Author: Will Harris (Page 52 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

True Blood 2.11 – This love gushes from my heart, like a water from a spout

“Is this a bad time?”

You know, for as much as I’ve decried the lack of eroticism inherent in blood, Evan Rachel Wood is so damned sexy that you could almost…not quite, but almost…overlook the fact that her face was covered with the stuff when she made her first appearance this evening. Or maybe it was the other woman moaning in the background that helped make the scenario somehow more sexy than creepy. Whatever the case, it was clear from the get-go that Queen Sophie-Anne LeClerq, Vampire Queen of Louisiana, was not going to be a woman to be trifled with. She knows more than any other vampire we’ve seen, and although we didn’t necessarily see all that much of her power, all we really had to see was the way Bill acted around her to know that, man, she’s got to be off-the-charts powerful. Her comments throughout the episode ranged from funny (“I haven’t enjoyed sex with men since the Eisenhower administration”) to cynical (“Never underestimate the power of blind faith”) to a combination of the mystical and the mystifying (“Everything that exists imagined itself into existence”), but the most telling of her comments came from her complete dismissal of Maryann and her actions. In short, she can’t really be bothered by this creature…or much of anything outside of her own existence, really. Looks like the holier-than-thou manner of royalty remains consistent within both the human and the vampire worlds.

Poor Hoyt. He gets pissy with Jessica for her decision to bite his mother because of her insolent comments, only to have her offer disconcerting revelations about how she’s been longing to head over to Merlotte’s to find herself some manly company, then put the cherry on top of the conversation by destroying everything he ever knew about his father and his noble death.

Poor Tara. She was so chomping at the bit to save Eggs that she basically tried to alienate every single person in the house. My wife theorized that her angry words were due to the approaching mob, but, no, it appears that she was just being incredibly shitty. During her awful heart-to-heart chat with her mama, she did her very best to make her mother feel like complete and total shit…and, yet, Mama responds by playing the sucker and deciding that this is her only possible way to get her daughter back. I don’t blame her for her desperation, but, c’mon, this is Tara’s cousin and best friend. Given everything that had gone down in the previous few hours, did she really think that her daughter knew best?

I can’t imagine that anyone would deny that, if this episode belonged to anyone other than Queen Sophie-Anne, it was the tag-team dumb-ass duo of Jason and Detective Andy. Who would’ve thought that Andy would turn out to be the sensible one of the pair? There were laughs from Sam’s attempts to explain his shapeshifting abilities to them (eventually leading to the discussion later in the episode where Jason tried to work out the most sordid angles of Sam’s powers), from Jason’s dramatic comment about having read about the impending Armageddon in a book (just when you thought he was going to say it was the Bible, he revealed that it was Max Brooks’s “World War Z”), from trumpeting his awesomeness and then promptly running headlong into a tree, and…oh, hell, there were too many laughs to count, but the one that still resonates the most was surely this line.

“‘Sometimes you need to destroy something to save it.’ That’s in the Bible. Or the Constitution.”

God love you, Jason Stackhouse.

The whole sequence within the sheriff’s station was hilarious, though I thought it was a bit cheap to have Andy be wearing kevlar underneath his shirt when he got shot. Still, how can you go wrong with William Sanderson dancing his heart out in his boxers? Their intense discussion in the truck was pretty hilarious in its own right, particularly Jason’s assurance that “I watch a lot of porn to learn stuff,” but the sudden decision to turn this mystical invasion into something patriotic was somehow perfect for these two redneck yokels. The only thing that would’ve made it better would’ve been to have Jason and Andy start singing “God Bless The USA.”

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A Quick Chat with Joan Rivers

There’s little question that one of the most lively panels during the early days of the TCA tour was the one dedicated to Joan Rivers’ new TV Land series, “How’d You Get So Rich?” Or, if you read my coverage of the panel, you may be more familiar with it as “How’d You Get So Fucking Rich?” But, y’know, that’s Joan for you. You can learn just about anything you need to know about the concept of the series by checking out the link to my panel coverage that I just offered up (though I would be remiss if I didn’t mention that there’s a new episode of the series airing tonight at 10 PM EST / PST), but after she held court before the crowd of critics, a few of us actually had a chance to speak to her one on one for a few minutes each.

Now, I’ll be the first to admit that, were it a contest to see who got the best pull quotes out of Joan, Joel Keller of TV Squad – who preceded me in speaking with her – would have taken the victory (she hadn’t been aware that David Tutera was scheduled to have his own TCA panel, but when he brought it up, she let fly with her thoughts on him in her usual forthright manner), but I still managed to get a couple of good lines from Ms. Rivers about “Z Rock,” “The Celebrity Apprentice,” and “Rabbit Test,” and the closing moments of our conversation will live in my memory forever.

Bullz-Eye: It’s a pleasure to meet you.

Joan Rivers: And it’s a pleasure to…well, we’ll see.

BE: (Laughs) I’ve got only got a couple of minutes, but I’ll do my best.

JR: Ask whatever you want.

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A Chat with Darryl Bell of “Househusbands of Hollywood”

It feels a little disingenuous for me to talking up a series which I can’t even watch in my area (Cox Communications in Hampton Roads, VA, has yet to pick up Fox Reality), but as someone who works at home and has a 4-year-old daughter, I respect the concept of “Househusbands of Hollywood” enough to do at least a little bit of promotion for it. I’ve already detailed the TCA panel about the show, but when the opportunity to sit down with one of the cast members – Darryl Bell, late of “A Different World” – became available, I couldn’t resist. In addition to his time spent on the “Cosby Show” spin-off, Bell has worked with Spike Lee and done time on a rather infamous sci-fi sitcom, but he’s still very much a working actor. He’s also the significant other of former “Cosby” kid Tempestt Bledsoe, a relationship which led him to this reality-show endeavor…and led me to my first question.

Bullz-Eye: First off, you two seem to be almost a ringer on the show. You’re not even husband and wife yet!

Darryl Bell: That is a good way to put it, Will. We are the ringers. That’s probably caused the most frequently asked questions, like, “You guys are the only couple who is not married, you’re the only ones without kids, so what are you doing here in a show called ‘Househusbands’?” The short answer to that has been Marilyn Wilson. Marilyn’s a good friend, produced Temp’s talk show. Marilyn and I have been out, pitched shows’ and tried to sell other things. We’ve worked together in that capacity. It was her assurances that we’re trying to do something that’s fun and not trying to ambush anyone or be mean spirited. “Come be a part of this, because we think you guys are hilarious.” Apparently, the more that I have even talked to other friends, they are, like, “Oh, we’ve been saying for years that you guys should have your own reality series, because you are just funny.” It just happened to come in this format. I don’t know that we would have agreed to have done this for anyone else. So, there you go.

BE: It makes it a little hard for me to ask, “Is it weird being a ‘Househusband’?”

DB: And I don’t know what that means for me, anyway, only from the standpoint that people ask me that because I’m on this show. But in terms of work-wise, it’s just like…even in the series, when Tempest was coming back from on location, shooting the film, I was going on location to shoot this show for TV One. That’s really the nature of our relationship. You know, it’s rare that we’ll both be doing something at the same time, but we’re always in this cyclical gig that is being a working actor in Hollywood. That’s just how our lives have operated. I was just saying in another interview, when Brad is off shooting a movie, Angelina isn’t always shooting one. She’s somewhere with the kids. Or when Angelina’s shooting and Brad is somewhere…? That’s just the way it works.

BE: So what kind of husbandly responsibilities do you have? I mean, do you chip in, doing the dishes or whatever when she’s not there?

DB: I mean, I can’t really call it husbandly duties. Our house is not a pigsty, but I can say that some of that is attributed to the housekeeper. You know what I mean? That helps out a lot. I can only say that when I think of that…when anything breaks, like most men, it’s, like, “Darryl, come fix it,” you know? I get that. But as a regular responsibility, that’s not me.

BE: Is there anything you do that would typically be considered a gender-specific thing, something that one would normally expect a wife to do?

DB: For us, no. For us, I guess that’s what has been so good: we have talked about not having an ego about anything. She likes to cook, so she has cooked for me, but I’ve cooked for her, you know? So from a relationship standpoint of view, I can’t say that…we don’t have any specifically defined roles, other than, as many men will find the case, she wanted pets and yet somehow they are my responsibility. You know how that works out.

BE: Hey, I feed our cat.

DB: Exactly, exactly. And what man asks for a cat? That’s just not the way it works. I want a Neapolitan Mastiff, but the reason I don’t have one is because she wanted a cat.

BE: Sure, that seems fair.

DB: That’s a whole different relationship kind of issue, you know what I mean? It’s not specific to the show, but that’s how it worked out.

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A Chat with Aidan Turner, Russell Tovey, and Lenora Crichlow of “Being Human”

One of the most consistent pleasures of the TCA Press Tour for an Anglophile such as myself is the opportunity to get the scoop on the latest UK imports to arrive on BBC America. In 2007, I was introduced to “Jekyll” and “Torchwood,” and in 2008, I very quickly fell in love with “Gavin and Stacey” and “Primeval.” This time around, the picks to click were “The InBetweeners” and “Being Human,” and although I’ll be waiting a bit to offer up my conversation with the folks from the former, I’m running a bit late in posting my chat with the cast of the latter. “Being Human” actually made its BBC America debut when I was still in Pasadena, but now that I’m playing catch-up, I wanted to share with you the lovely courtyard conversation that I had with the show’s trio of stars: Aidan Turner, Russell Tovey, and Lenora Crichlow.

Join us now as we embark upon…

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Mad Men 3.2 – The Sky Was Falling, Heaven Was Calling

Okay, before we really get rolling on this week’s “Mad Men” blog, I really think we should start things off in much the same way that tonight’s episode did: by reminding the world just how incredibly hot Ann-Marget was in the early ’60s.

I mean, seriously, was she smoking or what?

It’s no wonder that Peggy immediately slid into catfight mode with that comment about how, if the client was looking for someone like Kim McAfee (Ann-Margret’s character from “Bye Bye Birdie”), they were looking for someone who’s 25 but acts 14. It was a hilariously bitchy line, almost as funny as Sal’s character-perfect reaction when the clip ended. This obviously isn’t the first time Peggy’s been so annoyed by the goings-on within Sterling-Cooper that she’s stepped out of her comfort zone and tried to be someone that she really isn’t, but, wow, her attempts to duplicate Ms. Margret’s moves and vocal stylings made for some highly uncomfortable viewing. Nonetheless, she at least ended up feeling sufficiently empowered to go out for a one-night stand with a hyper-excited college boy.

Mad Men - Peggy Olson

No surprise, though, that she slowed down his base-running – as well she should have, since he was clearly headin’ for home plate at a fast clip – in order to avoid a possible repeat of the Pete Campbell situation. As she slipped out of bed in a failed attempt to avoid a walk of shame, I couldn’t help but notice just how much more attractive Peggy looks when she’s out of her work clothes…but, then again, you could probably say that about most women.

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