Author: Bob Westal (Page 46 of 265)

The monstrous politics of horror

Since, as happens every two years at least, Halloween coincides with a crucial U.S. national election, a selection of scenes from a few politically themed horror/monster films feels right. We’ll start with the obvious.

In some ways I think a little overrated, John Carpenter’s science-fiction/action/creepy alien monster flick from 1988 ,”They Live,” seems to me a thorough-going and obvious from-the-left savaging of the Reagan years and the consumerist, bland cultural mentality that went with it. Yet, oddly enough, it’s imagery has been picked up online by some Reagan-worshipping teapartiers. Well, history probably isn’t their favorite subject.

More clips and  commentary after the flip

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For the kiddies

It’s been a matter of movie legend for decades that theater owners at one time or another — like perhaps whoever ran New York’s Radio City Music Hall in 1937 — had to replace some of the seats because of the urinary byproduct of the sheer fright induced in children by the appearance of the evil queen in “Snow White.” But, whether or not it’s true it’s certainly a fact that, by this point, nearly everyone alive in the Western world has been a small child scared out of their wits by a Disney animated villain.

Now, continuing our “Monster Mash” Halloween theme, enjoy the dulcet tones of Bobby “Boris” Pickett as his classic melody is performed in glorious 2D traditional and puppet animation by a host of Mouse House baddies in very good little mash-up I stumbled over.

Let’s get this monster party started

Yes, there is end of the week film news tonight/this morning I could talk about — a possible break in the long-running saga of MGM; a surprise presidential departure at Sony; and the disappointing news that the premier of “The Circus” was probably not visited by an aged, possibly cross-dressing time-traveler.  Nah. How could I possibly follow an interview with the director “Monster A-Go-Go” with anything remotely sensical? Time for a fairly random movie monster mash to get the Halloween weekend going.

And now Vincent Price, with a little help from John Carradine, gives a disturbing speech (what’s a “hume”?) and brings a disco spin to the actual “Monster Mash” from the movie…actually, I have no idea what movie this is from. Is this from a movie? Did I dream this?

And, remember, “only the weird zombies remain.”

A chat with Gale Anne Hurd, producer of “The Walking Dead”

Gale Anne Hurd

There aren’t many producers around these days whose name can help sell a movie or TV show, but Gale Anne Hurd is the rare exception. Probably best known as one of the co-creators of “The Terminator” franchise, Hurd has been an important player in numerous mega- or merely major productions, including both “Hulk” and “The Incredible Hulk,” “The Abyss,” “Armageddon,” “The Punisher,” and the underrated 1999 comedy “Dick,” which starred Dan Hedaya as Richard Milhous Nixon and a young Kirsten Dunst and Michelle Williams as a couple of teenagers who wind up bringing down a presidency.

Clearly one of the more hands-on producers around, Hurd is pleasant and businesslike when talking to a member of the show-biz press, but clearly has the gumption to deal with the biggest and most difficult of personalities, which is how I segue into the obligatory mention of the fact that she spent the part of the late eighties and early nineties being married to first James Cameron and then Brian De Palma. Moreover, she began her career working for one the most fascinating and effective producers in the history of the medium, Roger Corman, but more of that in the interview.

Still, nothing she’s done is quite like her current project, the zombie horror drama and comic book adaptation, “The Walking Dead.” The AMC television series, adapted from a series of acclaimed comics by Robert Kirkman primarily by writer-director Frank Darabont (“The Shawshank Redemption,” “The Green Mile,” “The Mist”) is currently receiving maximum exposure on the web. The publicity train was only just getting started when I spoke to Ms. Hurd at a mammoth new San Diego hotel adjacent to the Comic-Con festivities last summer.

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I had typed my questions on my laptop, which I was afraid might be a little off-putting. So, after a quick greeting, I tried to explain why.

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Trailer for a Friday morning: “I Love You, Phillip Morris”

It’s looking like those of us who gay panicked their way into an excuse to avoid “Brokeback Mountain” will have a new quality film to miss for no good reason, and this film, which recently escaped from a distribution limbo, appears to be very funny indeed. If you dare — or if you’re a woman or an actual person with teh gay — check out this trailer that features some very funny and relatively explicit sexuality and language between stars Jim Carrey and Ewan McGregor. This could easily be one of the year’s more memorable films. Man up or miss out. Also, if you absolutely need to focus on a hetero thought, Leslie Mann (a woman, also Mrs. Judd Apatow) is actually kind of insanely adorable in this trailer as Carrey’s Christian ex-wife.

Oh, and before I saw this trailer, I somehow figured that the corporation best known for its tobacco products would somehow figure in the story. It’s still kind of an odd name for Ewan McGregor’s character, though.

H/t Screencrave.

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