Category: Actors (Page 78 of 343)

A chat with Ted Lange…? You got it!

On Sunday, April 25th, TV Land will be airing its annual celebration of classic television known as the TV Land Awards. Our man Bob Westal was walking the red carpet for us, star-spotting and chatting with the occasional celebrity passerby, but as I’m ensconced here in Virginia, I have to make do with phoners. It was hardly settling, however, to have the opportunity to chat with an iconic figure of ’70s and ’80 s television like Ted Lange. Although he’s arguably best known for his role as bartender Isaac Washington on “The Love Boat,” it’s far from the only item on his resume, so I made sure to brush up on his list of credits on IMDb before getting on the phone with him. This proved to be a wise move, as it resulted in stories of a Shakespearean production and tales of working on “Wattstax,” “Friday Foster,” “Record City,” “Mr. T and Tina,” and, yes, “That’s My Mama,” too. But, of course, there was still plenty of “Love Boat” banter as well, since it was that very show which led Lange to attend the TV Land Awards and reunite with his former crewmates…sorry, I meant castmates.

Come aboard as we set sail for…

Ted Lange: Hi, Will!

Bullz-Eye: Hey, Ted, how’s it going?

TL: Good! How are you doing?

BE: I’m doing well. It’s a pleasure to talk with you.

TL: What city are you in?

BE: I’m in Norfolk, Virginia. Where are you? Somewhere on the east coast, I guess, given how early it is.

TL:West coast, actually!

BE: Wow, then it’s really, really early there. Are you in California?

TL: Yessir. Los Angeles, California, city of the angels! (Laughs)

BE: Well, one of our writers here at Bullz-Eye was actually at the TV Land Awards the other night…

TL: Oh, really?

BE: He did the red carpet thing, and then he headed into the bloggers’ room, so he wasn’t in there with the action, per se, but he said it was a good time.

TL: It was a good time. It was a lot of fun.

BE: So was the entire cast there for the reunion?

TL: Well, Gavin MacLeod (Captain Stubing) had a back operation – he hurt himself, hurt a couple of his discs – so he wasn’t able to be there. We really missed him, because, you know, he’s the anchor of the show as the captain. So I called him up and talked to him to see how he was doing, and he was a little weak, but he was recuperating well. But everybody else was there, and they all brought their kids. Fred Grandy (Gopher) brought his daughter, I brought my son…it was a lot of fun.

BE: I was talking to Bob, our man who was there, and he was quite pleased that he’d gotten to talk to Bernie Kopell (Doc) on the carpet. So do you guys keep in touch aside from these occasional public reunions?

TL: Oh, yeah, absolutely. We’re friends. The great thing about the show was that we made friendships, you know? We were acting buddies and everything, but off-camera…I mean, I learned how to play tennis on Bernie’s tennis court. I wasn’t really into tennis ‘til I met Bernie. He’s been a good pal, and Fred I see all the time whenever I’m out on the east coast, and Tewes…we’re all friends, and that was the wonderful ancillary benefit of the show: that we made some really lasting friendships.

BE: So how did you first come onto “The Love Boat”? Obviously, you were pretty well established on television already, thanks to “That’s My Mama.”

TL: Yeah, actually, I did two series. I did “That’s My Mama,” and I did another series called “Mr. T and Tina,” with Pat Morita. The network was aware of me, and they had done a pilot and…they had used the guy who played the postman on “That’s My Mama,” Teddy Wilson, on the first “Love Boat” pilot, and they didn’t like the chemistry of the crew, so when they did the second pilot, they kind of threw everybody out that wasn’t working and brought in some new guys…and they stuck with the “That’s My Mama” cast by bringing me in to play the bartender. (Laughs) So I was very fortunate!

BE: Had you worked with Aaron Spelling before “Love Boat”?

TL: No, I hadn’t, actually. Jimmy Komack was the producer of “Mr. T and Tina,” and he sat me down and said, “You’re going to go work for Aaron Spelling, so let me just tell you that he’s really a great guy.” And, of course, he was correct.

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Previews of coming TCM Fest attractions

I’m busy today preparing to hit the TCM Classic Film Festival, which opens tonight in Hollywood, California with a gala screening of a digital restoration of the 1983 restoration of the 1954 “A Star is Born.” Also screening tonight is the 1931 Frank Capra obscurity, “Dirigible,” an underrated Howard Hawks science-fiction comedy starring Cary Grant, Ginger Rogers, and a newcomer named Marilyn Monroe, “Monkey Business” as well as an outdoor screening of 1949’s silly but fun (if memory serves) “Neptune’s Daughter.” That one features swimmer turned musical comedy star Esther Williams alongside a very, very pre-Khan Ricardo Montalban and comedian Red Skelton. The cool part of this is that Ms. Williams, and a real-live water ballet, are included with the price of admission. (I should add that single entries for the fest are very much on the pricey side, starting at $20.00. Students get in for half-price, so I suggest enrolling quickly.)

That’s just tonight. Below are trailers for a some shows I’m personally looking forward to catching. We’ll start with the closing night screening of probably the most significant film of the festival, the new and finally fully restored version of the original science fiction extravaganza, Fritz Lang’s “Metropolis.” (I’m slightly bummed to see this, like “A Star is Born” will be screened digitally. Assuming that celluloid prints of the new version exist, which may or may not be the case, that’s really how it should be shown.)

More after the flip.

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Michelle Yeoh, wire-fu, and flaming swords

Pretty much everything I can ask for in a movie.

“Reign of Assassins” is a collaboration between relative newcomer Su Chao-Bin and John Woo, the past master of such classic Hong Kong modern day action epics as “The Killer,” “Hard Boiled,” and “A Bullet in the Head,” who recently returned to Hong Kong to make the acclaimed period epic like “Red Cliff” (which I still desperately need to see). Now he’s back with this still-in-production blend of Wuxia madness and romance, also starring Jung Woo-Sung alongside international treasure Michelle Yeoh. This promotional trailer has been making the blog rounds of some of the better sites, and for very good reason. Looks promising, indeed.

H/t Anne Thompson

Hitler is right!

Yes, this avid and genetically predisposed consumer of matzoh balls and knishes knows a strong argument when he hears it. And, while I usually like to consider the source, as the saying goes, even a racist genocidal maniac is right two times a century, or something like that.

Anyhow, in case you haven’t heard about it yet, Constantin Films, the company that released the excellent historical drama, “Downfall,”  has been going after those often extremely funny videos drawn from that film in which the great German actor Bruno Ganz as Hitler reacts — as only a fascist with serious, serious anger issues really can — to all kinds of pop cultural events.  PopEater summarizes the situation quite nicely.

Of course, we’ve already seen the inevitable meta-rants in which Hitler complains about all those videos of him saying stuff he surely would never say and caring about things he would never care about. Yesterday, the usually very cool Karina Longworth was apparently so tired of this ‘net meme that she all but sided with that particular “Downfall” Hitler and the cutting-nose-to-spite-face tactics of Constantin.

Anyhow, today she returned to form and saw the sweet reason of an argument posed by, of course, Adolph Hitler, who really describes the situation far better than I can.  Let’s see how long it stays up. (I’m hoping they’ll keep the audio up at least.)

I’m sorry, but at least 50% of these make me laugh quite a bit. Guess I’m a sucker for a Hitler joke.

Midweek movie news

Regular readers might have noticed that I’ve taken a couple of days off, and with the TCM Film Festival kicking off tomorrow night, and some other things possibly brewing, I might not be following my exact usual schedule for the next several days, though I’m sure I’ll be posting stuff, but we’ll have to see.  In the meantime, there’s plenty going on and I’m sure I’ve missed something.

Chloe Moretz smashes face* We eventually did get a clear, but narrow, victor in the weekend box-office battle, but nobody’s too excited about the performance of “Kick-Ass.” The film will make money, $19.8 million is not bad for a $30-40 million dollar movie, and it should help everyone’s career, but I wouldn’t bet on a sequel unless it holds really extremely well and also cleans up in home video. Also, it should be noted that the superhero comedy had a slightly unfair advantage because of its late Thursday night opening getting included in the take — at least I think it was. Steven Zeitchik, who thought the film would break out in a major way, offers a post-not-quite-mortem.

* James Cameron‘s new interview with the L.A. Times will annoy conservative anti-environmentalists and climate deniers as well as fans of contemporary written science fiction. (It’s too complicated and self-referential to make a movie out of, Cameron states, apparently unafraid of the sweeping generalization.) However, “Avatar” fans will be delighted to know that two more movies appear to be in the offing along with that extended August 3-D/Imax re-release. Cameron’s cast and crew will be, I imagine, much less happy to learn that “Avatar 2” will involve water, and lots of it. What is it with this guy and moisture? (H/t the Playlist.)

Titanic 1996

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