I’ve basically got an hour here, though some of the news was gathered earlier. Let’s see how we do…
* The Academy of Motion Picture Arts & Sciences has issued an APB for 79 year-old cinema bad boy, Jean-Luc Godard, director of such groundbreaking classics as “Contempt,” “Breathless,” “Weekend,” “Alphaville,” and others that might be just a little bit of work to sit through (but sometimes work is good for you). It seems they want to give him a lifetime achievement award, but when you’ve made a life of flouting cinema conventions and being lauded more than just about anyone in artsier quarters, an Oscar might not be a guy’s greatest craving. If you have information on the whereabouts of the cineaste, please report it in comments forthwith.
* You know that standard sitcom episode where the office prima donna is given a new “assistant” and is terrified the new guy is really just a replacement in waiting? I’m thinking the set of “Mission: Impossible IV” might be just a little bit like that and I’m in now way implying that I think the new guy is a vastly more interesting actor than the other guy. Okay, I am.
* Oh, brave, brave Dennis Miller, taking on sacred cow James Cameron whom no one has ever made fun of or criticized. (Remember the “king of the world” remark? Remember about a million pre-“Avatar” release blog posts and few million others afterwards?) Is THR’s Paul Bond completely in the thrall of rightwing radio memes?
With Halloween just around the corner, TV networks will be airing a non-stop selection of horror movies throughout the week. So which ones should you watch? Well, you can always revisit Bullz-Eye’s list of the 15 Best Horror Movies to help you decide. It not only includes scary classics like “The Exorcist” and “Halloween,” but more nontraditional picks like “The Shining,” “Alien” and “Jaws.” After all, it doesn’t have to include bogeymen in October to scare the living daylights out of you.
Curiously, although horror movies are cranked out faster than a burger and fries at McDonalds these days, there haven’t been too many new entries in the genre that would truly deserve a place on the list. There are certainly a few that would be up for consideration, including the original “Saw,” Neil Marshall’s cave-diving thriller “The Descent,” and the Spanish horror film “[REC],” but it would be difficult to knock anything off. Less likely suggestions might include the horror comedy “Slither,” Eli Roth’s hate-it-or-love-it “Hostel,” and the Swedish vampire film “Let the Right One In.” Of course, you could always get out of the house and see “Paranormal Activity” instead, because if our own horror-shy Bob Westal loved it (not to mention millions of other moviegoers), then chances are you will too.
The sequel will continue the story of Sarah, who as the only survivor of an all-female caving expedition gone horrifically wrong, suffers severe psychological trauma. Unable to speak, she accompanies a rescue team back to the cave, but events once again take a sinister turn.
THE DESCENT 2 picks up immediately after the events depicted in THE DESCENT Sarah (MacDonald), emerges alone from a cave system following an expedition with her five friends in the Appalachian mountains. Distraught, injured and covered in the blood of her missing companions, Sarah is incoherent and half-wild with fear. Skeptical about her account of events and convinced Sarah’s psychosis hides far darker secrets, Sheriff Vaines forces her back into the caves to help locate the rest of the group. Trapped by falling rocks, the rescue party are driven deep into the caverns, and as one by one the fate of the missing girls is revealed, Sarah is forced to confront her deepest fears.
By the look of the trailer below, the sequel appears to be much more like your standard thriller than the character-driven original. What made the original so great was the underlying tension between the characters of Sarah and Juno. The scares and violent scenes didn’t just shock you, but they each actually contributed to the plot because of the subtext that existed. The original’s writer/director Neil Marshall didn’t have his hand in the creative process of “The Descent: Part 2”, and it shows. I’ll still check it out, but I’m not expecting much. To this day, “The Descent” is only the movie I’ve seen where a good portion of the audience walked out of the theater because of how frightened they were.