Category: Action Movies (Page 127 of 165)

Weekend at the Multiplex (Updated)

Christian Bale contemplates his eyelineHey folks. Now, if anyone out there remembers the series of “Multiplex Mayhem” posts I was writing back in the dark days of the late, late Bush Administration, I’m returning in a different, and briefer form. For this week and next, I’ll be covering the weekend box office, and then, starting next month, there will be more from me on movies in general here, and that’s all I’m saying for the time being.

This big movie Memorial Day weekend, though no longer the official start of summer movie season, brings us too major tentpole releases from the big studios: Warner’s “Terminator Salvation” and Fox’s “Night at the Museum: Battle of the Smithsonian.” The PG-13 Terminator reboot attempt is directed by McG, who Bullz-Eye’s Jason Zingale (who kinda sorta liked the movie) terms a “poor man’s Michael Bay.” Other critics were less charitable, and the film is getting easily the worst reviews in the entire history of the “Terminator” franchise, with the Rotten Tomatoes crowd giving it an underwhelming 35% “fresh” and generally seeming a little angry with star Christian Bale for walking into their collective eyeline. Not that any of that will matter to weekend grosses — and I do expect this to be the big winner of the long holiday weekend. However, if audiences agree that it really is inferior to prior “Terminator” flicks, it’s possible there will be a bigger drop-off later than expected. Still, at last night’s midnight’s screenings, it raked in a cool $3 million from the Red Bull drinking legions.

The sequel to 2006’s entirely unacclaimed “Night at the Museum” should also do well regardless of notices because it combines the only sure formula for box office success — a kid-friendly production that offers something, anything, to parents as well. In this case, Ben Stiller and a very strong supporting cast, even if the result had Roger Ebert squirming in boredom and remembering one of the truer critical refrains of all time:

I found myself yet once again echoing the frequent cry of Gene Siskel: Why not just give us a documentary of the same actors having lunch?

Still, the parents I know are mostly grateful for any movie that doesn’t involve CGI rodents eating their own feces, and at least this one encourages kids to go to museums.

And there is another option, that is the latest, at this point entirely unreviewed Wayans Brother’s spoof film from Paramount and MTV, “Dance Flick,” which at least has a reasonably funny trailer and Amy Sedaris (sister of writer/public radio superstar David Sedaris, frequent comedy companion of Stephen Colbert, before he was having portions of space stations named after him). Carl DiOrio says it will do well if can break out of the euphemistic “urban market”? Young folks looking for a comedy will likely go if they can’t get into something else, but something tells me that both “urban” people and their paler “suburban” friends will have other films to watch considering that, new releases aside, “Star Trek” and “Angels and Demons” are still very strong at the multiplex.

In limited release, we have Steve Soderbergh’s “The Girlfriend Experience” starring thinking man’s porn star Sasha Grey in a sexy but non-porn role which makes it something of a must for cinephile horndogs the world over. And because I’m the retro-guy who occasionally likes the same movies your grandma does, I feel compelled to mention both “The Boys: The Sherman Brothers Story,” about the guys responsible for the vast bulk of the pre-“Little Mermaid” Disney songs, and the Noel Coward adaptation “Easy Virtue,” which looks like it would go down very well with a nice dry martini made with a good, dry English gin. But you’ll want to see Sasha, won’t you?

UPDATE: Apparently some disagree with what I thought was a conventional-wisdom friendly guess about the weekend’s winner, since “Terminator” is such a time-tested franchise. Nikki Finke says it will be neck and neck but those famed “insiders” are predicting immense numbers for “Museum.” We’ll see.

Blu Tuesday: A Bug’s Life, Batman and Terminator 2

The wealth of Blu-ray titles being released this week is actually pretty incredible (in fact, most of the month has yielded a nice selection for HD enthusiasts), but you’d be wise to get in on the fun now, because the future is looking pretty dim – at least in the short term. Nevertheless, there are plenty A-list titles to last you through the upcoming drought, and most of them are good enough to warrant headlining their own column.

“A Bug’s Life” (Walt Disney)

It may not be one of Pixar’s most popular films (in fact, it’s curiously missing from just about every marketing campaign of the last decade), but “A Bug’s Life” is still a solid entry in the studio’s 14-year history. A clever reimagining of Akira Kurosawa’s “Seven Samurai,” the film features all of the usual Pixar trappings (humor, heart and charm), not to mention an awesome voice cast including the scene-stealing Kevin Spacey and Richard Kind as the villainous grasshopper and his dim-witted brother, respectively. Oh, and that cute little girl providing the voice of Dot? It’s none other than “Heroes” hottie Hayden Panettiere in one of her very first film roles. What’s ultimately so great about the new 10th anniversary Blu-ray release, however, is that it not only includes the previously released bonus material, but two brand new special features as well. The first is a 21-minute roundtable discussion with co-directors John Lasseter and Andrew Stanton and producers Darla K. Anderson and Kevin Reher where they reflect on the making of “A Bug’s Life” with stories about pitching the idea to Disney and screening the film for President Clinton at Camp David, while “A Bug’s Life: The First Draft” offers a never-before-seen look at the film’s original concept starring a completely different main character. It’s exactly the kind of fan service moviegoers don’t see enough of these days, but when it comes to a company like Pixar, you shouldn’t expect any less.

“Batman” (Warner Bros.)

It’s hard to imagine anyone that wanted a copy of “Batman” on Blu-ray didn’t pick up the anthology box set collecting the first four films when it was released a few months ago, but those holding out strictly for the Tim Burton original will be pleased with Warner’s new digibook release. Though the 1989 film doesn’t quite hold up when compared to Christopher Nolan’s reboot of the franchise, it’s still a solid entry in the history of comic book films that, if nothing else, offers a great performance from Jack Nicholson as a more classic version of the Joker. The set is also jam-packed with all of the special features from the 2005 DVD reissues including a director commentary, an in-depth look at the history of Batman, and hours of production featurettes about the making of the film. The digibook release also features slick packaging with a 48-page booklet filled with essays and a script excerpt, as well as a digital copy for those on the go.

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The Last Templar

There’s one major problem which infiltrates “The Last Templar” almost from the moment it begins: they’ve changed a lot of stuff from the original novel by Raymond Khoury. This obviously isn’t something that would be an issue for someone who’s never read the book, but for those who’ve been wondering how it made the transition from print to screen (and who didn’t catch the miniseries when it originally aired on NBC earlier this year), accept this assurance that you’re almost certainly going to be disappointed. Everyone else, however, will probably enjoy the adventure well enough, provided their suspension of disbelief is fully charged. Archaeologist Tess Chaykin, played by Mira Sorvino, is essentially a female version of Indiana Jones, except one who now has a child and isn’t quite as ready to go globetrotting for ancient artifacts as she once was. When four people on horseback dressed as Templars storm New York’s Metropolitan Museum of Art during its exhibition and swipe key artifacts, Tess muscles her way into the investigation, albeit against the desire of FBI Agent Sean Reilly (Scott Foley), and ends up traveling across the world in an attempt to discover the lost secret of…wait for it…The Last Templar.

Veteran producer Robert Halmi Sr. turns in another good-looking yarn, and the cast is certainly strong, with Victor Garber, Kenneth Welsh, and Omar Sharif also on hand. Sorvino and Foley have the kind of chemistry that makes you wish this was a better movie than it actually is. The big action scene at the beginning of the film, where Sorvino swipes a horse and goes jousting in Central Park, is ridiculous enough to lose a lot of viewers right off the bat, and there are more than a few moments where you’ll cringe at the dialogue. (How can anyone not groan when Sorvino punctuates an ass-kicking by snarling, “I’m nobody’s baby”?) Still, the aforementioned chemistry between the leads is generally enough to keep you watching, and those who want to get themselves pumped up for “Angels & Demons” will probably find “The Last Templar” an enjoyable diversion. And if you do, then you’ll also want to watch the making-of featurette on the DVD, which is about as entertaining as these things get.

Click to buy “The Last Templar”

Blu Tuesday: Taken, Star Trek and Underworld

It’s been awhile since my last Blu-ray column (two weeks ago, I attended a brand retreat in Walt Disney World with Hanes and returned with a non-swine flu), but luckily, I didn’t miss too much. In fact, with the exception of “The Curious Case of Benjamin Button” (which you should definitely pick up, by the way), there were no other major releases last week. This week is a different story, however, with a few A-list titles, a slew of movies from the Paramount and MGM vaults, and an awesome collection that sci-fi fans are going to want to check out.

“Taken” (20th Century Fox)

By far the biggest surprise of the year, Pierre Morel’s “Taken” is a good old fashioned action thriller that doesn’t waste a single minute on pointless exposition or silly subplots. Liam Neeson is excellent as the Jack Bauer-type who jets off to Paris when his teenage daughter is kidnapped by human traffickers, and then proceeds to kick the ass of each and every person involved until there’s no one else left to punish. Though I’ve yet to actually check out the extras on the Blu-ray release, the U.K. edition sported some pretty cool bonus material including a picture-in-picture geographical locator, a making-of featurette, and side-by-side comparisons for six of the film’s key sequences. I’d expect the U.S. version to feature the same, but here’s hoping we get a few exclusives as well.

“Star Trek: Original Motion Picture Collection” (Paramount)

With J.J. Abrams’ big screen reboot of the sci-fi classic tearing up the box office in its first week in theaters, it’s really no surprise that Paramount would want to take advantage of the hype train by releasing all six of the original “Star Trek” films on Blu-ray for the first time. As we’ve already seen from the Season One release, however, Paramount’s HD reissues are more than quick cash grabs, but rather serious undertakings meant to please the most loyal of fans. The same appears to be true of the “Star Trek: Original Motion Picture Collection,” a seven-disc box set that includes remastered editions of all six movies (sorry, no director cuts this time around) and an additional disc of bonus material entitled The Captain’s Summit. Suffice it to say, this is a no-brainer Day One purchase for any real “Trek” fan, but at such a great price ($79.99 on Amazon), I’d even say it’s worth it for the casual fan as well.

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Star Trek: The Motion Pictures – The Cinematic Voyages of the Starship Enterprise

The new “Star Trek” movie is almost here, my friends, and the excitement is palpable. What has J.J. Abrams done to Kirk and company, and will his efforts live up to the high expectations of the notoriously-picky “Trek” fans? We’ll all know the answer on May 8th, but in the meantime, the anticipation has led many to take a step back and revisit the previous films in the franchise…which, as it happens, is exactly what yours truly has done. In addition to the motion pictures, your trusty Bullz-Eye contributor has also gone back and re-read the novelizations for each film, and you might be surprised to find just how much good stuff never actually made it past the printed page…even if it probably should have.

Check out the piece by clicking right here…or, of course, you could click on the big ol’ graphic directly below.

Just in case you’re still on the fence about clicking over, here’s an excerpt from the feature to give you an idea what to expect…

Star Trek: The Motion Picture (1979)

Storyline: When an alien force of inconceivable power sets its sights on Earth, Admiral James T. Kirk emerges from retirement, swipes the refurbished U.S.S. Enterprise from its new commander, Willard Decker, and sets off to save the planet. Spock, who had left Starfleet in favor of purging his emotions on his home planet of Vulcan, decides that the answers to his spiritual quest may be found with this alien and rejoins his former crewmates. Oh, and there’s also this bald chick…
Villain: V’ger. That’s short for Voyager 6, a space probe launched from Earth way back yonder in the 20th century. The probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. Unfortunately, it can’t imagine that its creator can possibly be a “carbon unit,” a skepticism which proves highly problematic for the human race.
What’s good: At the time of its release, the best part was simply seeing the cast together again for the first time since the series’ cancellation, and having a noticeably bigger budget to work with. Nowadays, however, the film is driven by the interaction between the eternal trifecta of Kirk, Spock, and McCoy, whether it’s Spock’s pure logic battling against McCoy’s emotions or Kirk’s inability to accept that Decker might actually know something that he doesn’t.
What’s bad: ven Robert Wise’s Director’s Cut of the film still contains some seriously interminable shots, most notably as Admiral Kirk sees the refurbished Enterprise for the first time. There’s a reason my friend Donnie found it more interesting to count the tiles on the movie theater ceiling than watch the film…but, then, he always was more of a “Star Wars” guy. “Trek” fans, meanwhile, have long groused – and rightfully so – that the first big-screen adventure for Kirk and company was, at its heart, little more than an expanded version of an original episode, “The Changeling.”

Most surprising cast member: Stephen Collins as Commander Willard Decker. Collins went on to starring roles in “Tales of the Gold Monkey” and “Tattinger’s,” then followed it up with a recurring role on “Sisters,” but his most memorable role is almost certainly that of Rev. Eric Camden, the patriarch on “7th Heaven.”
“Yeah, but the book was better.” – The novelization of “Star Trek: The Motion Picture” was actually written by “Trek” creator Gene Roddenberry, and it provides several details which, though they aren’t actually in the movie itself, have nonetheless become accepted as fact throughout the “Trek” universe. Most notable is that the character of Willard Decker is actually the son of the late Captain Matt Decker, from “The Doomsday Machine,” an episode of the original series. One that hasn’t taken off, however, is the suggestion that Kirk had a significant romantic relationship with a woman named Lori Ciani during the so-called “lost years” between the series and the movie. Oh, and you really need to read the book’s footnotes. Roddenberry treats the novel like it’s a historical record, and when Spock refers to Kirk as his “t’hy’la,” a Vulcan word which apparently can mean either “brother” or “lover,” it results in a response from Kirk that has spawned one hell of a website.

Now are you tempted? C’mon, just click right here. Go on, you know you want to…

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