Author: Jason Zingale (Page 41 of 154)

Blu Tuesday: Earth, Heroes and State of Play

There are quite a few big Blu-ray releases in the month of September, and two of them (“Braveheart” and “Gladiator”) are headlining the rollout of Paramount’s new Sapphire Series premium label. Unfortunately, I didn’t receive either one in time to review for this week’s column, which is too bad, because I’m hearing that the subpar transfer on the “Gladiator” disc is going to cause a major ruckus in the Blu-ray community. There are still a few cool releases coming out today, but nothing that absolutely demands your attention… or your money.

“Earth” (Walt Disney)

I wasn’t very fond of nature documentaries before seeing BBC’s “Planet Earth,” but now that I have, I can’t imagine seeing one even remotely as good again. The people at Disney must feel the same way, because instead of going out and trying to make their own nature doc, they decided to just reuse footage from the award-winning miniseries to create a feature-length version. Simply titled “Earth,” the 90-minute film is narrated by James Earl Jones and plays out like a Greatest Hits of the documentary’s best moments – from the more narrative-driven stories about families of polar bears, elephants and humpback whales to an amazing look at caribou migration and the birds of paradise. Fans of “Planet Earth” probably won’t be interested in the more ADD-friendly edition, but at least Disney has included some cool extras for those thinking about buying “Earth” for their kids, like a pop-up trivia track and a new Blu-ray feature (Living Menu) that offers nature facts and video clips every month.

“Heroes: Season Three” (Universal)

The third season of “Heroes” was supposed to be a return to form for the superhero drama, but despite an excellent season premiere, it turned out even worse than its harshly criticized sophomore year. The meaningless deaths of a few fan favorites certainly didn’t help the situation, but there were a few positives to be drawn from what could effectively be called a train wreck of a season. For starters, Zachary Quinto proved that he could play a good guy just as well as a baddie, while guest stars Robert Forster and Zeljko Ivanek delivered memorable performances as the show’s marquee villains. Season Three may not have lived up to its promises, but the Blu-ray release of the show continues to deliver with picture-in-picture audio commentaries, a slew of production featurettes, and more. The HD edition also includes additional behind-the-scenes footage and a sneak peek of Season Four. It doesn’t make up for the disappointing string of episodes, but if the show really does get back to its roots this year, you’ll want Season Three to complete your collection.

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Entourage 6.8 – The Sorkin Notes

It was only a matter of time before Doug Ellin and Co. slipped up and delivered a bad episode, but considering it’s taken this far into the season for it to happen, it really isn’t worth getting upset about. Still, not a whole lot went down in tonight’s show, and even worse, the filler portions weren’t very entertaining. The only subplot that did accomplish anything was the one involving Andrew Klein’s midlife crisis, but although fans of Ari were no doubt happy to see Jeremy Piven back after his pseudo-absence on last week’s show, this story is really starting to get on my nerves. Gary Cole may have been a great addition to the back-end of Season Five, but this year, they’ve turned his character into a boring mess.

Now that Marlo has locked him out of the house and frozen his assets, Andrew has started crashing at the office, and Babs has taken notice. With his meeting with Aaron Sorkin set to take place later that day, Babs gives Ari an ultimatum: either Andrew signs Sorkin or he’s gone. Of course, when it’s time for Andrew to prove his worth to the agency by reeling in the big fish, he isn’t there because he’s busy trying to get his notes from his home. When Marlo refuses to let him, and then burns said notes for him to see, Andrew absolutely loses it and drives his car through the house. Not a smart move, as it forces Ari to take the meeting in his place. Sorkin, however, hates Ari’s guts, and refuses to even listen to anything he has to say. So when they discover that Andrew has been sent to county jail, they go to visit him, only for Andrew to miraculously sign Sorkin after telling his lame sob story. I can’t say I was happy about that, though, as it only means Andrew is bound to stick around. This was the perfect time to get rid of his character and allow for Ari to get back to business, but now he’s stuck babysitting Andrew for what looks like the immediate future. Le sigh.

Meanwhile, in Other Subplots That Just Won’t Die, Eric and Sloan get together for drinks to try the whole friendship thing again, only for Eric to suddenly bail on her when Ashley comes crawling back. This whole back and forth between Eric and Sloan was always going to play a big role this season, but what was the point of bringing them together for a few seconds only for them to end up exactly where they were before? If Eric was upset that Sloan can’t decide what she wants, then why did he decide to meet her in the first place? It’s a pretty maddening storyline that I hope gets settled soon, because while I’m sure Eric will end up with Sloan eventually, the writers just need to get them together and be done with it.

The other story of the night focused on Vince’s recent break-in after agreeing to meet with Ari’s security friend (played by Peter Stormare) for a demonstration of his services. There didn’t seem to be much to this plotline except for a chuckle-worthy scene where Drama stood in for Vince during a simulation, but the final scene of the episode did open a few doors for the rest of the season. At first, I was going to criticize the guys for even considering paying the outrageous cost for security (after all, the unwelcome visitor only snagged some underwear), but now that they’ve uncovered a possible identity with the driver’s license of a particularly creepy-looking guy named Curtis Tucker, it might be more serious than we were led to believe. That, or the security guy planted the evidence in order to scare Vince into paying their steep fee. I’ll admit that the former offers a more interesting premise, but don’t count my other theory out just yet.

Blu Tuesday: Duplicity, Rudo Y Cursi and Adventureland

It’s been awhile since I posted a proper Blu Tuesday column due to a combination of things – slow release weeks, busy work weeks, and even a sudden interest in writing up a few title-specific entries – but I plan on remedying that today. This week’s selection doesn’t contain any really major titles, nor is there anything that could be considered particularly must-buy, but you will find a couple of films that, if given the chance, might just earn a place in your collection.

“Duplicity” (Universal)

If Tony Gilroy’s “Duplicity” taught us anything, it’s that moviegoers won’t see a film just because of the people involved. That, or Julia Roberts simply isn’t the A-list star she once was. Whatever the reason, it’s the perfect example of movie stars who make way too much. Case in point: Roberts was paid $15 million for her role in the film, while the movie only managed to rake in $40 million at the box office – a staggering $20 million less than its reported budget. While just about everyone can agree that inflated actor salaries need to be policed, reactions to the film itself haven’t been quite as cut and dry. Personally, I can understand why some might find “Duplicity” a little boring – it’s slow, repetitive, and the characters never seem to shut up – but we don’t get that many adult-oriented films these days, and though it isn’t perfect, Gilroy’s follow-up to the much better “Michael Clayton” is still worth a look. At the very least, it delivers some great dialogue and yet another solid performance from Clive Owen.

null“Rudo Y Cursi” (Sony Classics)

Billed as the onscreen reunion of “Y Tu Mamá También” stars Diego Luna and Gael García Bernal (not to mention produced by Alfonso Cuarón and directed by his brother, Carlos), “Rudo Y Cursi” tells the story of two brothers from a small town who are recruited to play for rival teams in the Mexican Soccer League. Those expecting a straight-up soccer drama will find themselves severely disappointed, however, as it’s pretty obvious from the few times the actors are forced to play that they’re not very good. The lack of soccer action aside, “Rudo Y Cursi” is a fun little movie about two men who are practically handed the American dream, only to squander it on their respective vices. For Luna’s character, it’s compulsive gambling, and for Bernal, it’s the chance to use his newfound success to become a music superstar. The latter results in some pretty funny moments — including an accordion-led rendition of Cheap Trick’s “I Want You to Want Me” — but the real humor comes from the interactions between its two stars. That alone is worth the price of the ticket, although you could just as easily find some entertainment in their poor soccer skills as well.

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Entourage 6.7 – No More Drama

This year of “Entourage” has been pretty great so far, but one of the show’s biggest weaknesses has always been its tendency to hit the cruise control and coast through the middle of the season. Thankfully, that doesn’t seem to be the case this time around, as tonight’s episode managed to include not just one, but two major storylines, as well as a fun side adventure starring Vince and Turtle. The latter was obviously the most lighthearted of the bunch, but even though the break-in at Vince’s house was handled quite humorously (stolen underwear, really?), there’s a good chance it could become a little darker during the final stretch of the season. After all, celebrity stalkers shouldn’t be taken lightly, and though the guys have clearly ruled out firearms as a form of protection (“Turtle, you will end up like Plaxico and shoot yourself.”), they might want to take Ari’s advice and hire some security on the double.

Speaking of which, where was Ari tonight? With the exception of a short scene with Vince and Turtle, Ari’s only other involvement in the episode was sending Eric a bunch of pizzas as a gift for starting his new job. Ari may still think of him as a pizza boy, but Eric really hit the ground running on his first day, and I think that he’s going to prove to be a bigger asset than he gets credit for. With the exception of Harvey and maybe Billy Walsh, just about everybody Eric has worked with in the past likes him (or at least respects his work ethic), and that includes Bob Saget, who Murray is desperately trying to sign. At the moment, Saget is being pursued by a fellow co-worker named Scotty Lavin (Scott Caan), but when he fails to close the deal, Eric tries to close it for him after he name drops the former “Full House” star in a meeting.

As it turns out, the only way Saget will sign with the company is if he can have sex in Murray’s office. When Eric informs Scott of the strange request, however, he thinks that he’s being played, so Eric takes it to Murray himself and, just like that, bags himself a new client. Murray certainly seemed impressed with Eric’s initiative, and even jokingly suggests he sign Christian Bale by letting him “execute a cinematographer if he wants.” I highly doubt Eric is quite at that level just yet, but once Scotty learns that he’s been beaten to the punch, it’s not going to bode well for Eric. Of course, this impending rivalry is exactly what the show needs, and I can’t wait to see what the writers have in store for Kevin Connelly, Scott Caan, or even Kate Mara, who’s been cast in the incredibly thankless role of Eric’s assistant. Surely they plan on giving her more to do in the future.

That’s all we had time for this week, however, as the rest of the episode was dedicated to Drama trying to make up for his violent outage. With his job in limbo (Lloyd calls to inform him that all his scenes have been cancelled for the day), Drama races to the studio lot only to discover that he’s been banned to even enter. He tries to apologize to his boss by phone, but he only eggs Drama on even more, resulting in yet another threat – this one strictly verbal. So, with no other choice, Drama bribes the security guard at the gate with sweets and literally begs for his job back.

As it turns out, Drama’s job was never really in danger to begin with (Ed Burns granted him a “stay of execution”), but Dan the studio exec decides he’s going to torture him anyways, and I can’t even begin to imagine what that means for poor Drama. There’s a pretty wide variety of things that could happen to him, but since this is “Entourage,” I’m placing my money on his character having some kind of sexual (read: gay) reawakening. If the writers really wanted to turn the story on its head, however, they’d have Drama dreading the new subplot, only to receive a surprise Emmy nomination for his performance. Hey, it’s “Entourage,” it could happen.

The Informers

Typically, when you hear about movies premiering at Sundance, it’s because the film in question was well received. Not so for Gregor Jordan’s “The Informers,” which was torn to pieces by online critics, many of whom went on to describe the film as one of the worst they’ve ever seen. I wouldn’t go that far, because while the movie may not exactly be good, there are quite a few noteworthy performances hidden within it. Based on a collection of short stories by Bret Easton Ellis, “The Informers” takes place in 1983 Los Angeles and follows a series of intertwining narratives about a drug-dealing college man (Jon Foster) who’s worried that his girlfriend (Amber Heard) is screwing his best friend (Austin Nichols); a big-time movie producer (Billy Bob Thornton) forced to choose between his ex-wife (Kim Basinger) and former fling (Winona Ryder); a neurotic loser (Brad Renfro) who receives an unwelcome visitor (Mickey Rourke); and an international rock star (Mel Raido) suffering yet another major meltdown.

Unfortunately, my favorite story in the book – one involving a vampire named Jamie – has been axed from the movie, and along with it, the satirical bite (no pun intended) that Ellis is famous for. Instead, Jordan plays the whole thing serious, and though it doesn’t really change the outcome of the stories, it does change the tone. The characters are essentially the same, however, and in some cases, are even given more depth thanks to the actors playing them. Foster, Nichols and Lou Taylor Pucci are all solid as the film’s emotionally detached hipsters (an Ellis trademark), while Brad Renfro turns in a great performance in his final role. It’s not enough to convince non-Ellis fans to see the film, but if nothing else, it’s a good excuse to check out Amber Heard in all her naked glory.

Click to buy “The Informers”

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