Well, as far as the show itself is concerned, my moderately upbeat assessment of it in last night’s live blog seems to have me in the minority. Certainly, my old fellow-in-film-blogging, Brian Doan, found plenty to dislike as did Roger Ebert in his Twitter feed, and even I’m likely to agree that either Martin or Baldwin alone might have been funnier than the two of them together. There were a number of very professionally done and actually funny tandem gags after their initial notably rough start — but, yeah, much of the material — from who else but Bruce Vilanch — wasn’t that much fresher than stuff from the Bob Hope era.

As for other complaints, I don’t disagree. On the other hand, from where I sit doofy production numbers are par for the course and part of the fun. Less fun are film montages that too often seem to miss the point of the genres of they are celebrating, but they are a tradition as well, except when Chuck Workman’s involved, anyhow.

Brian Doan and I definitely agree about the short shrift given to Governor’s Award winners Lauren Bacall, Roger Corman, and Gordon Willis and, having read a number of negative comments at various reportorial, geek, and cinephile blogs, I wonder if I went easy on any number of things including Mo’Nique’s somewhat defiant/entitled acceptance speech, which I reviewed more like a performance than for content. I certainly did go very easy on the evening’s one obvious moment of weirdness but I’d rather do that leap to a conclusion about something I really don’t know anything about.

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And there’s also the fact that I just like the Oscars. Every year when people complain about the show, I’m always scratching my head and I’m equally flummoxed by the outsized praise certain years get. I’m always entertained by these particular awards because, whether or not I agree with the awards or the nominations, the results will have a pretty crucial effect on any number of careers and that’s more than enough suspense for me.

However, with three locks in the acting nominations, there was less of that for me than usual. If it had been up to me, many awards would have been different. The fact of the matter is, though I intend to take a second look at both of them, neither “Avatar” nor “The Hurt Locker” really grabbed me in a strongly emotional way. Objectively, though, I’m pretty sure “The Hurt Locker” is the better, or at least the less-flawed and vastly more intelligent, film. I’m glad it won, if only because it’s probably the least fiscally successful film to win the Best Picture award but seems to earn praise from almost everyone who sees it. It’s an award for quality, not marketing and I appreciate that even if my own tastes run more towards “Inglourious Basterds” and, to a somewhat lesser degree, “Up in the Air.”

Anyhow, just in case anyone out there needs an update, below the jump are a complete list of awards and nominees that I promise you I did not simply cut and paste from someplace.

The winners are in bold

Best picture
“Avatar”
“The Blind Side”
“District 9”
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”
“A Serious Man”
“Up”
“Up in the Air”

Best actor
Jeff Bridges, “Crazy Heart”
George Clooney, “Up in the Air”
Colin Firth, “A Single Man”
Morgan Freeman, “Invictus”
Jeremy Renner, “The Hurt Locker”

Best actress
Sandra Bullock, “The Blind Side”
Helen Mirren, “The Last Station”
Carey Mulligan, “An Education”
Gabourey Sidibe, “Precious”
Meryl Streep, “Julie & Julia”

Best supporting actor
Matt Damon, “Invictus”
Woody Harrelson, “The Messenger”
Christopher Plummer, “The Last Station”
Stanley Tucci, “The Lovely Bones”
Christoph Waltz, “Inglourious Basterds”

Best supporting actress
Penelope Cruz, “Nine”
Vera Farmiga, “Up in the Air”
Maggie Gyllenhaal, “Crazy Heart”
Anna Kendrick, “Up in the Air”
Mo’Nique, “Precious”

Best director
James Cameron, “Avatar”
Kathryn Bigelow, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Lee Daniels, “Precious”
Jason Reitman, “Up in the Air”

Best foreign-language film
“Ajami,” Israel
“El Secreto de Sus Ojos,” Argentina
“The Milk of Sorrow,” Peru
“Un Prophete,” France
“The White Ribbon,” Germany

Best adapted screenplay
Neill Blomkamp and Terri Tatchell, “District 9”
Nick Hornby, “An Education”
Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, “In the Loop”
Geoffrey Fletcher, “Precious”
Jason Reitman and Sheldon Turner, “Up in the Air”

Best original screenplay
Mark Boal, “The Hurt Locker”
Quentin Tarantino, “Inglourious Basterds”
Alessandro Camon and Oren Moverman, “The Messenger”
Joel Coen & Ethan Coen, “A Serious Man”
Bob Peterson, Pete Docter and Tom McCarthy, “Up”

Best animated feature film
“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Best art direction
“Avatar”
“The Imaginarium of Doctor Parnassus”
“Nine” “Sherlock Holmes”
“The Young Victoria”

Best cinematography
“Avatar”
“Harry Potter and the Half-Blood Prince”
“The Hurt Locker”
“Inglourious Basterds”
“The White Ribbon”

Best sound mixing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Transformers: Revenge of the Fallen”

Best sound editing
“Avatar”
“The Hurt Locker”
“Inglourious Basterds”
“Star Trek”
“Up”

Best original score
“Avatar,” James Horner
“Fantastic Mr. Fox,” Alexandre Desplat
“The Hurt Locker,” Marco Beltrami and Buck Sanders
“Sherlock Holmes,” Hans Zimmer
“Up,” Michael Giacchino

Best original song
“Almost There” from “The Princess and the Frog,” Randy Newman
“Down in New Orleans” from “The Princess and the Frog,” Randy Newman
“Loin de Paname” from “Paris 36,” Reinhardt Wagner and Frank Thomas
“Take It All” from “Nine,” Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart,” Ryan Bingham and T Bone Burnett

Best costume design
“Bright Star”
“Coco Before Chanel”
“The Imaginarium of Doctor Parnassus”
“Nine”
“The Young Victoria”

Best documentary feature
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

Best documentary short
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit a la Berlin”

Best film editing
“Avatar”
“District 9”
“The Hurt Locker”
“Inglourious Basterds”
“Precious”

Best makeup
“Il Divo”
“Star Trek”
“The Young Victoria”

Best animated short film
“French Roast”
“Granny O’Grimm’s Sleeping Beauty”
“The Lady and the Reaper (La Dama y la Muerte)”
“Logorama”
“A Matter of Loaf and Death”

Best live-action short film
“The Door”
“Instead of Abracadabra”
“Kavi”
“Miracle Fish”
“The New Tenants”

Best visual effects
“Avatar”
“District 9”
“Star Trek”

Actor in a Leading Role

  • Jeff Bridges in “Crazy Heart”
  • George Clooney in “Up in the Air”
  • Colin Firth in “A Single Man”
  • Morgan Freeman in “Invictus”
  • Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

  • Matt Damon in “Invictus”
  • Woody Harrelson in “The Messenger”
  • Christopher Plummer in “The Last Station”
  • Stanley Tucci in “The Lovely Bones”
  • Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

  • Sandra Bullock in “The Blind Side”
  • Helen Mirren in “The Last Station”
  • Carey Mulligan in “An Education”
  • Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
  • Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

  • Penélope Cruz in “Nine”
  • Vera Farmiga in “Up in the Air”
  • Maggie Gyllenhaal in “Crazy Heart”
  • Anna Kendrick in “Up in the Air”
  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

  • “Coraline” Henry Selick
  • “Fantastic Mr. Fox” Wes Anderson
  • “The Princess and the Frog” John Musker and Ron Clements
  • “The Secret of Kells” Tomm Moore
  • “Up” Pete Docter

Art Direction

  • “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
  • “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
  • “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
  • “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
  • “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

  • “Avatar” Mauro Fiore
  • “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
  • “The Hurt Locker” Barry Ackroyd
  • “Inglourious Basterds” Robert Richardson
  • “The White Ribbon” Christian Berger

Costume Design

  • “Bright Star” Janet Patterson
  • “Coco before Chanel” Catherine Leterrier
  • “The Imaginarium of Doctor Parnassus” Monique Prudhomme
  • “Nine” Colleen Atwood
  • “The Young Victoria” Sandy Powell

Directing

  • “Avatar” James Cameron
  • “The Hurt Locker” Kathryn Bigelow
  • “Inglourious Basterds” Quentin Tarantino
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
  • “Up in the Air” Jason Reitman

Documentary (Feature)

  • “Burma VJ” Anders Østergaard and Lise Lense-Møller
  • “The Cove” Louie Psihoyos and Fisher Stevens
  • “Food, Inc.” Robert Kenner and Elise Pearlstein
  • “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
  • “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

  • “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
  • “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
  • “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
  • “Music by Prudence” Roger Ross Williams and Elinor Burkett
  • “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

  • “Avatar” Stephen Rivkin, John Refoua and James Cameron
  • “District 9” Julian Clarke
  • “The Hurt Locker” Bob Murawski and Chris Innis
  • “Inglourious Basterds” Sally Menke
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

  • “Ajami” Israel
  • “The Milk of Sorrow (La Teta Asustada)” Peru
  • “A Prophet (Un Prophète)” France
  • “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
  • “The White Ribbon (Das Weisse Band)” Germany

Makeup

  • “Il Divo” Aldo Signoretti and Vittorio Sodano
  • “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
  • “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

  • “Avatar” James Horner
  • “Fantastic Mr. Fox” Alexandre Desplat
  • “The Hurt Locker” Marco Beltrami and Buck Sanders
  • “Sherlock Holmes” Hans Zimmer
  • “Up” Michael Giacchino

Music (Original Song)

  • “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
  • “Take It All” from “Nine” Music and Lyric by Maury Yeston
  • “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Best Picture

  • “Avatar” James Cameron and Jon Landau, Producers
  • “The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
  • “District 9” Peter Jackson and Carolynne Cunningham, Producers
  • “An Education” Finola Dwyer and Amanda Posey, Producers
  • “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
  • “Inglourious Basterds” Lawrence Bender, Producer
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
  • “A Serious Man” Joel Coen and Ethan Coen, Producers
  • “Up” Jonas Rivera, Producer
  • “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated)

  • “French Roast” Fabrice O. Joubert
  • “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
  • “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
  • “Logorama” Nicolas Schmerkin
  • “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

  • “The Door” Juanita Wilson and James Flynn
  • “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
  • “Kavi” Gregg Helvey
  • “Miracle Fish” Luke Doolan and Drew Bailey
  • “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

  • “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
  • “The Hurt Locker” Paul N.J. Ottosson
  • “Inglourious Basterds” Wylie Stateman
  • “Star Trek” Mark Stoeckinger and Alan Rankin
  • “Up” Michael Silvers and Tom Myers

Sound Mixing

  • “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
  • “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
  • “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
  • “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
  • “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

  • “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
  • “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
  • “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

  • “District 9” Written by Neill Blomkamp and Terri Tatchell
  • “An Education” Screenplay by Nick Hornby
  • “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
  • “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

  • “The Hurt Locker” Written by Mark Boal
  • “Inglourious Basterds” Written by Quentin Tarantino
  • “The Messenger” Written by Alessandro Camon & Oren Moverman
  • “A Serious Man” Written by Joel Coen & Ethan Coen
  • “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy