Author: Jason Zingale (Page 36 of 154)

Blu Tuesday: North by Northwest: 50th Anniversary Edition

north_by_northwest It’s been awhile since I’ve seen “North by Northwest,” so when it was announced that Warner Bros. would be releasing it on Blu-ray in conjunction with the film’s 50th anniversary, I couldn’t wait to check it out again. As expected, it’s like watching the film for the first time, because the movie looks brand new thanks to the brilliant restoration it’s undergone. Warner Bros. has really been on top of their game in regards to re-releasing classic movies in high definition, and though last month’s “The Wizard of Oz” was undoubtedly a much bigger deal than Alfred Hitchcock’s 1959 genre mash-up, it’s still hard to deny the effect the film had on the industry.

Even those that haven’t seen the movie seem to know something about it – whether it’s the infamous crop-dusting plane chase sequence or the big finale on top of Mount Rushmore – and it’s been spoofed enough times throughout the years to know that it obviously had a big effect on several filmmakers. If there’s one complaint to be made about the new release, however, it’s that while the picture itself looks pretty darn flawless, the use of rear projection effects (of which there are many) are even more noticeable than they were before. Hitchcock may not have put too much stock in making his movies look realistic, but when your film looks like it was made yesterday but the effects are still dated, it’s a little disruptive.

Additionally, there isn’t quite as much going on in terms of bonus material. Owners of the previously released 2004 DVD will recognize the commentary by writer Ernest Lehman, as well as the Cary Grant biography, “A Class Apart,” and the Eva Marie Saint-hosted making-of special, “Destination Hitchcock.” Still, the latter two featurettes are definitely worth watching if you’re an avid fan of Grant or the film, and Warner Bros. has also included two new featurettes that are just as good. “The Master’s Touch” focuses on Hitchcock’s famous filmmaking techniques, while “North by Northwest: One for the Ages,” features an in-depth analysis of the film by directors like Curtis Hanson, William Friedkin and Guillermo del Toro that will almost certainly give you a new appreciation of what many believe to be Hitchcock’s best film. It’s no surprise that “North by Northwest” was the first to be given the Blu-ray treatment, but it really makes me wonder, how long are we going to have to wait before the others are released as well?

Sons of Anarchy 2.9 – Fa Guan

As we draw closer to the end of the season, the Sons continue to be pushed farther apart. Jax and Clay have been at each other’s throats for weeks, Opie and Jax’s friendship is deteriorating, and Tig feels like he’s losing his place as Clay’s right-hand man. To make matters worse, the future of Caracara is put in danger when some of the girls get arrested for prostitution and drug possession after the Sherriff’s Department receives an anonymous tip. Not that Clay cares, because he wishes they never got involved to begin with, and he now blames Jax for Luanne’s death.

Jax, however, doesn’t seem to care about anything Clay says or does anymore, and when he threatens to shut down the porn studio after the latest incident, Jax confronts him in front of the club about Donna’s death. Not officially, mind you, but when you utter the words “You are really going to stand there and lay the guilt of a dead wife on me?” someone is bound to figure out what’s really going on. That person will probably be Bobby, because that look on his face after overhearing Jax and Tig’s discussion seems to indicate that he’s finally put two and two together.

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What he does with that information is anyone’s guess, but for the time being, he has other club business to take care. He’s sent on a mission along with Jax and Opie to convince an Oakland judge to throw out an INS case involving Henry Lin’s gun dealer, and though it doesn’t look like it’s going to pan out quite like they planned (their “emotional leverage” turns out to be a bust and Opie loses his cool), they eventually persuade the man to toss the case. Meanwhile, David brings Clay evidence that Zobelle is setting up Darby to prove Charming doesn’t need the Sons, and when SAMCRO stops by Darby’s latest meth house to pass on the tip, he runs back to Zobelle pissed that he’s been sold out. Unfortunately for Darby, he was probably always an expendable pawn, just like everyone else.

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Iron Man: Armored Adventures – Volume One

Following the box office success of “Iron Man” last summer, it was pretty much a given that Marvel would move forward with an animated series. When it was announced that Tony Stark would be getting the high school treatment, however, my interest in the project plummeted. Fortunately, I still had a lingering curiosity as to how it would turn out, and although a teenage version of Iron Man certainly isn’t ideal, the show actually works better than expected thanks to some solid writing and slick CG animation. Loosely based on the comic book roots, the series begins with teenage prodigy Tony Stark putting the finishing touches on his latest invention. But before he can show it off to his dad, he’s killed by longtime business partner, Obadiah Stane, in a coup to take over Stark Industries. Now, with the help of his friends Rhodey and Pepper, Tony begins to unravel the mystery behind Stane’s takeover, all while playing superhero in his new Iron Man armor. Sadly, only six episodes are included in this Volume One collection, so while we do get to see classic Iron Man baddies like Mandarin, Whiplash and Crimson Dynamo, you’ll be left wanting more when it’s all over. That may be Marvel’s intention, but with the new sequel due out in theaters this May, let’s hope they release the entire first season in time for casual fans to discover what they’re missing.

Click to buy “Iron Man: Armored Adventures – Volume One”

Blood: The Last Vampire

Based on the anime of the same name, “Blood: The Last Vampire” isn’t exactly a terrible film, but it’s pretty bad considering it was actually given a theatrical release. Set in the 1970s, the story follows a half-human/half-vampire demon hunter named Saya (South Korean film star Jeon Ji-hyun, now going by the stage name Gianna) as she tracks down the head bloodsucker who murdered her father. When her undercover identity is blown by a military brat (Allison Miller), however, she’s forced to play babysitter as she prepares for the biggest battle of her life. I’m not exactly sure how Miller continues to get work, because although she has a much better understanding of the English language than her Asian co-star, she fumbles over her lines like she’s the one in need of a dialogue coach. That might be forgiven if the special effects weren’t so noticeably low-budget, but between the CG blood that sprays out of every character and the gargoyle-like creatures that the vampires transform into, this film has B-movie written all over it. So why the generous rating? Because in the right hands, this could have been a half-decent movie. The stylish swordfights alone make “Blood: The Last Vampire” more entertaining than it should be, but it’s still only worth seeing if you’re a fan of the anime.

Click to buy “Blood: The Last Vampire”

Sons of Anarchy 2.8 – Potlatch

Putting aside the fact that I find it pretty hard to believe that the Sons would be granted bail so easily, it’s nice to see SAMCRO out of prison and back to doing what they do best – namely, getting into trouble. The mood in the clubhouse is pretty low following the brawl between Clay and Jax, but Bobby urges that if they’re going to get through it, the rest of the guys will have to help hold things together.

They’ve only been away for a day, but the first thing on Clay’s to-do list is to personally thank Elliot for the bail money. Of course, Elliot plans to make the most of his investment by asking for Clay’s help in running against Jacob Hale for mayor. He’d probably make a good mayor too were it not for the fact that he’s only going to get in deeper with the Sons. It doesn’t sound like a very big favor considering the money he put up for their release, so it seems strange that Clay would make a request of his own. Still, you have to admire his willingness to return the one piece of leverage he had – the knife he used to kill the rapist – as a sign of good faith.

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After dealing with Elliot, Clay teams up with Tig to see Henry Lin about selling some guns, but with their IRA contact now in business with LOAN, they decide to hijack the shipment meant for Zobelle and turn around and sell it to the Chinese. They show up in time to snatch the guns from AJ Weston, but when backup arrives and a shootout ensues, they’re forced to leave them behind. That doesn’t stop Clay from trying to snatch a few, though, and if it weren’t for Half-Sack stepping in to save him, he’d probably be dead. Curiously, Tig didn’t do a damn thing, despite confirming to Clay that he could count on him just minutes before. Clay is obviously starting to doubt Tig after he prevented Henry Lin from killing Chucky the Masturbating Accountant (who’s already been mutilated so that he can’t play with himself anymore), but I’m not quite sure why Tig is starting to act this way. Whatever the cause, they lost to guns to Zobelle, who in turn gave them to the Mayans for free. Correct me if I’m wrong, but isn’t that a bit hypocritical of him? I mean, I’m sure he plans on using the Mayans to take out the Sons, and then turn on them when it’s beneficial to him, but even a false relationship is still a relationship.

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