Category: Actors (Page 108 of 343)

Tuesday late night movie news

It’s pretty clear that nothing going on in movieland tonight is going to be able to compete with the sheer entertainment value of the NBC late night TV quagmire, but there’s definitely stuff to talk about.

* Peter Saarsgard of the very good “An Education” is a highly intriguing actor who I’ve been following for some time, especially since catching his work in the underrated “The Dying Gaul” at Sundance a few years back. No matter what kind of character he’s playing, he seems to have a real gift for moral ambiguity. If he’s cast as a villain, we think he must have a good side, and if he’s cast as someone more upright, we wonder if there isn’t something underhanded going on. Anyhow, Borys Kit reports that it looks like he might be playing the villain side of the street in the Green Lantern movie. Could be good.

an-education-peter-sarsgaard-2

* The longest named director in show business is back on “The Tourist,” a remake of a French thriller to star Johnny Depp and Angelina Jolie Florian Henckel von Donnersmarck is the very talented and personable multilingual director behind “The Lives of Others.”

* Simon Brew has some more on the upcoming “Spiderman” reboot announced yesterday. His list of possible new Spideys has two interesting entries that I can’t quite agree with. Daniel Radcliffe actually makes some sense, but we’ll have to see how his American accent is, though I’d personally advise the soon-to-be ex-Harry Potter to avoid overly franchisey roles for a while. Michael Cera would be interesting but, I fear, disastrous. He’d have to get muscular and we know what happens to funny young actors when they become too obviously physically fit. Just ask Anthony Michael Hall.

The trick with Peter Parker is that the actor has to be believable both as a vulnerable demi-nerd, and as the sinewy superhero. Tobey Maguire was actually a really outstanding choice.

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Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

Spiderman

My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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“The Reign of the Na’vi IV”

The humans of Yes, if this weekend at the box office were a movie, it would be a less than super-imaginative sequel. Once again, “Avatar” ruled at the U.S. box office. As seen on the mighty weekly chart of Box Office Mojo, James Cameron‘s mythic, politically pointed, science fiction adventure once again took the crown with an estimated $48.5 million for Fox. That’s a drop of only 29.2% in its fourth box office weekend, following a huge and long prior holiday weekend. No doubt helped out by those premium 3-D and Imax ticket prices, it also enjoyed the nation’s highest per screen average at about $14,173. In the relatively short time I’ve been doing this, I don’t think I’ve ever seen that happen on a movie’s fourth week.

As reckoned by the Mojo, “Avatar” is the now the #1 domestic moneymaker for 2009 and the #7 cinematic cash cow of all time, with a very definite bullet considering its signs of considerable ongoing strength. In others words, this is a movie people actually enjoy, not merely tolerate because it offers enough explosions to distract them for a couple of hours.

On the other hand, just to keep things in perspective, adjusted for inflation, “Avatar” is still a 56 steps down from the all-time ticket seller, “Gone With the Wind.” On the other hand, lest James Cameron should be threatened by any momentary bouts of untoward humility, at least in terms of raw cash he really is box office king of the world right now. “Avatar” is already the #2 grosser of all time at $1.331 billion, $500 million and change behind “Titanic” — written and directed by you-know-who. Can I still wish Cameron had brought in a competent wordsmith/dramaturg to smooth out the very rough edges on both films?

As for the second and third place positions, we had another photo-finish in which Warner’s “Sherlock Holmes” narrowly edged out Fox’s “Alvin and the Chipmunks: The Squeakquel” by a rodent hair. The world’s greatest literary detective brought in just a hair more than an estimated $16.6 million and the musically inclined woodland creatures managed an estimated $16.3 million. With the holiday weekends at an end, they both exhibited more typical drops for typical Hollywood product, with “Holmes” dropping by 54.6% and “Chipmunks” by 53.7%.

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Happy birthday, Dick

So, yesterday was Elvis Presley’s birthday and today is the birthday of his old partner in the war against drugs, President Richard Milhous Nixon.

Because of Watergate and Vietnam, and possibly also because in so many respects he still can seem like a central casting villain, Nixon gets depicted in movies a lot more than presidents you’d think we’d like to see on screen more often.  Want to see a movie about George Washington? Well, there was David Gordon Green’s “George Washington,” but our nation’s first president wasn’t exactly a character. Nixon, on the other hand, has been depicted in starring roles in numerous theatrical and TV movies by, among other, Frank Langella, Anthony Hopkins, Philip Baker Hall, and even Beau Bridges. Nixon was even portrayed by comedian Chuck McCann as Oliver Hardy to Vice President Spiro Agnew’s Stan Laurel in a 1972 ultra-ultra-obscure comedy called “Another Nice Mess.” (You may know writer-director Bob Einstein as TV’s Marty Funkhouser and/or Super Dave Osborne. ) If I could find a clip, I’d definitely feature it here but the film has apparently been secreted somewhere, perhaps in Dick Cheney’s man-sized safe.

In any case, my favorite portrayal of Nixon is by the great Dan Hedaya in the title role of Andrew Fleming’s underrated little 1999 comedy, “Dick.” One thing the film gets right is the innate humor of Nixon’s situation — a man with almost no sense of humor whatsoever (always hilarious) who was also the least hip man in America, president at a time when hipness was at a kind of premium.

Nice supporting cast in this one, huh?

Showtime greenlights the perfect series to replace the outgoing “Tudors”

During his welcoming remarks to the Television Critics Association, Robert Greenblatt – President of Entertainment for Showtime – revealed that the network has decided what will take the place of “The Tudors” when the series completes its run at the end of its fourth season.

Get ready for…”The Borgias.”

Greenblatt joked that they wanted to give fans of Showtime’s current period piece the opportunity to enjoy another “demented dynasty,” and, boy, do the Borgias fit that bill. Adultery, theft, rape, bribery, incest, murder…yep, sounds like a premium cable series to me.

“We think it’s a pretty dynamic story to dramatize,” said Greenblatt. It must be: not only will Neil Jordan serve as the executive producer (he will also direct the first two episodes), but “The Borgias” has drawn Jeremy Irons to play the role of patriarch Rodrigo Borgia. Plus, in a nice bit of torch-passing, Michael Hirst – one of the primary behind-the-scenes players on “The Tudors” – will be working on series as well.

“The Borgias” is scheduled to premiere on Showtime in the spring of 2011.

UPDATE – Showtime has issued its formal press release about the pick-up the series, describing “The Borgias” as “a complex, unvarnished portrait of one of history’s’ most intriguing and infamous dynastic families. The series begins as the family’s patriarch Rodrigo (Jeremy Irons), becomes Pope, propelling him, his two Machiavellian sons Cesare and Juan, and his scandalously beautiful daughter, Lucrezia, to become the most powerful and influential family of the Italian Renaissance. And all that power and influence eventually leads to their demise. As Machiavelli once said about his friends, the Borgias, ‘Politics have no relation to morals.'”

Greenblatt also offers this further quote:

“Having blazed a trail with the award-winning ‘The Tudors,’ we wanted to continue to offer our audience a period drama as wicked, witty, and utterly compelling — and that’s what ‘The Borgias’ will be. I can guarantee you’ve never seen a family quite like this before, nor could you make up the outrageous twists and turns of their epic saga if your life depended on it. The directorial mastery of Neil Jordan along with Michael Hirst’s flair for bringing historical dramas vividly to life for a contemporary audience will make ‘The Borgias’ unlike anything else on television.”

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