Look, I like Gabrielle Anwar’s character, the gun-toting Fionia Glenanne, as much as the next red-blooded American male, but I never thought someone (other than maybe a few of the “Burn Notice” writers) could put together 650+ words on what she represents in a post-feminist world. But Ginia Bellafante of the New York Times did just that.
Fiona is a character with no memorable precedent: a genius joke-take on girls with gun lust, the joke being that above all else she is every woman who needs to be sent a copy of “He’s Just Not That Into You,” next-day delivery. In the show’s back story Michael broke up with Fiona years ago, disappearing without explanation. (I imagine this to have been like Berger dumping Carrie with a Post-it note on “Sex and the City,” except it occurred three feet from a terrorist cell.)
Fiona has never been able to get over Michael despite his persistent and explicit reminders that he is not made of the ordinary stuff of human need. Still, she keeps pushing for the dream, dating other people solely to try to make Michael jealous, interrupting stakeouts and shooting sprees and manhunts to ask for a key to his apartment or to tell him that what she would really like for her birthday is a teddy.
While reading the piece, I kept waiting for the other shoe to drop — for Bellafante to criticize Anwar’s character for continuing to pine over her ex-boyfriend even after all these years. But that shoe never dropped. Bellafante genuinely admires Fiona and what she represents. Good stuff.
On a side note, anyone else remember the pilot episode where Fiona spoke with an Irish accent (which made sense because she used to be a member of the Irish Republican Army)? I thought they should have stuck with it, though the creators apparently thought otherwise.
