Tag: zombies (Page 2 of 2)

(500) days of bad puns and other items of interest

It’s been a weird day for me, and not only because I’m a politically junkie and my side sustained a bit of a loss today (if you don’t know what I’m talking, well, let’s just keep it that way). Still, the movie news beat never stops and there are certainly days when Hollywood makes a lot more sense than politics, relatively speaking.

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* It’s official and Nikki Finke has claimed another “toldja.” Newcomer Marc Webb of “(500) Days of Summer” will, it appears, direct the 2012 Spiderman reboot that’s been bandied about since Sam Raimi stepped aside from the now never to be filmed “Spiderman IV.” Even though, as I’ve made clear here several times, I’m not a particular fan of Webb’s feature debut, I think Anne Thompson‘s analysis is probably correct:

Webb’s “(500) Days of Summer” is a deliciously commercial hit movie: witty, breezy, defying romantic comedy formula while not straying outside the realm of accessible entertainment. That’s what studios want: that sweet spot between “original and fresh” and “accessible and commercial.”… He will be eager to prove himself on a big-budget VFX franchise, so he’ll do what he is told.

All she left out is the gift they’ve given us pun-crazed headline writers and bloggers because of Webb’s spider-suggestive last name. I guess Eric Nid was too busy on other projects.

* You knew it had to happen: Here comes “Paranormal Activity II” — from the director of “Saw VI.” (Via Bad Guy Wins.)

* I don’t know why they waited until after Martin Luther King day to announce this, but a long-planned biopic on the single most effective civil rights leader in American history is underway, and veteran playwright and screenwriter Ronald Harwood is penning the screenplay with Steven Spielberg and Stacey Snider coproducing. The more recent films in Harwood’s long career include “The Diving Bell and the Butterfly” and “The Pianist.” His best known play, the semi-autobiographical “The Dresser,” was nicely filmed back in 1983. Harwood migrated to England from South Africa in 1951 and he’s proven himself a fairly able cultural chameleon over the years. I’m not sure it’s an inspired choice, but it’s not a a bad one. The tricky part now is choosing the director.

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* Some time back, I was not thrilled to report that Danny Elfman’s orchestral score was being removed from “The Wolfman” and was being replaced by a not at all promising sounding, possibly synth-driven rock, score. Well, as I’m still kind of looking forward to the apparently trouble-plagued film, I’m happy to report that Elfman’s score is apparently back in. Yeah, I’m kind of a traditionalist about things like that. I don’t like to hear futuristic sounds with my 19th century gothic chillers anymore than I want chocolate syrup on my pizza.

* It’s probably not at all fair, but I can’t help but think of this concept as “Tim Burton’s ‘Wicked’.”

* The zombie-centric romantic comedy (“zom coms”) is a subgenre that threatens to take over the planet, devouring us all. Latest to be bitten: “The Wackness” writer-director Jonathan Levine, so says Devin of CHUD.

* In China, Chow Yun Fat and the nation’s most venerated philosopher push out the Na’vi, writes Krystal Clark.

* Today we also had a trio of sad deaths of important contributors primarily to other arts whose work also impacted the movies film, singer Kate McGarrigle, and novelist Erich Segal famously of “Love Story” and less famously of “Yellow Submarine,” and mystery writer Robert B. Parker of “Spencer for Hire.” RIP all.

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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