Author: Jason Zingale (Page 37 of 154)

Bullz-Eye’s 15 Best Horror Movies Revisited

With Halloween just around the corner, TV networks will be airing a non-stop selection of horror movies throughout the week. So which ones should you watch? Well, you can always revisit Bullz-Eye’s list of the 15 Best Horror Movies to help you decide. It not only includes scary classics like “The Exorcist” and “Halloween,” but more nontraditional picks like “The Shining,” “Alien” and “Jaws.” After all, it doesn’t have to include bogeymen in October to scare the living daylights out of you.

Curiously, although horror movies are cranked out faster than a burger and fries at McDonalds these days, there haven’t been too many new entries in the genre that would truly deserve a place on the list. There are certainly a few that would be up for consideration, including the original “Saw,” Neil Marshall’s cave-diving thriller “The Descent,” and the Spanish horror film “[REC],” but it would be difficult to knock anything off. Less likely suggestions might include the horror comedy “Slither,” Eli Roth’s hate-it-or-love-it “Hostel,” and the Swedish vampire film “Let the Right One In.” Of course, you could always get out of the house and see “Paranormal Activity” instead, because if our own horror-shy Bob Westal loved it (not to mention millions of other moviegoers), then chances are you will too.

Triangle

“Triangle” is one of those films where the concept is more promising than the final product. Told in three 30-minute segments — with each one helmed by a different director — the movie stars Simon Yam, Louis Koo and Sun Hong Lei as a trio of drinking buddies who are down on their luck. But when a mysterious man approaches them one night with information about an ancient treasure buried underneath a government building, the three friends attempt to pull off the perfect heist. Unfortunately, just about everything that can go wrong does, and while that certainly makes for an engaging crime thriller, it’s also the film’s biggest problem. There are simply too many people with their hands in the pot, from the three directors (Tsui Hark, Ringo Lam and Johnnie To) to the six writers credited for the script. As such, the story is confusing as hell at first, testing the audience’s patience with very little background info and numerous subplots. By the time Lam’s second third has run its course, however, the pieces are all in place for a tension-packed final act that To masterfully directs with equal parts action, comedy and drama. “Triangle” isn’t one of their finest films, but fans of the directors will no doubt enjoy watching how it evolves in the hands of some of Hong Kong’s greatest filmmakers.

Click to buy “Triangle”

Sons of Anarchy 2.7 – Gilead

Kurt Sutter announced on his Twitter page a few days ago that tonight’s episode was his favorite to date, and I’m not really sure why. (He claims he’s a big fan of the HBO drama, “Oz.”) It wasn’t a bad episode, but when compared to the rest of the season, it just felt a little flat. Part of that had to do with the fact that not a whole lot really happened, especially when you consider that all three storylines were dealing with the same thing: getting SAMCRO out of prison. Forced to hang out in the San Joaquin County Correctional Facility while they await their hearing (which has been conveniently delayed), the Sons are quick to proposition their fellow black prison mates for protection when they discover that the LOAN-affiliated skinheads have orders to kill them.

Getting protection is easier said than done, however, as the leader of the black gang requests two favors from Clay before he’ll even think about putting the lives of his guys on the line. The first is handled quite easily (and humorously) when Juice lures one of their enemies into a private area with the promise of a little Latino loving, only for the black gang to jump him and beat the dude to a pulp. The second favor requires Clay to reach outside the prison gates to Opie for help in framing a Chinese tranny snitch (say that five times fast) that screwed over one of their soon-to-be prison pals. But after he pays off the club’s police friend and plants a shitload of drugs in the target’s car, the tranny shoots the cop and gets away. With Juice already in the medical ward after getting a shiv to the back and the others only hours away from getting stabbed themselves, things are starting to look dim when ATF Agent Stahl makes a surprise visit.

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She’s come to see Clay in prison with a proposition of her own: give up SAMCRO’s IRA connection in exchange for their release. Clay flat-out refuses, but when she suggests that she speak to Jax instead (dropping a hint that she knows all about their heated feud), it severely pisses him off. Within seconds of returning to his cell, Clay and Jax are engaged in an all-out brawl, and though Clay is certainly bigger and stronger, I have to admit that Jax certainly held his own. At least, he came out of the fight the least for wear. Still, although Jax and Clay remain at each other’s throats, Jax gives Agent Stahl the same answer, but only after he deconstructs her entire interrogation technique and then indirectly threatens her by asking about Agent Kohn’s whereabouts. Sly bastard, that Jax.

When all was said and done, however, the Sons were able to post bail with the help of Elliot, who finally agreed to let Gemma borrow the $300,000 after she practically begged him for it. He certainly owes the club that much after they castrated the carnie who raped his daughter and then stopped Jacob Hale from forcing him to sell his land. Still, I can’t help but wonder what the point of this episode was if they’re just going to walk away from it without anyone ever mentioning it again. I mean, it’s not like any judge is just going to give them a slap on the wrist and set them free, so how exactly will the Sons get out of this mess once and for all? My guess? Jax will eventually succumb to Agent Stahl’s pressure and give up the IRA in trade for their freedom. After all, it’s not like they’re going to want to do business with those Irish bastards any more after they practically stabbed them in the back. Let’s hope not, anyway.

Trick ‘r Treat

Michael Dougherty probably never imagined his directorial debut would become a cult hit before it was even released. Then again, he probably didn’t expect so much trouble in actually getting it released, either. Originally planned to hit theaters in October 2007, “Trick ‘r Treat” spent the next two years sitting on the shelf collecting dust, all while the anticipation among horror fans continued to grow. The movie has finally been released on DVD in time for this year’s Halloween celebration, and though it’s not nearly as good as the hype suggests, it is one of the most original and entertaining horror films in years – and this coming from a relative non-fan of the genre.

An anthology film in the same vein as “Creepshow” and “Tales From the Crypt,” “Trick ‘r Treat” spins four tales about mischief and mayhem in a small Ohio town on Halloween night. Dylan Baker stars as a high school principal who moonlights as a serial killer; Anna Paquin plays a young virgin on the prowl for her perfect man; Brian Cox faces off against a murderous little demon that doesn’t approve of his disregard for Halloween traditions; and a group of teenage pranksters get a taste of their own medicine.

Combining creepy imagery with some really dark humor, all four stories work well individually (especially the ones starring Baker and Cox), but it’s the way in which they’re skillfully interwoven that makes it such a blast to watch. Maintaining a sense of chronology to the film by placing characters from some stories in the background of others, Dougherty does a fabulous job with keeping the audience interested throughout the film’s brisk 82-minute runtime – even if some stories are better than others. It’s just a shame the movie didn’t get the attention it deserved, because while horror fans are stuck watching the same shitty sequels and remakes year in and year out, “Trick ‘r Treat” is exactly the breath of fresh air that the genre desperately needed. It really makes you wonder how Warner Bros. dropped the ball on this one, because while “Trick ‘r Treat” isn’t quite an instant classic, it’s a film you won’t mind revisiting every Halloween.

Click to buy “Trick ‘r Treat”

Sons of Anarchy 2.6 – Falx Cerebri

After last week’s cliffhanger left the survival of Chibbs up for question, I honestly believed that Jax would amend his decision against immediate retaliation and mount a full-scale war against LOAN himself. Luckily, Chibbs is going to be just fine, and as it turns out, Jax is a lot cooler in the head than I thought. While he’s just as bloodthirsty as the others for revenge, he’s still playing it smart by doing whatever he can to delay the inevitable. So when Clay approaches Wayne about tracking down Ethan and AJ (who have since gone off the grid), Jax does the same with David, only he promises that they’ll actually play things by the book.

While they wait around for that intel, Wayne and Juice set out to clean up the crime scene before the Feds arrive. Unfortunately, they come earlier than expected, and catch Juice standing in front of the car with a hose and a jug of bleach. He plays it off as having a serious case of OCD and is let off the hook, but when they try another plan involving spilling urine on the tech’s lab kit (and thus ruining the results of the test), Wayne accidentally spills it all over the actual tech instead. That means the Feds are going to know the real truth behind the explosion, and though the car bomb won’t incriminate the Sons, it does bring a lot of unwanted attention to some of their other unsavory hobbies. In fact, it’s even scared the Irish gun suppliers into meeting with LOAN. We don’t know what that meeting was about just yet, but seeing as how Ethan originally wanted the Sons to stop selling guns to the minority gangs, I think I have a pretty good idea.

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Meanwhile, Tara’s freaking out about everyone’s safety following the attack on the club (namely hers), so Gemma gives her a gun from her surprisingly extensive collection and takes her shooting behind Luanne’s studio using porn posters as targets. What started out as yet another bonding moment between Gemma and Tara, however, quickly turned into a refreshing bit of comedy when the pair started shooting up the car of that porn star who was hitting on Jax a few weeks back. It wasn’t entirely necessary to the episode – especially since it was already a pretty slow-burning hour of television – but it was a nice addition nonetheless.

Speaking of slow burns, last night’s main storyline took quite a while to get going. However, once Jax and David followed up on a tip about the location of AJ Weston – only to get shot at by his brainwashed son – it practically sprinted to its unlikely finish line. Jax has been warning the club for some time now that Ethan is smarter than the average thug, so when David took a grinning Polly into the station after learning that her father would be attending a membership rally later that night, you just knew that the Sons were being played once again. When the rest of the club finds out about the rally, Clay leads a welcoming committee to go pick him up, despite Jax’s warning that local cops are already on the way. Unfortunately, no one listens, and when they bust into the building armed with guns, they discover that the rally in question is actually just a charity dinner.

Seconds later, the cops arrive, and everyone but Opie (who manages to get the hell out of dodge, though not before crashing his bike) is taken away. I’m not exactly sure how SAMCRO is going to get themselves out of this mess (they were caught both red-handed and on-camera), but there’s no way the series could survive with most of the team locked up in jail. On a side note, though, next week’s prison episode looks positively awesome.

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