Tag: Tucker and Dale vs. Evil (Page 1 of 2)

Hidden Netflix Gems – Tucker and Dale vs Evil

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

I am notorious for my willingness to watch pretty much any movie, so it is always a joy to find one that wildly exceeds my expectations. This is often not a great movie, by any means, but one that flew under the critical radar for the most part, and provided some unexpected pleasure, a film that I can enjoy recommending to friends in the knowledge that they have probably not encountered it. Eli Craig’s debut feature Tucker and Dale vs Evil is one of those films, especially for horror fans. Though it is relatively slight and far from perfect, this is an enormously fun and clever riff on the slasher genre, a film that will undoubtedly be especially enjoyed by fans of the recent horror deconstruction masterpiece The Cabin in the Woods, or the mostly overlooked 2006 mockumentary, Behind the Mask: The Rise of Leslie Vernon (also available on Netflix).

Tucker (Alan Tudyk) and Dale (Tyler Labine) are two well-meaning but poorly educated good ol’ boys who have recently purchased a rundown cabin in the woods as a vacation home. En route to their paradise of relaxation and fishing, they encounter a group of mostly obnoxious college kids who are creeped out by them based on Dale’s innocent but ungainly attempt to talk to the prettiest girl among them, Allison (Katrina Bowden). Chad (Jesse Moss) in particular shows extraordinary prejudice against the two well-meaning bumpkins, and it becomes clear that he is the character who would be the hero in a more conventional horror film. Instead, he is presented as a vicious, bloodthirsty maniac – the very type of person he believes Tucker and Dale to be.

After Chad attempts to put the moves on Allison at his family’s cabin, adjacent to Tucker and Dale’s, she leaves to take a walk by herself down by the lake, only to slip and fall in, hitting her head. Tucker and Dale, of course, save her from drowning, but are perceived by the other college students to be kidnapping her. This is just the beginning of a series of unfortunate accidents and misunderstandings that leads Chad and the others to think the two good-natured hillbillies are psycho killers. Though it ultimately takes a less interesting route (and I may be giving this bloody but relatively light comedy too much credit), at a certain point the film seems to be making the surprisingly intelligent case that, often, those obsessed with finding and destroying evil are, in fact, the truly evil ones. It undercuts this philosophical thesis with a lot of silliness and a somewhat problematic ending, but this movie is nonetheless a lot of fun, and a far better film than the title led me to believe.

2011 Year End Movie Review: David Medsker

A funny thing happened at the movies this year: absolutely nothing blew me away.

There were things I really liked, but my list of favorite movies is kind of a joke, really. They’re not bad movies (not in my mind, anyway), but there are few, if any, Best Picture candidates in the bunch. Compare that to last year, where six of my top 10 movies were nominated for Best Picture. This time around, that’s just not happening. Just want to lay that out up front.

Worse, there isn’t one movie that stands above the others. I liked my favorite movies equally, more or less. That might sound like a copout, but it’s true. Of the movies I’ve seen so far, this was the year where movies were just sort of…there. Maybe we’ll have better luck next year.

My Favorite Movies of 2011


Margin Call
Selling one’s soul is a popular subject in movies, since no two people are willing to settle for the same amount. “Margin Call” explores the subject on a massive scale, since the ripple effect of the actions of a few will be felt around the world. It’s not a thriller in the traditional sense, but it’s absolutely gripping. Kevin Spacey shines here, as does the ever-reliable Stanley Tucci.


Super 8
It probably helped that I grew up in a small Ohio town not terribly unlike the one in “Super 8” (though no one used the word ‘mint’ the way Riley Griffiths’ character does here), but “Super 8” wasn’t merely an exercise in nostalgia; the movie delivered top-notch thrills, well-drawn characters, and the most spectacular sequence of the year with that jaw-dropping train crash. Elle Fanning, meanwhile, put on an acting clinic, and she’s only 13. Wow.


The Girl with the Dragon Tattoo
Rooney Mara gives it all, and shows it all, too. Did she really get her nipples pierced for the part? That’s dedication, right there.


Tucker and Dale vs. Evil
Oh, is this movie fun. A pair of back woods regular guys are mistaken for serial killers by a group of college kids, who begin dying in horrific accidents that look like the work of, yep, a pair of serial killers. Tyler Labine and the great Alan Tudyk have terrific chemistry, and Katrina Bowden just might be the cutest thing on the planet.


Source Code
Despite the fact that the movie ends with one giant unanswered question, this is one hell of a time travel ride. Duncan Jones (yep, he’s David Bowie’s son) is proving himself to be quite the director, and getting Scott Bakula to play Jake Gyllenhaal’s father was a great in-joke.


The Adjustment Bureau
You just met the girl of your dreams. Now imagine a group of “agents” telling you that they’ll turn you into a vegetable if you pursue her, because that is not your fate. What a neat idea, merging a chase movie with the concept of divine intervention, and peppering it with some of the most realistic boy/girl dialogue the movies have seen in years. The scene between Matt Damon and Emily Blunt in the bathroom is one of the greatest meet cutes of all time.


Harry Potter and the Deathly Hallows, Part II
Not only was this a blast from start to finish, it contained the most emotional weight of any “Potter” movie, namely the moment where Severus Snape reveals to Harry why he’s been so hard on him all these years. Still, Harry really names his son Albus Severus Potter? It’s a heartfelt gesture, but that’s almost as bad a name as Renesmee. More on that later.


The Ides of March
Was the movie an exploration of how quickly idealism gives way to survivalism, or a subtle promotional film for George Clooney’s eventual transition into politics? Either way, it was a well crafted, if not wildly original, exploration of how everyone in politics eventually gets his hands dirty.


Kung Fu Panda 2
Rare is the animated sequel that ups the action ante while fleshing out the back story in such a fulfilling way. “Kung Fu Panda 2” kicked ass, took names, and opened the door for a more grown-up “KFP3.” Also, Gary Oldman was awesome as the evil peacock.


The Artist
The scene of Berenice Bejo pretending to be felt up by Jean Dujardin by slipping her arm into one of his jacket sleeves is pure poetry.


Horrible Bosses
“The Hangover 2” may have taken in twice as much money, but I’ll take Bateman, Sudeikis and Day over the wolf pack any day of the week and twice on Sunday. Likewise, people are still going nuts over “Bridesmaids,” and while it has its good points, it isn’t a tenth as clever as the writing here (both EW critics put “Bridesmaids” in their Top 10? Really?). And just try looking at a Prius on the highway without thinking to yourself, “I don’t win much.”

Movies I still need to see

Drive
Martha Marcy May Marlene
The Tree of Life (though I’d rather not)
Young Adult
Hugo
Melancholia

My Least Favorite Movies of 2011

This list was much easier to assemble than the first one. Isn’t that always the way.

Transformers: Dark of the Moon
Ugly, mean and pointless, and they destroyed the beautiful Chicago skyline in the process. There was one cool shot, and that was Char the Beef getting thrown out of, and back into, Bumblebee. Everything else was masturbation.

New Year’s Eve
Did you like how they used one Warner Bros. movie to promote another Warner Bros. movie opening the following week (“Sherlock Holmes: A Game of Shadows“)? And to think, that was actually one of the least obnoxious things about this movie.

The Twilight Saga: Breaking Dawn, Part I
“Sleep with me.” “I really shouldn’t.” “Come on, we’re married now.” “Yeah, but I could, you know…” “What?” “Nothing.” “Cool. (*hot sex*) Hey, that was awesome, if a bit rough. Hey, why do I feel like I’m about to die?” “Oh, I guess I should have told you…” Are you fucking kidding me? And they named their daughter Renesmee? Like the world isn’t already overloaded with people who will saddle their kids with the worst, most idiotic names ever invented simply because they’re trendy? This is your cross to bear, Stephenie Meyer.

Cowboys and Aliens
This could have been so, so cool. Daniel Craig, Harrison Ford, Olivia Wilde and Jon Favreau together on a movie, and it isn’t awesome? Huge, huge disappointment.

Battle: Los Angeles
The cinematic equivalent of a migraine headache. I’m not one to be snarky, but this movie is painful, in the worst way.

The Dilemma
How did so much talent make a movie so aggressively mediocre? At least we had the Fratellis and “Chelsea Dagger” to pick us up at the end.

Hop
I was about to say that you have to think that James Marsden and Russell Brand gave each other a knowing look before every scene, the “Yeah, this sucks, but we’ll be able to buy vacation houses with the money” look. And then I think, “Wait, Russell was just doing voice work, meaning Marsden was on his own.” Tsk tsk.

Puss in Boots
My kids love this movie. They’re also 4 and 2. They like everything.

The Eagle
I feel bad ripping on something that clearly has noble intentions, but who wants to see this movie? Judging by the box office, no one.

Movies I didn’t see (nor could you make me)

Jack and Jill
I Don’t Know How She Does It
Drive Angry
Season of the Witch
Big Momma: Like Mother, Like Son
I Am Number Four
Johnny English Reborn

SXSW Film 2010: Keeping Austin Reel Weird

One of the first things I heard after arriving in town for South by Southwest was “Keep Austin Weird.” It’s sort of the city’s unofficial motto, but it’s one that resonated with me over the course of my week-long trip. Though it’s hard to say whether Austin really is as weird during the rest of the year as it is during SXSW, the city exudes a certain energy that makes it the perfect place to hold such a unique event. It also helps to have some of the most passionate movie lovers in the country populating the streets, because while SXSW attracts cinephiles from all over the globe, it’s the locals (from the volunteers to the everyday attendees) who actually make you want to come back.

For anyone that followed my SXSW Blog throughout the course of the film festival, you already know that my experience was a rather positive one. In fact, of the 17 films screened during my time in Austin, there were only two that I didn’t particularly like. You’d think that would make selecting my personal favorites even more difficult, but my Top Three easily blows the rest of the competition out of the water. Here are some highlights from my reviews of those films:

micmacs

1. “Micmacs

[Jean-Pierre] Jeunet’s latest film, “Micmacs,” may just be his best yet – a whimsical crime caper that boasts his trademark visual style, a classic Max Steiner score, and an ensemble cast filled with familiar faces. Though it likely won’t have the crossover appeal of “Amelie,” “Micmacs” is one of the most enjoyable moviegoing experiences of the year… It’s all done so effortlessly, and with [Dany] Boon and his co-stars so charming throughout, that you’d have to be in a pretty sour mood not to walk out of “Micmacs” with a giant grin on your face.

2. “Kick-Ass

Director Matthew Vaughn clearly understands the world that [Mark] Millar and [John] Romita Jr. have created, and that familiarity resonates throughout, from the high-energy action scenes to the colorful performances from its cast… The end result is an entertaining blend of action and comedy that, despite falling short of its ridiculously high expectations, delivers everything that was awesome about the comic and more.

3. “Four Lions

A pitch-black satire in the same vein as “Dr. Strangelove,” [Christopher] Morris has created a film so relevant to our current political climate that many will feel guilty just for watching it, let alone laughing at all the gut-wrenching humor along the way… “Four Lions” is one of the funniest, most provocative comedies of the last decade – and one that has more to say than any of the numerous self-important war movies that Hollywood has been cranking out for years.

Of course, one of the things that makes SXSW such a great place to watch movies is the venues. The theater experience in Austin is hands down one of the best in the country – from the historic Paramount Theater to the Alamo Drafthouse. While the Paramount is typically a more star-studded affair, complete with a red carpet and the opportunity to see a movie with its director and stars sitting just a few feet away from you, the Drafthouse (both the Ritz located on 6th Street and the South Lamar, which is a short drive from downtown) is a little more intimate. Star-crazed attendees will find little in the way of celebrity sightings, but the chance of seeing a hidden gem like Best Documentary winner, “Marwencol,” more than makes up for it. Plus, midnight showings of genre films like “Tucker and Dale vs. Evil” are usually more enjoyable when you’re watching it with a bunch of fellow cinephiles.

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SXSW 2010: Tucker and Dale vs. Evil

Every so often, a movie comes along that sounds too good to be true. Whether it’s the talent involved, an interesting concept, or a particularly well-cut trailer, it’s easy to be duped into thinking a movie will be better than it really is. Thankfully, “Tucker and Dale vs. Evil” is not that film. A horror comedy in the spirit of “Shaun of the Dead,” “Tucker and Dale” isn’t a spoof of the genre it’s parodying (in this case, hillbilly slasher movies like “Wrong Turn”), but rather a razor-sharp homage fueled by a clever script and hilarious performances from its stars.

Alan Tudyk and Tyler Labine star as Tucker and Dale, two good ‘ol boys on their way to fix up their newly purchased vacation home in the woods when they cross paths with a group of college students who think they’re serial killers. So when the duo saves one of the students (Katrina Bowden) after she falls into the lake and hits her head on a rock, her friends think that she’s been abducted and being held captive in their cabin. Determined to fight back, the students take turns going after the supposed hunters, but every time they do, they only end up killing themselves instead. From their point of view, it certainly looks like Tucker and Dale are responsible for the bloody mayhem, but the two friends are nothing but unlucky – a fact that only becomes clearer when the group’s bloodthirsty leader (Jesse Moss) takes matters into his own hands

tucker_and_dale_vs_evil

“Tucker and Dale vs. Evil” is a movie built around a series of ridiculous coincidences (just like the films it playfully pokes fun at), and while it may seem a bit far-fetched at times, it’s all part of the experience. Writer/director Eli Craig is obviously a big fan of the genre, because he knows which strings to pull and how to pull them. He’s crafted some pretty memorable death scenes that, despite causing fits of laughter, don’t skimp on the bloody details either. There’s plenty of gooey viscera splattered throughout the film, but its strengths lie in Craig’s script – particularly the exchanges between its title characters as they ponder the reason why these students would be killing themselves.

For as funny as the script may be, however, there would be no “Tucker and Dale” without Alan Tudyk and Tyler Labine, who have such great onscreen chemistry that you wouldn’t mind them starring in every movie together. Labine ends up playing a much larger role than his co-star due to a romantic subplot between him and Katrina Bowden, but Tudyk arguably gets the better material, including one scene no doubt inspired by “Fargo.” If only the actors playing the college students were even remotely as good. Granted, most of them are nothing more than stupid bait, but Jesse Moss plays such a pivotal role that his over-the-top performance is distracting. It’s the only element that doesn’t work as well as the others, but even though “Tucker and Dale vs. Evil” is a mostly one-joke affair, it finds ways to keep you laughing even when it’s not at its best.

SXSW 2010: A Quick Preview

Now that I’ve arrived in Austin, it seems like the hours until opening night are ticking away even faster. That means that this preview of sorts won’t be too in-depth, but I figured that I should at least let everyone know what movies I’m most excited for because, well, those are the ones that you’re going to hear more about over the course of the next week. So, without further ado, here are a few of my must-see films of SXSW.

1. “Kick-Ass”

This one’s a no-brainer, since it also happens to be the biggest movie playing at the festival, but the fact that I’m also a huge fan of Mark Millar and John Romita Jr.’s comic book means that I’m especially excited for this one. Early word suggests that director Matthew Vaughn has crafted a comic book movie to rival “The Dark Knight,” and from the footage that’s been released thus far, that doesn’t seem like a big stretch. Anticipation for this one is at an all-time high. The fact that I get to see it a whole month early? Pure fanboy bliss.

2. “Tucker and Dale vs. Evil”

Here’s all you need to know about Eli Craig’s horror-comedy, “Tucker and Dale vs. Evil”: it’s been said that the film does for hillbilly slasher films what “Shaun of the Dead” did for the zombie genre. Oh yeah, and it also stars two of the funniest dudes in the business in Alan Tudyk and Tyler Labine. Need more proof? Check out the trailer below and try not to laugh.

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