Author: Bob Westal (Page 154 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Mission to TCM

If I may delve into hardcore cinephilia for one post, Turner Classic Movies is doing a very funny thing this month, they’re letting a movie blogger — along with a better known film critic — mess with their nightly schedule.

To be specific, the wondrous Self Styled Siren, who recently emerged as one Farran Smith Nehme of New York City, is co-curating with Lou Lumenick of the New York Post, Shadows of Russia. It’s a series of classic and rarities dealing with the former Soviet Union and it’s complex relationship with the United States and the West. Tonight’s centerpiece, showing at 10:00 Eastern/7:00 Pacific, is “Mission to Moscow,” one of a few pieces of World War II-era wartime propaganda requested by the U.S. government in order to create a better image of our wartime ally to the East. Despite the fact they had basically been made to please the U.S. government and assist the war effort, these films later came under suspicion from the notorious House Un-American Activities Committee (HUAC) as the Cold War heated up again almost immediately after the end of the war.

I’ve never seen “Mission” but it’s apparently a faux-factual, completely absurd whitewash of the very real evil of Josef Stalin’s Soviet Union. Making it a lot more interesting is the fact that this was no cheapy, but a glossy A-picture directed by Michael Curtiz and written by Howard Koch, both of whom had extremely illustrious careers on their own and whose most famous effort together was arguably the best American propaganda film of all time, “Casablanca.” No one thinks it’s a great movie or even a particularly good one in any normal sense of the word, but apparently its sheer wrongness makes it a really interesting movie experience. If you even one bit interested in mid-century history, this is one you won’t to miss.

The Siren and Lou Lumenick have more on “Mission to Moscow,” another interesting sounding tale called “The North Star” which you’ll have to be very quick on the trigger tonight if you want to see it (it’s 5:00 Pacific/8:00 Eastern) and some other possible goodies showing later on, including “The Kremlin Letter,” a hard-to-find 1970 spy thriller directed by John Huston I’ll have a hard time resisting.

(500) days of bad puns and other items of interest

It’s been a weird day for me, and not only because I’m a politically junkie and my side sustained a bit of a loss today (if you don’t know what I’m talking, well, let’s just keep it that way). Still, the movie news beat never stops and there are certainly days when Hollywood makes a lot more sense than politics, relatively speaking.

Spiderman
* It’s official and Nikki Finke has claimed another “toldja.” Newcomer Marc Webb of “(500) Days of Summer” will, it appears, direct the 2012 Spiderman reboot that’s been bandied about since Sam Raimi stepped aside from the now never to be filmed “Spiderman IV.” Even though, as I’ve made clear here several times, I’m not a particular fan of Webb’s feature debut, I think Anne Thompson‘s analysis is probably correct:

Webb’s “(500) Days of Summer” is a deliciously commercial hit movie: witty, breezy, defying romantic comedy formula while not straying outside the realm of accessible entertainment. That’s what studios want: that sweet spot between “original and fresh” and “accessible and commercial.”… He will be eager to prove himself on a big-budget VFX franchise, so he’ll do what he is told.

All she left out is the gift they’ve given us pun-crazed headline writers and bloggers because of Webb’s spider-suggestive last name. I guess Eric Nid was too busy on other projects.

* You knew it had to happen: Here comes “Paranormal Activity II” — from the director of “Saw VI.” (Via Bad Guy Wins.)

* I don’t know why they waited until after Martin Luther King day to announce this, but a long-planned biopic on the single most effective civil rights leader in American history is underway, and veteran playwright and screenwriter Ronald Harwood is penning the screenplay with Steven Spielberg and Stacey Snider coproducing. The more recent films in Harwood’s long career include “The Diving Bell and the Butterfly” and “The Pianist.” His best known play, the semi-autobiographical “The Dresser,” was nicely filmed back in 1983. Harwood migrated to England from South Africa in 1951 and he’s proven himself a fairly able cultural chameleon over the years. I’m not sure it’s an inspired choice, but it’s not a a bad one. The tricky part now is choosing the director.

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* Some time back, I was not thrilled to report that Danny Elfman’s orchestral score was being removed from “The Wolfman” and was being replaced by a not at all promising sounding, possibly synth-driven rock, score. Well, as I’m still kind of looking forward to the apparently trouble-plagued film, I’m happy to report that Elfman’s score is apparently back in. Yeah, I’m kind of a traditionalist about things like that. I don’t like to hear futuristic sounds with my 19th century gothic chillers anymore than I want chocolate syrup on my pizza.

* It’s probably not at all fair, but I can’t help but think of this concept as “Tim Burton’s ‘Wicked’.”

* The zombie-centric romantic comedy (“zom coms”) is a subgenre that threatens to take over the planet, devouring us all. Latest to be bitten: “The Wackness” writer-director Jonathan Levine, so says Devin of CHUD.

* In China, Chow Yun Fat and the nation’s most venerated philosopher push out the Na’vi, writes Krystal Clark.

* Today we also had a trio of sad deaths of important contributors primarily to other arts whose work also impacted the movies film, singer Kate McGarrigle, and novelist Erich Segal famously of “Love Story” and less famously of “Yellow Submarine,” and mystery writer Robert B. Parker of “Spencer for Hire.” RIP all.

“MacGruber” red-band trailer shocker: it’s funny.

Save for a few odd sketches and short films and the occasional Weekend Update zinger, I basically gave up on SNL years ago. It’s not that the performers aren’t good, it’s the quality of the writing that has pretty much gone into the toilet and I don’t think I’m alone in that perspective. As for the MacGruber character, I think Will Forte is an inherently funny guy — but to me the sketches were a moderately fun idea marred by poor follow-through.

Still, life can be full of surprises, and so I must agree with the assembled movie geeks at Christopher Campbell’s place (though not Campbell himself), that this red band trailer, which features some very silly rough language, for the upcoming cinematic spectacular, “MacGruber” is pretty funny stuff . I’ve had a rough day and a bit of harmless silliness like this was just what I needed, even though I’ve never watched a single episode of “MacGyver.” As usual, the trick is playing things as straight as possible and having both Kilmer and the great Powers Boothe in the ensemble seems to help.

A Martin Luther King Day movie moment

It became fashionable for a while to downplay the contribution of Sidney Poitier to movies — the charge was that too many of his characters were overly schematic responses to racist caricatures of the past (in other words, they were too perfect). Still, his characters were never plaster saints, he was simply too good an actor to ever allow that even if some of his parts were written that way, and there’s never been any denying that he fought the civil rights battle on the cinematic front with as much grace and charisma as anyone could even ask for.

Here he is the gently humorous and moving final scene from the 1964 comedy-drama “Lillies of the Field,” in which he teaches some German nuns a little bit of soulful gospel.

Just a couple of things… (updated)

I’m going to be spending this extremely rainy So-Cal MLK day doing some catching up with various movie-watching obligations, including some awards-type flicks I’ve been criminally behind on, but first a couple of random left over things.

* I expected a bit more fall-out, perhaps, from Ricky Gervais’s more-mean-than-funny gag at the expense of Paul McCartney and his recent divorce, but I guess I wasn’t alone in my mixed reaction to last night’s festivities as a show. Of course, my mixed reaction has nothing on the sheer, predictable venom of Nikki Finke’s nevertheless readable “live snark” of the event. She does have a point, exaggerated though it likely is, in underlining that — even among big show business awards — the Globes aren’t exactly known for their uncompromising integrity. Certainly, last night’s win by Robert Downey Jr., as talented and committed a performer as he is and has been for decades, does seem to follow her statement that “Stars win in direct correlation to their glamor quotient.”

One great line that a lot of us missed from the pre-show activities came courtesy of who else but the wondrous Tina Fey, remarking upon the unstereotypical Southern California weather last night: “No, it’s not rain. It’s God crying for NBC.” The rain, by the way, is expected to continue all week. I guess we know Who Else might be on Team Coco.

Also, one thing I forgot to say last night. “Sofia Loren.” I’m just impressed to see her, anywhere. Time may wear on, but that face is eternal.

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UPDATE: I forgot to add that the ratings for last night’s telecast were up from prior years, and I suspect Gervais’s presence did not hurt.

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