Category: Action Movies (Page 67 of 165)

Weekend box office: “Alice” will be in the zone and out of everyone’s league

Johnny Depp is the Mad HatterYes, there really doesn’t seem to be any reason at all to think any of the four new major releases this weekend will come anywhere remotely near the grosses for the latest tentpole flick from Tim Burton, Johnny Depp, and company. That’s because last weekend saw the 3-D “Alice in Wonderland” earn an enormous $116 million, so even a gigantic drop would mean a rather huge second weekend by normal standards. And, as both Anne Thompson and Jolly Carl DiOrio seem to agree, the new competition isn’t incredibly strong.

The leading contender of those, however, appears to be the new movie from director Paul Greengrass and star Matt Damon, “Green Zone.” The publicity is doing everything it can to remind the audience that both of them worked on the last two Jason Bourne films. However, the film itself is a political thriller — never, I’m sorry to say, the strongest genre commercially. Oh, and it’s about the Iraq war, not a favorite topic of escape-seeking audiences, it appears. Indeed, the only thing worse commercially than a political thriller about an unpopular and still ongoing war is one with mediocre reviews.

Green Zone

Still, the Bourne connection, Damon’s appeal, and a bit of topicality may be good for something. About $14-16 million says Carl DiOrio, which may not be enough to support the film’s hefty price tag, he warns. Anne Thompson, also has some hints about what went might have gone wrong with the film. (Hint: Except perhaps on documentaries, it’s rarely a good thing when a director has to “find” the story in the editing room. It’s nice to have it in the screenplay, but I’m old fashioned that way.)

Like “Green Zone,” the primary commercial asset of “Remember Me” is its male lead. To a certain segment of the market, Robert Pattinson certainly kicks Damon’s box office keister, even if the “Twilight” pasty-factor is out of this picture. On the other hand, if a single unaccompanied male sees the weepy romantic/emotional drama which also features Emile de Raven and Pierce Brosnan, it’ll be a shock. Pretty much detested by David Medsker, this one didn’t exactly wow the mass of critics either. There’s also the matter of its ending, which has been leaked on the web and many find a kind of insult.

Jay Baruchel and Alice Eve in Under those circumstances, you might expect the seemingly Apatow-esque (but not Apatow-associated) guy-friendly romantic comedy, “She’s Out of My League” to do rather well. Like Apatow’s break-through film, “The 40 Year-Old Virgin,” it benefits from a premise, fully explained in the title, that plays to the kind of universal male insecurities that seem to make for commercial comedy gold. Still, though our own David Medsker found the film quite likable, the overall reviews are middling and the level of interest out in the world appears to be low.

So low is the interest in the comedy, in fact, that Carl DiOrio actually expects the abysmally reviewed comedy, “Our Family Wedding,” to make about $3 million more dollars than “League,” even though it’s in nearly thirteen hundred fewer theaters. Featuring actors who I’m sure deserve better, including Forest Whitaker, America Ferrera and Taye Diggs, as well as comedian Carlos Mencia (who absolutely does not deserve better), I’m not sure why people would want to see this. On the other hand, since when am I “people”?

Red Band Mania! Violence, great acting, and, er, surgical violence!

There are any number of interesting movie stories circulating about right now, but time constraints just won’t permit me to tell them today…and tomorrow is weekend preview, so some might just have to wait. Instead, however, we’ve got two interesting and violent red-band preview.

The first excites me quite a bit as it features the great Michael Caine and is the beneficiary of some very good buzz. Caine is an actor I’ve always kind of loved, but after being assigned to look at some of his lesser known films and doing some research writing up his bio, the admiration I’ve always had kind of turned into awe. I could go and on about that, and kind of did in the bio. Anyhow, “Harry Brown” appears to be an intelligent spin on the vigilante film, and that’s probably enough of an intro. Check it out, courtesy of Rope of Silicon.

And, not to be confused with the 1984 cult classic, “Repo Man” we have “Repo Men,” cowritten by Eric Garcia, who also wrote its basis, the science fiction novel, The Repossession Mambo, and wouldn’t it be nice to live in a world where that could be the movie’s title. And, like I alluded to in the name of this post, this one is red-banded for its fairly matter of fact portrayal of organ removal as perpetrated by Jude Law and Forest Whitaker. As a gore phobe, and organ removal I suppose is the definition of gore, I’m still trying to figure out why this doesn’t bother me more.

The “Tron” abides

So this other trailer I want to write about for a movie I’m actually looking forward to will have to wait because the new “Tron: Legacy” trailer is out and we know that has to go first. I have to say the appeal of this franchise eludes me — or at least, the appeal of the original film completely eluded me all those years ago when I saw it as a college boy, though I get that it was a bit prescient as things turned out.

This trailer has lots of stuff in it. Maybe the movie will be good. Look on the bright side, I always say. Okay, I sometimes say.

H/t Nikki Finke, God help me.

Oscar Postscript

Well, as far as the show itself is concerned, my moderately upbeat assessment of it in last night’s live blog seems to have me in the minority. Certainly, my old fellow-in-film-blogging, Brian Doan, found plenty to dislike as did Roger Ebert in his Twitter feed, and even I’m likely to agree that either Martin or Baldwin alone might have been funnier than the two of them together. There were a number of very professionally done and actually funny tandem gags after their initial notably rough start — but, yeah, much of the material — from who else but Bruce Vilanch — wasn’t that much fresher than stuff from the Bob Hope era.

As for other complaints, I don’t disagree. On the other hand, from where I sit doofy production numbers are par for the course and part of the fun. Less fun are film montages that too often seem to miss the point of the genres of they are celebrating, but they are a tradition as well, except when Chuck Workman’s involved, anyhow.

Brian Doan and I definitely agree about the short shrift given to Governor’s Award winners Lauren Bacall, Roger Corman, and Gordon Willis and, having read a number of negative comments at various reportorial, geek, and cinephile blogs, I wonder if I went easy on any number of things including Mo’Nique’s somewhat defiant/entitled acceptance speech, which I reviewed more like a performance than for content. I certainly did go very easy on the evening’s one obvious moment of weirdness but I’d rather do that leap to a conclusion about something I really don’t know anything about.

ben-stiller-pic-ap-image-1-944374734

And there’s also the fact that I just like the Oscars. Every year when people complain about the show, I’m always scratching my head and I’m equally flummoxed by the outsized praise certain years get. I’m always entertained by these particular awards because, whether or not I agree with the awards or the nominations, the results will have a pretty crucial effect on any number of careers and that’s more than enough suspense for me.

However, with three locks in the acting nominations, there was less of that for me than usual. If it had been up to me, many awards would have been different. The fact of the matter is, though I intend to take a second look at both of them, neither “Avatar” nor “The Hurt Locker” really grabbed me in a strongly emotional way. Objectively, though, I’m pretty sure “The Hurt Locker” is the better, or at least the less-flawed and vastly more intelligent, film. I’m glad it won, if only because it’s probably the least fiscally successful film to win the Best Picture award but seems to earn praise from almost everyone who sees it. It’s an award for quality, not marketing and I appreciate that even if my own tastes run more towards “Inglourious Basterds” and, to a somewhat lesser degree, “Up in the Air.”

Anyhow, just in case anyone out there needs an update, below the jump are a complete list of awards and nominees that I promise you I did not simply cut and paste from someplace.

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Trailer Time: “Iron Man 2”

I’ll be back shortly with a brief Oscar wrap-up, but first, this.

In case, like me, you missed it on last night’s awards, here’s the new trailer for “Iron Man 2.” Along with more of Mickey Rourke’s outrageous supervillain, we also get nice glimpses of other new cast members starting with Scarlett Johansson as a very special notary public, Don Cheadle  as “Rhodey” Rhodes/War Machine (I’m still curious what really happened with Terrence Howard), Sam Rockwell as some untrustworthy guy (not a new role for him), and Samuel L. Jackson as Nick Fury of S.H.I.E.L.D.

This one looks good. Rock on.

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