Author: Will Harris (Page 34 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Tour: A Chat with Temple Grandin

Temple Grandin is a Doctor of Animal Science at Colorado State University, a consultant to the livestock industry in animal behavior, and a best-selling author. She’s also autistic, a fact which you may have already known if you happen to have a connection to someone with autism, be it first-hand or indirectly. For instance, I came to know about her, as you’ll soon read, through my wife, who works with autistic students and is the proud owner of a copy of one of Grandin’s books, The Way I See It: A Personal Look at Autism and Asperger’s.

When an advance screener of the new HBO movie based on her life – entitled, appropriately enough, “Temple Grandin” – landed on our doorstep in advance of the TCA press tour, you can imagine that we popped it into the player post-haste, and I’ll tell you right now, I was blown away: Claire Danes gives a phenomenal performance as Grandin, but director Mick Jackson ties for MVP with his visual presentation of how Grandin’s mind works. I immediately went about trying to set up interviews in connection with the tour, and although Danes was unavailable, when HBO asked if I’d like to chat with Grandin herself, you’d better believe that I didn’t hesitate for a moment before saying, “You bet!”

Bullz-Eye: I just wanted to start off by telling you that my wife works with autistic children.

Temple Grandin: Oh, okay.

BE: She hadn’t actually trained in the field, but she ended up stepping into a job as a substitute teacher in a special education classroom, and she had such aptitude that the teacher gave her a gift: a copy of your book. She basically said, “Not everyone has the heart and the temperament to work with children who need a little extra effort, but I really think you do, and I think you’d get a lot out of reading this.”

TG: Which book was it?

BE: “The Way I See it.”

TG: All right.

BE: So as soon as she found out that I was going to be speaking with you, she immediately passed it on to me and said, “You’ll be wanting to read this.” (Laughs) But we also watched the movie together, and I thought it was fantastic. How did that first come about? Did someone read your book, then come to you and pitch the idea of making it into a movie?

TG: Well, that’s actually been going on for a good long time. Emily Gerson Saines started working on this about nine years ago and went to, like, two different directors and writers. Then, finally, it came together with the right people.

BE: Did you get final say about who would play you in the film?

TG: Well, that was just decided. Claire Danes did an absolutely brilliant job. Absolutely brilliant. I met with her for about six hours, and I gave her the oldest VHS tapes I could find of me, where I’d be more autistic-acting. Like, in old programs from the late ‘80s, where I was on a TV show, and some lectures from the early ‘90s. We dubbed those over onto DVDs, and she had those to practice with. I didn’t have any video older than that. Or movies. We didn’t do movies as a family, so I didn’t have that.

BE: I thought the visual aspects of the film, which try to give the viewer an understanding of how your mind works, were outstanding. I guess that was Mick’s idea…?

TG: I thought that was absolutely brilliant, the way Mick showed all of that. Wonderful. Like, the scene where it shows all of the shoes coming up…? That’s exactly how I think. Mick was absolutely brilliant with that.

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Bullz-Eye meets Bryan Cranston on the “Breaking Bad” set

When you’re an easily-amused TV critic, every day is filled with wonderful surprises which range from the arrival of an advance screener of an episode of one of your favorite shows to the opportunity to interview one of your favorite actors. Once in awhile, though, something arrives via E-mail which blows your mind completely…and, in this case, it was a personal letter from Bryan Cranston, who plays Walter White on AMC’s “Breaking Bad.”

Bryan Cranston - Breaking Bad

Dig this: Mr. Cranston kindly invited me – and when I say “me,” I actually mean all of the members of the Television Critics Association – to visit the set of “Breaking Bad.” Obviously, it was an offer that I could not refuse, nor could Bullz-Eye’s editor-in-chief, Jamey Codding, who was far too big a fan of the show to allow me to go alone if he could possibly get away with attending as well.

I’ve offered up a summary of our quick trip to Albuqerque over at the Bullz-Eye blog, so be sure to head over to check it out…and, of course, be sure to tune into AMC on March 21st when “Breaking Bad” kicks off its 3rd season. And read our weekly blog after each episode. And, for that matter, keep your eyes open for our review of the Season 2 set when it hits DVD on March 16th. (Spoiler: it’s probably going to be a rave.)

Yeah, that’s right: we love “Breaking Bad.” You got a problem with that?

Season 1 of “Steven Seagal: Lawman” prepares to wrap up

When I first heard that A&E was offering up a reality series which focused on Steven Seagal’s heretofore-unknown life as a Reserve Deputy Chief of the Sheriff’s Office in Jefferson Parish, LA, I thought, “Okay, this is either going to be really awesome or really terrible.” In the end, it flew right down the middle, proving to be so terrible that it was legitimately awesome, offering the opportunity to get rip-roaring drunk simply by taking a shot every time he references his movie career or anything relating to his knowledge of Zen or martial arts. Still, the first episode kicked ass in the ratings, and it’s become a staple of “The Soup,” with Joel McHale relishing the chance to incorporate a less-than-heartfelt plug for Seagal’s energy drink into the intro for that week’s clip, so I’m guessing that there’s a very real possibility that “Lawman” could well be back for a second season.

I’ve just gotten a clip of the first-season finale, so I thought I’d share it with you:

But, look, here’s the thing: as I read the summary for the first-season finale, it became clear to me just what a tightrope A&E must have to walk to promote this show as a serious reality series to the general public while still acknowledging to critics that they know how ridiculous the whole thing is. The description of the episode starts seriously enough…

The night starts off badly as Deputy Chief Steven Seagal and his team rush to the scene of a man killed in a drive-by. Minutes later they race to another shooting: a man found dead in his car. Two homicides in less than an hour puts the unit on high alert and when they catch four young men out late, Steven has some stern words, but he gets downright harsh the next night when he finds two of them carrying drugs.

…but dig this final line:

But Steven has to get back to Hollywood, it’s time to make his next movie.

Steven knew he’d get stuck taking the anger management class, but when your fellow officer eats the last doughnut…

Oh, well, clearly, a film like “Born to Raise Hell” is far more important that dealing with drive-by shootings and drugged-up punks, based on its IMDb description: “A hard core Interpol agent is assigned to an Eastern European task force to target gun trafficking and dope running throughout the Balkans. While investigating a Russian gun dealer, his team is caught in a bloody street war between a Gypsy gang and the Russians, leaving one task force member dead. Fueled with vengeance, he leads us on an action packed thrill ride while avenging his friend’s death.”

Steven Seagal: saving the world one straight-to-DVD action flick at a time.

Bullz-Eye’s TCA 2010 Winter Press Tour Wrap-Up: Simon Signs, Conan Conquers, and Patrick Stewart Just Plain Rules

The 2010 winter press tour of the Television Critics Association took place at the Langham Huntington Hotel and Spa from January 8th – 18th, which you probably already know from the various postings which were done during and have continued since my attendance at the event. It’s a regular tradition, however, that I do a wrap-up piece which summarizes my experiences during the tour, and since I invariably seem to get a positive response from those pieces, I always try to make it as entertaining a read as possible. Here’s hoping I’ve succeeded as well this time as I have in the past…but if I haven’t, I feel certain you’ll let me know.

Most enjoyable panel by a broadcast network: “Great Performances: Macbeth,” PBS.

I’ll freely admit that I was predisposed to enjoy the panel due to the fact that it featured the newly-knighted Sir Patrick Stewart, but I spoke to others afterwards who declared it to have been the best panel of the tour up to that point. Partial credit for the success goes to the critics in the audience, who consistently offered up intelligent questions about the subject matter at hand…and let me assure you that this is not always the case. Even on an occasion when an attempt at going in a unique direction fell flat, such as when one writer asked Stewart if he was familiar with FX’s “Sons of Anarchy” (it’s been called a Shakespearean saga on motorcycles), it led to the revelation that Ron Perlman has played an interesting place in Stewart’s life. “I was having dinner with Ron Perlman the day that I was offered Jean-Luc Picard in ‘Star Trek: The Next Generation,’” he said, ‘so I have always looked on Ron as being a lucky omen. So you mentioning his name today, I hope, means that the rest of the day is going to be brighter than it begin.” At the very least, Sir Patrick’s remarks during the panel brightened mine.

Most interactive panel by a cable network: “The Choir,” BBC America.

Gareth Malone is a man on a mission to bring music to those who may not think that they have an interest in it, creating choirs in various schools in England and helping the youth of today raise their voices in song. We soon discovered that this extended to television critics as well. “In England, everyone knows that when I enter a room, everyone’s going to sing,” Malone began ominously, “so I would like to invite you to leave your Apples and come up onto stage, and we’re going to have a little singsong.” The immediate reaction was less than enthusiastic, with at least one person piping up, “It’s against the bylaws!” Malone would not be denied, however. “It will be very brief,” he assured us. “I’ll be very, very, kind. I promise not to do opera. Honestly, it’s going to be very, very gentle. I promise. Risk it. There won’t be very much. Typists, abandon your typing!” In the end, he managed to get a couple of dozen of us up there…yes, I was among the huddled masses…to perform a not-as-bad-as-it-could’ve-been chorus of “Barbara Ann.” As there is neither an audio recording nor a YouTube clip to prove otherwise, you may feel free to believe that I personally sounded fantastic.

Best intro to a panel from a cable network: “Dance Your Ass Off,” Oxygen.

All I know about this show is what I’ve learned from watching clips on “The Soup,” but when a panel starts off by having its panelists literally dancing their way down the aisles and onto the stage, at the very least, it gets your attention.

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