Category: Actresses (Page 100 of 258)

Wild paranormal law-abiding stepdads to rule box office, almost for sure

Where the Wild Things Are

If you’re craving variety and unpredictability in your movie weekend, then this weekend is for you. Still, most of the smart money seems to agree that the week’s likely fiscal winner is Spike Jonze’s new PG-rated adaptation of Maurice Sendak’s multi-layered picture book classic, “Where the Wild Things Are.”  The family film boasts an outstanding cast, both onscreen and as voice talent, including Catherine Keener, James Gandolfini, Lauren Ambrose, and Forest Whitaker. It’s also got a director synonymous with high-quality and not-quite-mainstream fare and its hep cred is further bolstered by the name of bestselling author and McSweeney’s founder Dave Eggers on the screenplay. Best of all, commercially speaking, it’s based on a book that’s been read and loved by practically everyone. All told, it seems like a canny blending of mainstream recognition, family appeal, and more than a dash of arthouse appeal, but therein may lie the difficulty.

This is a film that really should bit a big hit with critics, and its advertising certainly sells the film’s visual beauty — always a plus with cinephile critics. However, it turns out our David Medskar’s very mild 3/5 star review is pretty typical of the critical reaction. Rating a good-but-not-great 68% Fresh on the Rotten Tomatoes scoreboard, critics are expressing sentiments similar to Dave, who found it “lacking in terms of emotional weight.” Since emotional weight — laughter and tears, etc. — not arresting filmmaking technique — is what most people are looking for at the movies, you have to wonder about whether the film will show any legs over the long term. Still, jolly Carl DiOrio’s prediction of a $25-30 million dollar weekend seems more than reasonable given the audience’s voracious appetite for strong family films with cross-generational appeal. On the other hand, Disney’s decision to extend the run of the 3-D double bill of “Toy Story” and “Toy Story 2” could cut into the “Wild” numbers just a bit with a terrific package of tried-and-true family fair bolstered by the appeal of 3-D.

Gerard Butler and Jamey Foxx in
For some decidedly non-kid-friendly fair, Director F. Gary Gray and writer Kurt Wimmer’s “Law Abiding Citizen” boasts two more or less A-list leads as Jamie Foxx portrays as a careerist D.A. pitted against against tragedy stricken family man turned imprisoned vigilante serial killer played by Gerard Butler. I think Butler has starred in like 200 million mainstream movies this year. None of those movies has been a hit with the critics so far, and “Citizen” is no exception.

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Today’s secret word is “$”

On an otherwise slow movie news day, Variety‘s Michael Fleming is on  a small role, and the theme is filthy lucre.

* Writers Aline Brosh McKenna and Simon Kinberg have obtained $2 million from Paramount on the basis of a pitch for an unnamed upcoming project to be produced by J.J. Abrams’ Bad Robot. Especially in this climate, it’s a surprisingly tidy sum. It sort of brings back to mind the Hollywood of a couple of decades back when the studios were handing out sometimes surprisingly generous money for options to even relatively unknown writers on the basis of a pitch — though McKenna and Kinberg are far from unknown and the Abrams imprimatur surely didn’t hurt.

No details about the story have emerged but Kinberg is associated with lighthearted action pieces, like the upcoming “Sherlock Holmes,” while McKenna has worked on lighthearted feminine-friendly material like “The Devil Wears Prada.”

A Fistful of Dollars

* “The Art of Making Money” is an adaptation of journalist Jason Kersten’s nonfiction account of the career of counterfeiter Art Williams. Director D.J. Caruso (“Disturbia,” “Red Eye”) and Junior James Kirk Chris Pine are “in negotiations” with Paramount for the pic.

* Meanwhile at Fox, any action comedy headlined by Tom Cruise and Cameron Diaz, to be directed by James Mangold (“3:10 to Yuma“), co-written by busy master scribe Scott Frank  (“The Lookout” “Get Shorty,” “Minority Report,” etc.) and backed up by all-star supporting is likely to be a pricey proposition. You’d think they could afford a better title than “Knight & Day.”

Trumbo

Trumbo

23 years after his death, Dalton Trumbo (“Johnny Got His Gun”) remains among the best-known screenwriters of all time. Ironically, that’s largely because much of his best work was done in secret. Jailed in 1950 and then blacklisted for his refusal to discuss his constitutionally protected membership in the Communist Party, Trumbo survived by writing prodigiously, using pseudonyms and “fronts” until 1960, when director Otto Preminger and actor-producer Kirk Douglas openly placed his name in the credits for “Exodus” and “Spartacus” and sounded the first death knell of the Hollywood blacklist.

Drawn partly from a play by the writer’s son, Christopher Trumbo, and featured on PBS’s “American Masters,” this documentary combines interviews with Trumbo’s family and friends, including stars Kirk Douglas and Dustin Hoffman, and dramatic interpretations of his writing by a long list of acting heavyweights such as Joan Allen, Michael Douglas, Liam Neeson, and Donald Sutherland. On the down side, director Peter Askin plays up Trumbo’s heroism while playing down his political extremism and indulges in some pretentious and annoying cinematic tics, including shooting the actors looking on pensively while their occasionally overdone readings play on the soundtrack. Still, when Askin captures the writer’s unsentimental and often humorous essence — as in Nathan Lane’s wry reading of an ingenious letter to the teenage Christopher Trumbo on the joys of masturbation and Paul Giamatti’s testy renditions of Trumbo’s broadsides at his local phone company — this is a highly engaging summary of the life and work of a singular figure in mid-century movie history.

Click to buy “Trumbo”

New Girls Next Door are back on E!

Girls Next Door - image001-477

The new Girls Next Door from E! premieres tonight at 10:30 PM EST. Holly, Kendra and Bridget have left the show, and Hef is sporting three new girlfriends: The Shannon Twins, Karissa & Kristina, and Crystal Harris. They’re younger, blonder and . . . . . oh well, just as boring as before.

Many women love this show (over two-thirds of the audience is comprised of women), so we can expect that to continue even with the new gang. Tonight’s episode will introduce the new girls, and the three of them get together with Holly in Las Vegas. Naturally, the 19-year-old Shannon twins loved Vegas.

As for the guys, one has to wonder if this show has ruined the Playboy fantasy a bit. Sure, the girls are beautiful, and we see plenty of the new girls in the first episode, but listening to their banter week after week makes them less sexy, not more. So while the E! show has exposed the brand to a whole new audience, particularly a whole new generation of young women, it doesn’t seem to click with the audience Playboy magazine needs, which is young men.


Karissa & Kristina Shannon, Ida Ljungqvist, Hugh Hefner and Crystal Harris

Will “Couples” find box office fulfillment?

Couples Retreat

As if the movie gods themselves wished to offer me some breathing space, this weekend has only one new wide release, and it sure doesn’t strike me as anything to get very excited about. Our own Jason Zingale — who enjoyed seeing a reunion of “Swingers” pals Vince Vaughn and Jon Favreau — gave a pretty tepid, just this side of positive, review to “Couples Retreat.” Jason’s take, however, is a hysterical rave compared to the blistering reviews that had the film at a pretty darn rotten 09% “fresh” Rotten Tomatoes rating.

Nevertheless, audiences may differ from the critics. The comedy does boast the appeal of the all-mid-level star cast, which also includes the very talented Jason Bateman and Kristen Bell. Also, the fact that the R-rated blood/body-parts splatter comedy, “Zombieland,” and the PG-rated family food splatter science fiction comedy, “Cloudy With a Chance of Meatballs,” are dominating the box office right now means that there’s not a whole lot out there in wide release for the non-splattery date movie trade.

Whip ItNow, Fox Searchlight’s hopes of good word-of-mouth-based box office could pan out for the girl-powered sports comedy, “Whip It.” So, if director Peter Billingsley — yes, Ralphie from “A Christmas Story” — wants to avoid a nasty box office defeat, he’ll have to hope there are no pleasant suprises for his fellow ex-child star making a feature directorial debut, Drew Barrymore. Variety‘s Andrew Stewart says the lately somewhat beleaguered Universal expects “decent numbers” whatever those are, but my hunch is that “Couples” will be lucky to be in the top five on this weekend’s hit parade and may not crack double digits. However, I’m nearly always wrong when I stray from the experts. We shall see.

The remaining action this weekend is in terms of limited releases. As per Box Office Mojo, other than some potential Oscar fare we may be discussing in coming weeks, we have “Good Hair,” from Chris Rock and director Jeff Stilson getting excellent reviews and debuting in 185 theaters, as well as the LeBron James-headlined sports documentary, “More Than a Game,” expanding into 44 theaters. “From Mexico With Love,” an old-school boxing/message picture being aimed at the Latino market, is also getting a very decent sized release in 285 theaters. The earnest looking drama has been so successfully hidden from critics so far, it’s not even appearing on Rotten Tomatoes new release listing.

Oh, and I almost forgot the one release that’s probably destined to be more than a trivia question after this week is over. After an extremely successful midnight-only release last week, the canny scarefest “Paranormal Activity” will be getting a normal release in 159 screens this weekend. As it happens, I saw it last night and will be writing up the review after I’m done here, but suffice it to say for now that I personally observed a bunch of presumably jaded, mostly youngish, industry-connected folks at a screening on the Paramount lot last night doing a pretty good impression of the folks in the trailer — well, maybe laughing at their own fear a bit more. This is not just hype.

paranormal activity

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