guy Nick Frost of “Shaun of the Dead,” etc., as well as “Pirate” newcomers Tom Sturridge and Talulah Riley gets the Harris treatment as well. Bob says collect ’em all.

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This Tuesday in TV-DVD – Nov. 3, 2009

* The Rockford Files: Movie Collection, Vol. 1: It’s like I said in my review: if these movies aren’t necessarily up to the standards of the original series – and let’s face it: they often aren’t – it’s so good to see James Garner, Stuart Margolin, and Joe Santos back in their familiar roles that it hardly matters.

* The Shield: The Complete Series Collection: Similarly, I’ll let Jason’s review speak for this set. “From its great ensemble cast and the memorable group of characters they portrayed, to the writing team’s ability to consistently hammer out quality and controversial storylines, ‘The Shield’ is by far one of the best cop dramas ever produced. Nay, one of the best dramas, period. It may not have gotten the attention it deserved during its seven years on the air, but its release on DVD will ensure that the legacy lives on for many years to come. If nothing else, you can expect it to be heavily referenced when the next great cop drama arrives on television, because while ‘The Shield’ may not have invented the wheel, it definitely burned the rubber off the tires enough times for people to take notice.” I have no doubt that he’s right. And one of these days, maybe I’ll even get a chance to sit down and watch it myself.

* Will Ferrell: You’re Welcome, America – A Final Night with George W. Bush: Adam McKay described Ferrell’s one-man Broadway show as “one of those great projects where you really walk in not at all caring about what the critics are going to say.” That’s probably a good thing, given what Jeff Giles, has to say about it. (To be fair, though, even McKay admitted that, although “the director of our special, Marty Callner, did an amazing job, nothing ever matches the live experience. The people who saw it live had a totally different reaction to it.”)

* Mission: Impossible – The Final TV Season: By the time this, the show’s seventh season, rolled around, you needed a formal checklist to cite all of the people whose departure left fans saying that it “hasn’t been the same since.” There’s no Martin Landau, no Barbara Bain…even Leonard Nimoy was gone by this point. But, hey, the big three – Peter Graves, Greg Morris, and Peter Lupus – are still around, with Lynda Day George serving as the season’s predominant femme fatale. Now that the whole series is available, when are we going to get the 1988 revival released on DVD?

* Spin City: Season Three: Shout Factory must’ve blown its whole bonus-material budget for the show on the Season 1 set, because we haven’t seen a single special feature since, but at least the comedy keeps on coming.

* Star Wars: The Clone Wars – The Complete Season One: Your mileage on this show varies by how much you can stand of George Lucas’s prequels, but at the very least, it looks and sounds good.

* Walt Disney Treasures: Zorro – The Complete First Season / Walt Disney Treasures: Zorro – The Complete Second Season: Once upon a time, when Antonio Banderas was merely a twinkle in his father’s eye, Guy Williams was dressed in black and bringing a whole new meaning to the phrase “cutting Z’s.” As usual, you can count on Disney to hook you up with a plethora of classic bonus material.

* Doctor Who: The War Games / Doctor Who: The Black Guardian Trilogy: What the…? Our man Ross has written full-length reviews for both sets? I am shocked. Shocked. Sounds like “The Black Guardian Trilogy” might be pretty good if you just skipped over the middle part of the trilogy. As for “The War Games,” while Ross says it’s “difficult to recommend…to people unfamiliar with it,” it’s a fantastic set for fans, and “the transfer and restoration work are just freaking gorgeous.”

* Fraggle Rock: The Complete Series Collection: Dance your cares away, worries for another day, and let the music play down in Fraggle Rock for as long as you can stand to watch. But given that it’s a Jim Henson production, you can probably stand to watch for a very long time, indeed. Actually, this isn’t the first time we’ve been offered a complete-series set for this show, but as someone who owns the notebook-styled version that came out last year, where the DVDs fall out way too easily, I can assure you that you’ll be a lot better off if you pick up this one instead.

* G.I. Joe: Resolute: I haven’t seen this Cartoon Network series, nor have I seen the new movie, but I don’t think I’m going too far out on a limb to suggest that this might be better than the movie. Or, at least, that’s the buzz, anyway.

Other releases this week:

* Ruby-Spears Superman:
* Here’s Lucy: Season 2:
* The Donna Reed Show: Season 3
* Art 21: Season 5
* Edge of Darkness: The Complete BBC Series

And – ho, ho, ho! – a trio of holiday releases for the kiddies:

* Dora the Explorer: Dora’s Christmas Carol Adventure
* Thomas & Friends: Holiday Express
* Merry Sitcom! Christmas Classics from TV’s Golden Age

“Southland” has been saved

In a delightful screw-you to the programming powers that be at NBC, TNT has saved the day and picked up “Southland.” Although I must, as ever, remind you that I have never claimed to be Nostradamus, I am pleased to say that I did predict that this would be the case when I originally posted about the show’s cancellation by NBC, so it’s nice to see that I can get something right once in awhile. (I’m still smarting over the fact that, in Bullz-Eye’s Fall TV Preview that “Trauma” has been canceled, but I stand by my position: based on their pilots, I can’t imagine anyone would’ve expected “Mercy” to last longer.)

Here’s the official word from TNT on the latest addition to their line-up:

TNT has picked up the critically acclaimed series “Southland,” closing a deal with Warner Bros. Television that will bring the drama from Emmy-winning producer John Wells (“ER,” “The West Wing”) to the network in January. TNT has obtained exclusive rights to air all six episodes that have been shot for the second season, as well as the seven episodes from the series’ first season. “Southland” will air on TNT Tuesdays at 10 p.m. (ET/PT), beginning with the first episode of the series on Jan. 12.

“This is a great win for fans of ‘Southland’ and a perfect opportunity to introduce the series to new viewers,” said Steve Koonin, president of Turner Entertainment Networks. “It’s also another outstanding example of how TNT has established itself as the go-to place for the best dramas on television.”

“We are extremely pleased that TNT has acquired all 13 episodes of ‘Southland,’ giving devoted fans the opportunity to watch a show that they passionately support,” said Peter Roth, president of Warner Bros. Television.

“We’re delighted that TNT has stepped forward to pick up ‘Southland.’ We are all extremely proud of the show,” Wells said.

Of course, if you’ve been following the Twitter feed of “Southland” star Michael Cudlitz since he started making with the obscenities over NBC’s treatment of the series, then this is old news to you, anyway. He reacted to the news minutes after the story broke, thanking everyone in Twitterland and saying, “The reason this happened was because of you. They never would have picked this show up if they didn’t think it had an audience.”

But will the audience make it over to TNT come January…?

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