Tag: True Blood (Page 9 of 10)

True Blood 2.3 – You Scratch My Back…

When a vampire is driving down the road at an outrageous speed, there’s no other phrase you can use to describe it than “like a bat out of Hell.” Bill’s clearly still enraged over Sookie’s foolish decision to take Jessica at her word and trust that she wouldn’t approach her family, let alone attack them. But can you really blame him? It’s as I said last week: there was no way it wasn’t going to end badly. As it happens, it ended a whole lot better than it could have – like I figured, Bill glamoured them rather than dispose of them in the less savory way that most of his ilk would have – but what was most surprising about his annoyance with Sookie was how concerned he was about the fact that she undermined his authority. Is that the residual effects of having lived through the good ol’ days when women knew their place? (Just kidding, gals!) Either way, when Sookie decided to bail out of Bill’s reaming and walk home, she had a close encounter which resulted in a full-fledged “holy shit” moment.

Actually, that’s underselling it: it was a “holy shit, WTF” moment.

And it only got worse. Those claw marks were awful. Good thing Bill and Eric are pals with a highly knowledgeable physician, but even Dr. Ludwig’s wealth of information could only offer an approximation of how to treat the poison in Sookie’s wounds. (I don’t think it would be exaggerating things much to suggest that the treatment was almost worse than the wounds themselves. I didn’t fight my instinct to turn away from the TV. Ugh!) The long-lived Eric claimed to have no idea what had attacked her, either, but it’s hard to trust that guy. Still, his underlings seemed to be equally mystified.

Can someone please explain to me why the folks at Fantasia keep Ginger employed? Anything she brings to the table can’t possibly outweigh the fact her IQ is somewhere in the low double digits, as she quickly proves by letting slip in her thoughts that Lafayette is chained in the basements. Looks like you were right, Mr. Paulsen: they didn’t actually turn him after the credits rolled last week. You gotta give Sookie credit: not many people would have the either the balls or the unbridled stupidity to smack a vampire of Eric’s strength across the face. Given his reaction, however, one can’t but wonder if the maintaining of Lafayette’s human existence was something Eric did solely because he knew he could trade his life for the favor he’d been needing from Sookie. Either way, after some wheeling and dealing by both Sookie and Bill, Lafayette earns his freedom and Sookie signs up for Eric’s favor, earning a sizable cash influx in the process and providing the best exchange of the night:

Eric: Perhaps I’ll grow on you.
Sookie: I prefer cancer.

With everything going on, Jessica accidentally ends up getting left home alone, and it looks likes she’s going to get into at least as much trouble as Macaulay Culkin. I never particularly dug the song when it first came out, but I have to admit that they made good use of Marcy Playground’s “Sex and Candy” as she strolled into Merlotte’s. What a surprise, however, when it looked as though the usually-belligerent redhead was legitimately swooning over the sweet naiveté of the gentleman who she’d intended as her night’s conquest. The moment when her fangs came out unbidden was pretty funny, her tearful reaction was even a bit sad, and I kept waiting for the guy to say, “Hey, guess what, I’m a vampire, too!” They cut it close enough to the quick that I really did think that she’d bitten him, so when Bill and Sookie broke up their coupling on the couch, I was surprised to see a notable lack of holes in the guy’s neck.

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And, now, the latest hit single from “True Blood”…

If you caught my blog of this week’s episode of “True Blood,” then you saw my shout-out to the character of Amanda Jane and her bid for Christian pop superstardom via the potential hit single, “Jesus Asked Me Out Today.” When they announced the title of the track, I laughed out loud, but you have to admit that it has a certain Britney-esque flair to it…

By the way, the actress who played Amanda – Molly Burnett, who you may or may not also recognize from her work on “Days Of Our Lives” – did a brief interview with the New York Post about her role on “True Blood,” which you can check out by clicking right here. There’s not a lot of substance to it, but there’s a mighty cute picture, at least.

True Blood 2.2 – All Lifestyles, Sizes, Shapes, and Forms

“If you’ve got any silver on you, now would be the time to reveal it.”

So sayeth Sheriff Eric to Lafayette, and given that he preceded the comment by throwing a redneck’s severed arm in his general direction, you can imagine that it’s a suggestion that Lafayette would’ve been quite willing to take, if only he had any on him. He doesn’t, though, assuring Eric that, even if he did have any, he wouldn’t be stupid enough to try and use it. Eric disagrees, but he hustles Lafayette off nonetheless, taking him on a trip to meet Pam. Lovely girl, that Pam. First, she gives Eric a serious “tsk-tsk” for all the blood he’s gotten in his hair, then does the same thing to Lafayette for immediately offering to give up the names of every single one of his clients in order to save himself. His response to her attitude results in the first glimpse of the real Lafayette that we’ve seen this season, and it was so funny that I’m going to quote it verbatim for your enjoyment:

“Oh, don’t get it twisted, honeycone: I’m a survivor first, a capitalist second, and a whole bunch of other shit after that, but a hookerdead last. So if I got even a Jew in an Al-Queda pep rally’s shot of getting my black ass up out of this motherfucker, I’m taking it. Now, what you wanna know?”

Awesome.

Give Lafayette credit for being embarrassed to give up Jason Stackhouse (though he did it, anyway, and it still didn’t do him a lick of good), and Eric for having the sense not to go after Jason. Once Lafayette’s back in the clink, though, he makes a move that’s damned near ingenious…although, if I’m to be honest, I first thought he was starving and resorting to cannibalism. But, no, he used the materials available to him – ewwwwwww – and made a break for it. And it looked like he was going to get away with it, too, until Ginger the Trigger-Happy Waitress took him down for the count with one shot. So do you think Eric’s going to turn Lafayette? Do fish swim…?

You’ve got to respect a show where a pair of character post-coitally discuss the merits of break-up sex versus you-thought-I-was-dead sex (according to Sookie, they’re both pretty good), then drift into a discussion about the surprising lack of differences between being a vampire and being a teenage girl. Sookie’s sympathetic about Jessica’s plight as a newly-turned vamp who’s just lost forever the chance to grow up, and when she sees the plea from her parents, it only gets worse. The two of them bond, possibly over their mutual ability to not laugh at Jessica’s pitch-perfect Bill impression, and the next thing you know, Sookie’s driving Jessica over to her parents’ house. C’mon, is there anyone who didn’t think this was going to end badly?

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True Blood 2.1 – What Can Wash Away My Sin?

Welcome to the “True Blood” blog, the first time Premium Hollywood has deigned to tackle HBO’s top-notch vampire series on a weekly basis. If you’re a regular reader, then you know that I ventured into the first few episodes of the show and enjoyed what I saw, but other responsibilities kept me from delving any further into the adventures of Sookie Stackhouse and company until the Season 1 DVD was released. After absorbing all twelve episodes, I was definitely chomping at the bit to see the Season 2 premiere, so when the call went out for someone to blog the second season, I figured I’d accept. Hey, at the very least, it’s a series that my wife and I both love…and as I’m sure many readers know, it goes a long way toward maintaining marital bliss when both of you enjoy watching the same series.

So let’s get rolling, shall we?

For those who’ve been waiting in suspense ‘til the end of last season to find out whose body was in the car, the mystery is solved almost immediately…and it ain’t Lafayette. Of course, that was always gonna be a little too easy, anyway, but I still didn’t expect it to be Miss Jeanette, the exorcist from season 1. And based on her scream, Tara didn’t, either. She starts off in denial, claiming no knowledge of the woman, but with Sookie barely able to tune out her frantic thoughts, she eventually concedes and reveals who the woman is. “My mama’s gonna fall to pieces when she finds out,” says Tara. (Was I the only one who briefly thought that her mama might’ve been the one who did it? I thought maybe she’d figured out the woman was a fraud, gone on a bender, and killed her.)

Not long after the case gets underway, it looks like Andy’s going to call it a night, but after his protestations that he’s not overworked (nice lack of denial about his state of inebriation, though), he ends up sticking around, despite the sheriff’s annoyed reminder that, “at best, you’re a material witness to a homicide; at worst, you could be a suspect.” Yeah, but there’s one big thing keeping me from buying into Andy as the killer: does anyone see that hillbilly as the kind of guy who’d be able to pull off that kind of acting performance? Once the crew get back to the station, Mama Thornton comes by and gets the grisly details about Miss Jeanette’s demise, which she takes about as well as her daughter had expected. Still, she refuses to concede that the woman may have been a fraud, and as she and Tara are departing the station, Mama starts in on Tara…until Maryann Forester turns up. Man, talking about giving someone the verbal smackdown. Oh, snap! Well, if there’d been any doubt about whether Tara had fallen for Maryann’s schtick before, you can’t blame her for being squarely in her camp now.

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Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

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