Author: Jason Zingale (Page 57 of 154)

Mel Gibson prays, gets sense of humor

I’m not sure how I missed this, but Jimmy Kimmel’s post-Oscar special Sunday night featured Mel Gibson and Tom Cruise as its guests. While the latter is already waist-deep in a carefully engineered comeback headlined by his hilarious performance in “Tropic Thunder,” Gibson has yet to escape the embarrassment of last year’s Sugargate.

He does have a new movie (the Martin Campbell thriller “Edge of Darkness”) coming out at the end of the year, though, and in an attempt to repair his image in time for its release, he made his first public appearance since the incident on Kimmel’s show. Though he still refuses to admit that he ever actually said the now infamous “Sugar tits,” it was his fake trailer for a movie called “The Colonel” that was the real highlight of the night.

Extreme Movie

Only the Weinstein Company would sink so low as to advertise Michael Cera as the star of “Extreme Movie.” Though it makes sense to highlight his involvement because he’s the biggest name in the cast, his role is so small that it doesn’t deserve more than a special guest credit. Granted, his brief appearance is the funniest thing about the film (a cybersex chat turned rape fantasy gone wrong), but it’s shady marketing nonetheless. If anyone is the star of “Extreme Movie,” it’s former “Punk’d” player Ryan Pinkston, who plays a geeky virgin looking to score with his high school crush. His story is the closest thing to a plot in the movie, but even that’s stretching it. Most of the film’s 75-minute runtime is made up of a series of sketches involving a group of sexually active teenagers. Andy Milonakis falls in love with an adult sex toy in one of the more clever vignettes, while Matthew Lillard plays himself in a series of uncouth “The More You Know”-styled sex education commercials. With the exception of Cera’s portion, though, most of the film is a mess – which isn’t surprising when you consider that no less than 10 different writers have been credited for the screenplay. Directors Adam Jay Epstein and Andrew Jacobson may be responsible for one of the best spoof movies of its generation (“Not Another Teen Movie”), but now they’re guilty of making one of the worst.

Click to buy “‘Extreme Movie”

Dragon Ball GT: Season Two

The second season of “Dragon Ball GT” is considerably better than the first set, but it still doesn’t come close to the success of the other two series. Picking up after Goku’s ascension to Super Saiyan 4, the season is split into three different arcs: the conclusion of Goku’s battle with Baby; the return of Android 17; and the introduction of the Shadow Dragons. Unfortunately, none of these stories feels like anything Toriyama himself would have created. The fight between Goku and Baby Oozaru is painfully dull, while Android 17’s reemergence reeks of a sudden desperation to bring back familiar characters. Opening the portal to Hell might have sounded like a cool way to feature all of Goku’s past enemies, however, but it doesn’t really make sense. Dr. Myuu and Dr. Gero claim that they’ve cloned Android 17, but how exactly did he get to Earth if he was created down in Hell?

The same goes for the Shadow Dragon arc, which pits Goku against seven different dragons that have been created from the negative energy contained within the Dragon Balls. Apparently, you’re not supposed to use the Dragon Balls every other month like the Z Fighters tend to do, but since no one mentioned it before, it seems like a pretty cheap way of continuing the series. As a whole, the episodes are still more enjoyable than Season One thanks to the fact that Goku spends a majority of the time as an adult, but the inclusion of the lone “DBGT” movie, “A Hero’s Legacy,” certainly doesn’t do the set any favors. I’m not sure if the creators were hoping it would lead to a new series, but if they did, they were seriously mistaken.

Click to buy “‘Dragon Ball GT: Season Two”

Lost 5.6 – 316

If there was ever any question whether “Lost” was the best show on television right now, tonight’s episode surely quieted its detractors. Arguably a weaker episode compared to the others this season, it was still a solid hour that not only answered more of our questions about the island, but also introduced a few new ones that, thankfully, we should know the answer to in a matter of weeks, and not years. While the Islanders have been enjoying their month in the limelight, however, it was only a matter of time before the A-Team became the stars of the show once again. And as we all knew was bound to happen, they’ve finally made it back to the island. Well, Jack, Kate and Hurley, at least, though much like the episode, I’m getting a bit ahead of myself.

46 hours earlier, Jack seemed like the only safe bet to return. His meeting with Mama Faraday probably wasn’t the most encouraging to anyone still on the fence (especially after Desmond’s fervent warning), but I feel like that whole scene was more for the audience’s benefit than the characters. After all, it’s the viewer who cares the most about how this whole world operates (Jack was going to return to the island no matter what), and Eloise quickly proved that she is her son’s mother with a mouthful of scientific gibberish sure to confuse anyone that wasn’t listening carefully.

Lost 5.6

From what I gathered, the strange underground station they were standing in was called The Lamp Post. (Apparently, Dharma had a thing for silly nicknames even before they arrived on the island.) The station is how the scientists originally found the island, what with it being built over a pocket of magnetic energy, much like the island itself. It wasn’t until they stopped trying to find where the island should be and looked where it would be that they actually located it. You see, the island is constantly moving (though I don’t believe she meant through time, like it’s doing now), and in order to get back, the Oceanic Six have to enter through a dimensional window that can only be accessed at a certain place during a certain time. In this case, it’s via a flight from Los Angeles to Guam.

Before Jack heads to the airport, though, he picks up Locke’s body from the butcher’s. Ben was originally supposed to take care of that, but he calls Jack last minute asking him to do it instead. Curiously, when Ben finally did board the plane, all bloodied and bruised, not a single person asked him what the hell happened. Was it Sayid who did the beating, and if not, why was he being escorted by a federal marshal? It all seemed a little suspect to me, but the scenes at the airport were still the highlight of the show. It was really cool to see everyone reunited under some very awkward circumstances, from Kate randomly ditching Aaron to Hurley doing a little damage control by buying up as many seats as he could. (On a side note, I loved that he was reading a Spanish edition of “Y: The Last Man.”)

Hurley was clearly thinking about saving lives when that was the last thing on Ben’s mind. Of course, they probably all thought that the plane was going crash, so when Jack asks him “And the other people on this plane, what’s going to happen to them?,” Ben casually replies, “Who cares?” Some people probably took this as yet another sign of Ben just being Ben, but after Jack, Kate and Hurley suddenly awoke to find themselves on the island without actually crashing, it seemed to me like maybe they were just transported the moment they passed through the “window.” Again, this is something that probably won’t be fully explained until we find out what happened to everyone else. And that includes (a clean shaven) Frank Lapidus, who just happened to be the pilot of Flight 316. You’ve gotta love the “Oh shit” face he gave Jack when he suddenly realized what was about to happen: “Wait a second, we’re not going to Guam, are we?”

What I’m curious to find out is why they must take a plane to get there again. Is that the only way to reach the island, or is that just part of the rules? Eloise explains that they must do everything in their power to make the flight as close to the original one as possible, but if it truly is all about science and not fate, then why do Jack and the others have to trick the island into letting them come back? Additionally, does anyone who’s ever been to the island automatically return (like Ben and Lapidus), or does it only work for those from the Oceanic crash? I’m sure we’ll find out soon enough, but judging from the two new faces sitting with them in first class (one of which happened to be the underrated Saïd Taghmaoui), I’d bet on the former.

What Else Ya Got? “Body of Lies”

Movies starring Leonardo DiCaprio and Russell Crowe are usually expected to do big business at the box office, so how did “Body of Lies” only manage to earn $40 million during its domestic release? Chalk it up to post-9/11 fatigue, as Ridley Scott was clearly late to the party when choosing a political thriller set in the Middle East as his next project. Still, even though the movie didn’t do well stateside, it made nearly twice as much overseas, proving that both actors still have major star appeal. And as a result of its overall performance, Warner Bros. has produced a well-balanced collection of special features for the film’s Blu-ray release.

Body of Lies

Audio Commentary

Director Ridley Scott, screenwriter William Monahan and author David Ignatius all sit in on this audio commentary to discuss the film, but unlike your typical track, each participant has recorded their thoughts separately. At first, it may seem a little strange to have the commentary jump back and forth between those involved, but it actually works better than most tracks because you don’t have to worry about people getting cut off or having the discussion pushed in another direction. Scott ends up dominating a majority of the commentary anyway, but sadly, he has very little to say about the actual making of the film, and instead just explains everything that’s happening on screen.

Actionable Intelligence

The Blu-ray version allows you to access this collection of nine mini-featurettes as you watch the film, but they can also be viewed individually via the special features menu. Running 79 minutes in total, this is the closest you’re going to get to a making-of featurette, including a behind-the-scenes look at production and costume design, stunts and special effects, and profiles on the lead actors. The best of the bunch, however, are two in-depth featurettes dubbed “Field Operation” that go into greater detail about the making of two crucial action sequences.

Interactive Debriefing

Scott, DiCaprio and Crowe sit down to discuss their thoughts on the film’s story, collaborating with one another, and the CIA. I’m not exactly sure what’s “interactive” about the feature aside from the ability to choose what order you view the interviews, but they do provide great insight into the film. Crowe’s interviews, in particular, are worth checking out, as it’s the only time he appears anywhere in the bonus material.

Deleted Scenes

Of the five deleted scenes included, only one is worth checking out – a lengthy sequence where Golshifteh Farahani’s character discovers what Roger Ferris really does for a living – while Scott’s optional commentary proves just as frustrating as the movie track. The fact that none was recorded for the alternate ending is only more maddening – especially because it’s superior to the one that appears in the theatrical version.

That may not seem like a lot, but trust me, by the time you’re finished with the single-disc release of “Body of Lies,” there’s nothing more you’ll want to know. Plus, as always, a digital copy of the film has also been included for your convenience. Just a quick note to Warner Brothers: you guys have done a great job on your Blu-rays, but in the future, can you please take us to a static menu instead of auto-playing the movie? It’s pretty annoying.

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