Category: Actresses (Page 83 of 258)

Friday movie news dump: Critic’s Choice Awards; Hollywood helping Haiti (updated)

I’m getting off to a late start tonight, so let’s get on with it.

* Via Roger Ebert’s tweet, we have the news on the Critic’s Choice awards, which are voted on by broadcast and some internet critics. “The Hurt Locker” won best picture, and best director for Kathryn Bigelow. “Inglourious Basterds” also had an extremely good night, as did Jeff Bridges. There was a tie for best actress between Sandra Bullock and Meryl Streep. Good ol’ Nathaniel R. liveblogged the proceedings.

Christoph Waltz in And, if I was a betting man (and I sorta kinda am), I’d be tempted to head up to Vegas and bet the farm on basterd Christoph Waltz and Mo’Nique of “Precious” for the supporting role categories at the Oscars.

UPDATE: I failed to note  earlier that “Avatar” managed a near clean-sweep of the more production/technical oriented awards, though the Best Make-Up award went to “District 9.”

* In light of what’s been going in Haiti, I’ve been feeling a bit guilty on not mentioning it and focusing on what is, after all, a business that is all about diversion and distraction. So, I’m glad to be able to make tonight’s longest item a mention of the massive fundraising telethon George Clooney is organizing and cohosting, along with Wyclef Jean and Anderson Cooper, on January 22nd. Nikki Finke is also reporting that Not On Our Watch, an “international advocacy and grantmaking organization” founded by Clooney and friends Matt Damon, Don Cheadle, Brad Pitt, and others has donated $1 million to emergency medical care. The super-cool Anne Thompson has some more details and links to places where you can give, and also has some additional news on good works done by show biz folks.

It’s also nice to report that the interwebs have been doing a fabulous job of fundraising but, of course, this is a really massive disaster and more will be needed for a nation that has already been long on the ropes. On the political net, DailyKos diarists are posting new rundowns of places to help each day. The Huffington Post and Rachel Maddow‘s sites have an excellent rundown of organizations that need your help. If those links are a bit too latte-sipping Blue State for your tastes, conservative blogger the Anchoress has also posted a list of many of the same organizations. I’d also like to put in a plug for the excellent Oxfam America which is already on the the ground in Haiti and has been especially active in terms of providing water and sanitation, which is going to be absolutely vital. Please click on any of these links and, especially if you can afford to an haven’t already given something, do what you can.

* The bidding, or whatever it is, on MGM is underway.

* I should probably have mentioned yesterday how Nikkie Finke’s “Toldja!” yesterday was that Disney has a new production chief with a quite interesting creative background that includes the upcoming “Tron: Legacy” and Project Greenlight. Following up on yesterday’s news, Finke points out an apparent irony.

* The extremely smart Jonah Hill to turn producer for…”21 Jump Street” with the directors of “Cloudy with a Chance of Meatballs“? Sure, why not?

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An “Avatar” five-peat for MLK weekend?

With “Avatar” holding remarkably well last weekend to the tune of over $50 million, there’s every reason to expect another very strong performance over the coming Martin Luther King Day holiday. Still, along with the holiday, this is also the first weekend since Christmas where James Cameron‘s science-fiction adventure is facing some new decent genre competition.

That comes via “The Book of Eli,” another “Mad Max”-esque post-apocalyptic neo-western, this time starring Denzel Washington and featuring a bit of a religious element. The Warner Brothers film is getting mixed reviews and only rated 45% on the Tomatometer. Beneath the surface, however, I’m sensing that the film actually provides a bit of fun and while star power hasn’t been good for much lately at the box office, my hunch is the combination of a tried-and-true action-flick premise and this particular star is just strong enough to be reasonably potent here.

Denzel Washington in Directed by the Hughes Brothers who, rather unbelievably, haven’t released a theatrical film since 2001’s  fairly decent “From Hell” disappointed at the box office, “Eli” is expected to earn about $30-40 million. Personally, I wouldn’t be surprised to see a very close result. Jolly Carl DiOrio nevertheless fully expects an “Avatar” victory and reminds us that it would be the first five-time #1 streak since “The Sixth Sense” wowed audiences back in 1999.

The week’s other major new release is “The Spy Next Door,” a family-oriented Jackie Chan vehicle from Lionsgate that has managed the neat trick of getting eactly 0% of critics to give it a positive review at Rotten Tomatoes. Still, if parents will fork over beaucoup bucks for a certain singing group from the genus rodentia, it’s just possible they’ll take one for the family team by sitting through this possible kiddie-pleaser as well. Jolly Carl is talking about as much as $20 million for “Spy,” presumably partly because of the family appeal of costars George Lopez and Billy Ray Cyrus. As an admirer of Chan’s great Hong Kong work, I have to say that I’m sorry he feels he has to has to work with the guy who brought us “Beethoven.”

That’s it for major new releases, but Peter Jackson’s movie version of Alice Siebold’s “The Lovely Bones,” is finally going wide this week. According to Box Office Mojo, it’ll be expanding from 13 theaters into 2,563, about 500-800 fewer than the major releases I’ve discussed so far. Considering the lackluster reviews and only so-so awards showing for this theoretical piece of awards-bait so far, I wouldn’t expect anything too huge here this weekend   — though apparently younger females have been liking the film, or at least that’s who the film is being marketed to these days. In any case, a surprise Golden Globe or two at Sunday night’s show wouldn’t hurt it’s MLK day Monday. It could use a miracle or two.

Saoirse Ronan in

Your “24” Season 8 refresher guide, damn it

As we ponder which pop culture reference to use as our opening to the return of Season 8 of “24” – would ‘We love the smell of terror in the morning’ work, or should be go musical and simply say ‘Welcome to the terrordome, again’? – we realized that the seven-month layoff between seasons produces some rather large gaps in memory when it comes to the previous day’s events, and this is coming from the person responsible for blogging the damn show. As a means of getting everyone (especially me) up to speed with both the returning characters and the new ones in anticipation of the upcoming two-day premiere – once again competing with the Golden Globes, ugh – we’ve prepped this handy little refresher guide on what you can expect this season. And as a precaution, we’ve included a SPOILER ALERT! warning when appropriate. Man, IMDb is helpful and all, but sometimes it blatantly gives the game away.

RETURNING FOR DUTY
Name: Jack Bauer (Kiefer Sutherland)
Last seen: In a coma, finally succumbing to the nerve agent that he inadvertently exposed himself to while trying to stop a major attack in Day 7.
Present whereabouts: Seemingly cured of any and all ill effects of the nerve agent and preparing to relocate back to Los Angeles to be closer to his daughter and granddaughter, who’s named after Jack’s dead wife.
Likelihood of surviving to final clock tick: 1,000,000,000%. If they kill Jack Bauer, it won’t be on the small screen. And even if they did decide to kill him on TV, they’re sure as hell not going do it the same year as the final season of “Lost.”

Name: Chloe O’Brian (Mary Lynn Rajksub)
Last seen: using a laptop, which was practically still smoking from the fire that it was pulled from, to pinpoint the location of Season 7 baddie Alan Wilson.
Present whereabouts: Working her tech magic for the newly reinstated CTU office in New York.
Likelihood of surviving to final clock tick: 90%, though we suspect that should Chloe die, Jack would just fall to the ground like a marionette.

Name: Kim Bauer (Elisha Cuthbert)
Last seen: Going against her father’s wishes and consenting to the doctors’ request to use her stem cells to save Jack.
Present whereabouts: Still on the east coast with the intent to move back west. The mother of an infant at the end of Season 7, her daughter is now roughly four years old, even though we believe only 18 months have passed since this season and last.
Likelihood of surviving to final clock tick: 100%. Like cockroaches, Keith Richards and U2, Kim Bauer cannot be killed.

Name: President Allison Taylor (Cherry Jones)
Last seen: Sending her treacherous daughter to the slammer for a laundry list of grotesque offenses, thereby guaranteeing that her husband never has sex with her again.
Present whereabouts: New York, where she will sign a landmark treaty with President Omar Hassan. Or at least that’s the plan.
Likelihood of surviving to final clock tick: 95%. She’s damn tough, and even some of the Presidents that die on camera don’t really die. Take, for example…

Name: President Charles Logan (Gregory Itzin)
Last seen: Flatlining in an ambulance after being stabbed by his wife, former First Lady of Crazy Martha Logan.
Present whereabouts: Unknown, but word has leaked that Logan will return at some point this season.
Likelihood of surviving to final clock tick: 100%. Hey, if Martha couldn’t kill him…

Name: Renee Walker (Annie Wersching) (SPOILER ALERT!)
Last seen: Sneaking into the holding room of Alan Wilson, with the intent to make him squeal like a pig for orchestrating the day’s events, not to mention the death of her boss, Larry “Dudley Do Right” Moss.
Present whereabouts: Unknown, but we’re guessing it’s somewhere dark, cold, and ratty.
Likelihood of surviving to final clock tick: 5%. We already had a sneaking suspicion that Renee, a.k.a. Jacqueline Bauer, was destined to fill that ‘dead/damaged lover’ slot in Jack’s life, but then IMDb revealed this, um, revealing fact: as of press date, Wersching was credited for appearing in 47 episodes of “24.” You do the math.

THE ROOKIES
The re-opening of the New York office of CTU will serve much like the introduction of the FBI in Season 7. New bosses, new agents, new techies, and most likely, new moles. But damned if this bunch doesn’t appear to be squeaky clean. For now.

Name: Omar Hassan (Anil Kapoor)
Title: President of the fictional Muslim nation of Kamistan and assassination target.
Potential 24 Blog Nickname: Slumdog President
Likelihood of surviving to final clock tick: 100% Swear to God, I got in a conversation with two Indian men at a local liquor store about Anil Kapoor (an ad for “24” appeared on the TV behind them), and they both proceeded to recite a laundry list of Chuck Norris-type facts about Anil Kapoor. Apparently, Kapoor can do seven lengths in an Olympic swimming pool…underwater. I was going to inquire about Kapoor’s roundhouse kick, but thought better of it, grabbed my booze, and left.

Name: Dana Walsh (Katie Sackhoff)
Title: Director of IT, CTU New York
Potential 24 Blog Nickname: If I don’t call her Starbuck, all hell will break loose.
Likelihood of being mole in disguise: 20%. She appears to be more of a Nasia Yassir (the lovely Marisol Nichols) type. Which is fine with us. After all, why bring in someone like Katie Sackhoff and ask your audience to root against her?

Name: Brian Hastings (Mykelti Williamson)
Title: Director of CTU New York
Potential 24 Blog Nickname: Sorry, Mykelti, but you’ll always be Bubba to us.
Likelihood of of being mole in disguise: 10%, but I’ll bet dollars to donuts he’s dead before the day’s over. Directors of CTU have a higher mortality rate than Jack’s girlfriends. (*pours out 40 in honor of Bill Buchanan*)

Name: Cole Ortiz (Freddie Prinze Jr.)
Title: Agent, CTU New York
Potential 24 Blog Nickname: There is surely a Mr. Buffy Summers joke in there somewhere, but man, that seems too easy.
Likelihood of of being mole in disguise: 15%. He’s an ex-Marine (that’s right, Freddie Prinze Jr. is playing an ex-Marine), so the odds of him betraying his country are highly unlikely. It would be a nice play against type, but “24” doesn’t really play that way. They tend to cast former weasels to play current weasels. See Sean Hillinger, a.k.a. Billy Walsh, from Season 7.

Name: Arlo Glass (John Boyd)
Title: Systems Analyst
Potential 24 Blog Nickname: TBD. Considering his relatively skint resume, including such roles as Drunk Guy and One-Eyebrow Smoker, we’ll need some time together before a nickname presents itself.
Likelihood of of being mole in disguise: 10%, though we wonder if he’ll produce trouble for Chloe and Morris.

That’s all we know for the moment, but the “24” blog will be back open for business Monday morning to discuss the first two hours. Fox, though needs to be slapped silly for scheduling the premiere opposite the Golden Globes, again. Yes, yes, moving the premiere to Monday and Tuesday would mess up “American Idol’s” schedule, blah blah blah. Nobody cares. Heck, the stars of “24” will be at the Golden Globes, for crying out loud. Jeesh.

Tuesday late night movie news

It’s pretty clear that nothing going on in movieland tonight is going to be able to compete with the sheer entertainment value of the NBC late night TV quagmire, but there’s definitely stuff to talk about.

* Peter Saarsgard of the very good “An Education” is a highly intriguing actor who I’ve been following for some time, especially since catching his work in the underrated “The Dying Gaul” at Sundance a few years back. No matter what kind of character he’s playing, he seems to have a real gift for moral ambiguity. If he’s cast as a villain, we think he must have a good side, and if he’s cast as someone more upright, we wonder if there isn’t something underhanded going on. Anyhow, Borys Kit reports that it looks like he might be playing the villain side of the street in the Green Lantern movie. Could be good.

an-education-peter-sarsgaard-2

* The longest named director in show business is back on “The Tourist,” a remake of a French thriller to star Johnny Depp and Angelina Jolie Florian Henckel von Donnersmarck is the very talented and personable multilingual director behind “The Lives of Others.”

* Simon Brew has some more on the upcoming “Spiderman” reboot announced yesterday. His list of possible new Spideys has two interesting entries that I can’t quite agree with. Daniel Radcliffe actually makes some sense, but we’ll have to see how his American accent is, though I’d personally advise the soon-to-be ex-Harry Potter to avoid overly franchisey roles for a while. Michael Cera would be interesting but, I fear, disastrous. He’d have to get muscular and we know what happens to funny young actors when they become too obviously physically fit. Just ask Anthony Michael Hall.

The trick with Peter Parker is that the actor has to be believable both as a vulnerable demi-nerd, and as the sinewy superhero. Tobey Maguire was actually a really outstanding choice.

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Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

Spiderman

My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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