Category: Action Movies (Page 125 of 165)

Weinstein’s Cash Problems to Trouble “Basterds”? …And the Genesis of a “Hangover”

Someday, I’m going to have to write post apologizing to Nikki Finke for all the mean things I’ve thought about her in the wake of some of the mean things she’s written in her still extant column for the quickly crumbling L.A. Weekly. But the fact remains that her blog is absolutely invaluable and mostly avoids the sort of editorializing that used to drive me crazy — even if her commenters still drive me up the wall. Also, today, she helped me learn about two breaking stories which will be very much of interest to PH readers.

* As is being reported by The New York Times among many others, the Weinstein Company appears to be facing some serious financial issues. Of most immediate interest to film fans, particularly those of us who may confess to a certain amount of fanboyism, is how the reported restructuring may affect the release of Quentin Tarantino’s extremely long-awaited “Inglourious Basterds” (I think he spent a year developing the misspellings alone.) The amazing Ms. Finke reports, however, that things may be even worse than the NYT implied, and the company may have issues releasing any film.

Meanwhile, Sharon Waxman is claiming that the ubiquitous Harvey is pressuring Tarantino to cut 40 minutes or so from the currently 160 minute war flick, which got all-over-the-map reviews and comments at Cannes. While reporting a quote from brother Bob Weinstein placing the apparent financial crisis in perspective (i.e., the financial deaths of the Weinsteins have been reported more than once before), she also mentions another lavish production that could be effected: Rob Marshall’s intriguing looking “Nine.”

* And, in a Finke exclusive, she has some possible backstory on how “The Hangover” was induced. Was it really as borderline underhanded and complicated as she makes it sound? Only her “insiders” know for sure. I will say it’s yet another sign of the truth of JFK’s pronouncement that “Victory has a thousand fathers….” (The “but defeat is an orphan” portion of the quote would no doubt relate better to why we’re not reading stories about whose brilliant idea “Land of the Lost” was.)

…And the Winner (Really) Is….

No, this is not a reference to last night’s Tonys. True, the movie-inspired “Billy Elliot” did take the night, continuing a “trend” for B-way musicals that go back to the classic film era, and it’s also true that host Neil Patrick Harris is a winner both for his show-closing/show-stopping musical summation, and because Empire Online has announced a couple of movie gigs for the still up-and-coming Doogie Horrible. (h/t Whedonesque).

However, it seems that the battle for the #1 box office spot discussed on my last post actually had a somewhat different result than we thought. It’s important to remember that those numbers I talk about on Sunday are really only estimates, though they are treated by press-sters as just this side of gospel. The upshot is Variety is reporting that both “The Hangover” and “Up” did better than expected business yesterday, but the former did just a little bit better better business, if you follow me. Sayeth the big V’s Pamela Mcclintock:

Final figures will show that “Hangover” grossed $45 million from 3,269 runs. “Up” should finish at $44.3 million to $44.4 million from 3,818 theaters.

I don’t suppose it really matters that much in the final analysis; nobody’s going broke here. (Well, I can’t speak for degenerate gamblers. Someone, somewhere, just lost a big bet.)

In other box office news I didn’t have time for yesterday, “Angels and Demons” cracked the $400 million mark over the weekend worldwide, sayeth the Finke. “Terminator Salvation” is not doing so badly overseas, actually. “Land of the Lost,” however, may be doing even less well than expected. Critics, you may step up your gloating.

Box Office Preview of the “Lost” Weekend

So, there I was, thinking about what I was going to post tomorrow when it suddenly occurred to me: it’s not Wednesday, it’s Thursday, which means you’re reading this on Friday morning and, damnit, you need your box office preview.

This weekend sees the release of passel of comedies and comedy dramas, and the smart money at both Variety and The Hollywood Reporter agrees that “Up,” which is just about ready to receive the first Nobel Prize for animation and become the basis for a new religion, will likely defeat both of the newcomers. It gets more intriguing become it’s not impossible that the film starring a bonafide comedy superstar could come in at the #3 spot.

I speak, of course, of “Land of the Lost” starring Will Ferrell, which our own Will Harris gave a mere 1.5 stars to on the grounds of being unfunny and raunchily disconnected from it’s own youngster appeal. Rotten Tomatoes has given the film a sad 20% “Fresh” rating (even if Roger Ebert wrote another of his very, very many utterly winning defenses of films I would never spend my own money to see). I’m sure the elaborate comedy will do a certain amount of business based on Ferrell’s appeal and its special effects, but unless audiences like this one vastly more than critics, there may be long faces at Universal on Monday. At least it’s gotten the original TV series reissued, much to the delight of my fellow PH-er, Ross Ruediger.

Ed Helms and a feathered friendOn the other hand, the megastar-free “The Hangover,” which sort of sounds like a retread of the premise of “Very Bad Things,” is apparently a vastly more upbeat affair. My film review overseer, Jason Zingale, gave it a solid 3.5 stars and in general it is being received as a very good thing by RT critics, and may well do very good things for the careers of its up-and-coming cast. An upset at the #2 spot is not impossible.

Other than that, we have a new romantic comedy vehicle from Nia Vardolos (“My Big Fat Greek Wedding”), “My Life in Ruins.” Despite being written by the very talented comedy writer, Mike Reiss, this film keeps alive director Donald Petrie’s career long record of never making a single well reviewed featured, receiving a truly dismal 7% at RT. I wouldn’t expect another sleeper from this one. Bullz-Eye’s Dave Medsker gave it 2.5 stars, definitely more in sorrow than in anger.

That’s pretty much it, but in very limited release is a new film from Sam Mendes (“American Beauty”, “Road to Perdition”) and literary power couple Dave Eggers and Vendela Vida, which we’ll talk about when it’s in more than four theaters. Also, speaking of director’s named “Sam,” please consider giving Mr. Raimi’s “Drag Me to Hell” a chance this weekend. It’s that or the only horror films the studios will be greenlighting will be “The Grudge 15” or such upcoming torture-porn classics as “I Digest Your Eyeballs” and “The Scrotum Stretchers.” Keep horror sane, see the darn thing. (Also check out Will Harris’s interview with the very cool actor, Dileep Rao.)

BadAzz Mofo Geeky Quick Hits

Other than the very sad and disturbing passing of David Carradine, very well noted by Will Harris a bit earlier (I’ve got more at my own bloggy digs, Forward to Yesterday), it’s kind of a slow news day in the movie world…

* In a bit of very inside baseball, with his upcoming “Avatar” 3-D extravaganza already getting a lot of ink many months before its X-Mas release, James Cameron has broken with his past practice and has signed with an agency. And not just any agency, but the mighty CAA. I know, your life will never be the same. Variety has the scoop, such as it is.

* 79-year-old lifelong cinema enfant terrible Jean-Luc Godard (“Breathless,” “Contempt” — a great film you really ought to see) is looking to do a film inspired by a Holocaust memoir, says THR. I know, your life will really never be the same, but this is interesting. Godard, a truly radical leftist, criticized Israel implicitly in his 1967 comic masterpiece, “Weekend,” when the middle-east nation’s battles were still very much a liberal cause. I’m not at all one to equate anti-Zionism with anti-Semitism, but the film itself, and the worldwide response from Jewish groups, should be worth watching for those of us interested in this kind of thing.

* And finally, Nikki Finke devoted all of 24 words this morning to the passing of David Carradine (and turned off comments for some reason), but after adding that she doesn’t “do geek,” she did find time to devote some space to covering Total Sci-Fi‘s “25 Women Who Shook Sci-Fi” list, with a definite emphasis on bad-ass mofo type females. It was topped by Sigourney Weaver‘s Ripley from the “Alien” franchise (including “Aliens” from the aforementioned J. Cameron). The list also covered fantasy for whatever reason and #2 on the list was Buffy Summers (Sarah Michelle Geller) of “Buffy” fame. (My personal Buffsession, Willow Rosenberg, aka Alyson Hannigan, came in at #21.) With the possible exception of the first choice, which I really can’t argue with as long as you’re talking about actresses and not, say, writers, my list would be entirely different — if I didn’t tend to avoid lists. Since we really do “do geek” here at Premium Hollywood, allow me to link to fan site Whedonesque‘s comment thread on the topic, where the discussion eventually includes the terrific SF (not “sci-fi”!) writer, Roger Zelazny. Now that’s geek.

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