Author: Bob Westal (Page 108 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

All the movie news that fits my schedule

With Cannes starting to wind down — or with people probably starting to leave in the manner of Hollywood folk at lengthy fests much in the way Los Angelenos leave sporting events early — maybe the news will start to slow down a bit as well. In any case, it’s looking like I won’t be around to cover it tomorrow, and then comes the weekend movie preview, so this will have to tide you over for a bit.

Megan Fox in * Our top story tonight, however, is far away from anything likely to screen in, or even out of, competition at the world’s most famous film festival. Seems that Megan Fox, who you might remember compared director Michael Bay to Hitler some time ago, will not be returning in “Transformers 3.” Apparently Bay has finally realized there are lots and lots of unnaturally attractive young women in Hollywood and some of them can act a little.

In any case, Nikki Finke brings you a crash course on the apparent Fox/Bay hate affair, while AICN’s Merrick reminds you of some of those other unnaturally attractive women.

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The Baader Meinhof Complex

The Weathermen and the Black Panthers terrified many in America’s “silent majority” of the 60s and 70s and, of course, resurfaced as right-wing bogeymen during the 2008 election. Still, our relatively timid terrorists were complete pantywaists compared to the vastly more deadly, focused, and entirely co-ed German Baader Meinhof gang. This grimly disciplined, ideologically inflexible group of Marxist-Leninist-Maoist “New Left” ideologues was not about “palling around” with anyone.

Directed by Uli Edel and with a sharp screenplay co-written by producer Bernd Eichinger, “The Baader Meinhof Complex” takes a similar approach as Eichinger’s previous historical work as a writer-producer, “Downfall” — now famed as the source of all those Internet videos featuring Hitler (Bruno Ganz) ranting in his bunker about video games, ‘net problems, and the like. Ganz is back in a far kinder and gentler role as the keenly intelligent head of the German police tasked with capturing the gang. Still, this is a true ensemble piece as Martina Gedick, Moritz Bleibtrau, Johana Wokalek and others portray the nucleus of the so-called “Red Army Faction,” whose attempt to spark a revolution while protesting the Vietnam War and Israel’s treatment of Palestinians starts at bank robbing and takes increasingly murderous turns from there. Eichinger and Edel’s historical epic starts somewhat slowly, but at more than 2 1/2 hours, this Oscar-nominated combination of documentary ultra-realism a la “The Battle of Algiers” with Paul Greengrass-style slam-bam action film makes for a bracing work.

Click to buy “The Baader Meinhof Complex”

The ultimate solution to the 3-D madness — “Feel Around”

I like the late Kinji Fukasaku’s film of “Battle Royale,” but maybe not quite as much as some people.

Nevertheless, this item, about a coming and seemingly utterly random 3-D retrofit of the putative “gorefest” just makes me want to fly to Monster Island and pick a fight with Ghidrah. What next, “The Wild Bunch”?

Or perhaps I’m wrong. Maybe it’s time to just go utterly all-in with the ultimate cinematic process, predicted so many years ago by the Zucker Brothers, Jim Abraham, and John Landis in “The Kentucky Fried Movie.”

What you can’t get at the multiplex, Cannes style

I love a big movie theater, and the Grand Theatre Lumiere at Cannes is certainly that. Here’s a brief video tour courtesy of Brad Brevet at Rope of Sillicon.

What I really like about this place is that, unlike classic American-style movie palaces, it’s got stadium seating. It’s nice that 6’6″ Brad Brevet is comfortable there, but it’s even nicer that 5’5″ me can be sitting right behind him and (I’m guessing) have an unimpeded view of the screen.

More movie news and stuff

Cannes is in full swing and there’s plenty other stuff going on besides — way too much to cover completely. So, consider this just me hitting a very few of the highlights of the film world right this moment.

* The critical wars are going full strength at Cannes with the biggest love-it/hate-it proposition appearing to be Alejandro González Iñárritu’s “Biutiful.” I haven’t seen the film, of course, but Iñárritu is most definitely my least favorite of “the three amigos” of Mexican/Spanish/U.S. cinema. (The other two being Alfonso Cuarón and Guillermo del Toro) and not only because his name is the most impossible to type. I mostly liked “Amores Perros” but his “21 Grams” and “Babel” struck me as exercises in touchy-feely realism that was a lot less real than it seemed to fancy itself.

biutiful-inniratu

Still, he’s working with different writers now and everyone seems to agree that the always great Javier Bardem is especially fine in it, so I suppose I should keep an open mind. Still, reading about the film, it’s hard not to side with the anti-faction when much of the commentary echoes my feelings about past films and when the pro-side is being taken by Jeffrey Welles, who really doesn’t seem to respond well when other people don’t love his favorite films. It’s a conspiracy, I tells ya!

In any case, David Hudson does his usual amazing job summarizing the critical reaction from a wide swath of the press; John Horn at the L.A. Times focuses on the reactions of big name critics.

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