Tag: TCA Blog 2009 (Page 5 of 7)

TCA Tour, Day 2: “Being Human”

Be honest: if someone told you about a new TV series about a werewolf, a vampire, and a ghost who share an apartment, wouldn’t you think it was a cartoon? Or, at best, a wacky tweener sitcom, a la “The Munsters”? Given that I grew up on such Saturday morning series as “Drac Pak” and “The Monster Squad,” I could actually get behind either of those things, but “Being Human,” the new TV series in question, is actually an hour-long drama, one which made its Stateside premiere on BBC America on July 25th.

I could hear a lot of you suddenly exhaling with relief after reading where the show was airing, and it’s understandable. The concept sounds positively ridiculous, but there’s something about the knowledge that it’s airing on BBC America that lends credibility to even the most ludicrous of premises, simply because you know they’re going to treat it seriously. You might not know how, but you know they will. And, of course, it adds immeasurably to the show’s credibility to know that it was created by Toby Whithouse, who’s written for “Doctor Who” and “Torchwood.”

Still, it’s comforting to know that the cast of “Being Human” – Russell Tovey (the werewolf), Aidan Turner (the vampire), and Lenora Crichlow (the ghost) – were equally uncertain when they were pitched the idea of the series.

“We’ve been asked the question quite a bit about how we felt when we first heard it,” said Crichlow, “and even when I explain now to people what the show is about, I see them…”

“Glaze over,” chimed in Tovey.

“To be honest with you, it’s in the scripts and in the characters,” Crichlow continued. “I mean, it just works. But it’s almost the most ridiculous idea in the world. I remember getting the call, and I didn’t know if it was comedy or drama or what the hell it was. But I was two or three pages in, and, ‘Oh, wow, I get it now.’ It’s the fact that these guys want to be human, that it’s steeped in this realism, and that makes it work so well. It’s a credit to Toby. He just made it very easy for us. This was a job that you couldn’t say ‘no’ to. First on, we knew it was something quite special and different and, dare I say, even kind of original in some ways.”

“Yeah, it’s an actor’s show,” agreed Tovey. “The characters go through so many emotions, and there’s so much you can do. I mean, I’m screaming one minute and naked the next minute. I’m crying. I’m laughing. Naked again, screaming again. It’s just such an amazing writing and a great concept and exactly what you want to do as an actor in your mid-20s.

“Oddly enough, I think we’re playing real people in this as opposed to playing supernatural,” said Turner. “That’s why it’s so interesting for us to play a vampire, to play a werewolf, and not the sort of typical way, if there is one, which wouldn’t be as interesting as playing these real characters with real afflictions and real problems and real issues. It’s just so much fun.”

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TCA Tour, Day 2: “Spartacus: Blood and Sand”

Back in January, I covered Starz’s panel on their upcoming series, “Spartacus,” and at that time, I freely acknowledged that I didn’t personally have much to say about the show because there wasn’t anything to see. I mean, nothing. All we had to work with were the assurances of the executive producers that it was going to be a hell of a show, which I responded to thusly:

Executive producer Rob Tapert describes it as “our reinterpretation of the famous Stanley Kubrick movie,” calling it “a hard-core, testosterone-driven action drama unlike anything on television right now” and “a totally R-rated, hard, hard show that still has all the things that you need in storylines but that delivers the action component that theatrical audiences expect from their entertainment.” Sounds great…but it would sound a lot more impressive if they actually had anything at all to show us or, indeed, had even cast Spartacus yet.

Well, it’s over six months later, and the premiere is “Spartacus” is still another six months away, but at least we’re finally making some headway. Hell, just hiring some actors would’ve been forward motion from where we were last time, but we actually got to see a clip from the show…and, better yet, it was a kick-ass, completely unedited version that had never been screened for anyone else. So suck it, Comic-Con!

First and foremost, Spartacus will be played by Andy Whitfield, an actor who’s virtually unknown outside of his native Australia (and, to look at his paltry list of credits, possibly isn’t even known very well when he’s at home), with Lucy Lawless and John Hannah playing the owners of a gladiator camp, and Peter Mensah serving as Doctore, a trainer of gladiators.

As you may already know, “Spartacus: Blood and Sand” is going to have a very unique look for television, though it’s similar in appearance and tone, not to mention subject matter, to a certain numerically-named film, a fact which executive producer Rob Tapert tackled headlong.

“Yes, ‘300’ had a particular look and style,” Tapert admitted. “Zack Snyder brought that hyper-realistic style to a period piece, you know. Certainly, ‘Sin City’ prior to that had been all digital backgrounds, and there’s other shows currently on television that have digital background, from ‘Blue’s Clues’ all the way through to ‘Sanctuary.’ So what ‘300’ did so well was make a great deal of money so everyone said, ‘Hey, the audience will accept that,’ and equally the drama played. So it was very easy to point to something and say, well, it worked in that style. Plus, having a digital environment and not having to have ultra-realistic backdrops and an arena like in ‘300,’ or in, like, ‘Gladiator,’ it allowed us to actually bring this to the screen. There was no way to do it without having the artifice, so to speak.”

As Tapert noted last year, this is a reinterpretation of the classic story presented within the 1960 Kubrick film, but there is most definitely a tribute to the man who played that version of Spartacus. At least, I think it’s a tribute.

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TCA Tour, Day 2: “The Jeff Dunham Show”

I can still remember the complete wave of confusion that washed over me a year or two ago when a friend of mine asked me if I’d seen Jeff Dunham’s DVDs, “Arguing with Myself” and “Spark of Insanity.” Not because *I* didn’t know who the guy was, but because I couldn’t quite work out how the friend who was asking me knew about him. As far as I knew, he was just this comedian with a purple puppet named Peanut, a guy who’d been working the stand-up circuit for years. To this day, I have no idea exactly what changed and when he suddenly became so huge that my daughter’s sitter was enough of a fan to have his DVDs, but, hey, more power to him.

After the success of his most recent special, “A Very Special Christmas,” which earned more than 6.6 million viewers and was Comedy Central’s most watched telecast ever, it’s no surprise that the network decided to transition Dunham into a weekly series, and since he’s become a household name, why not go with the most obvious title?

Welcome, then, to “The Jeff Dunham Show.”

Give the guy credit: he knows the path he’s taken to get here, he’s thrilled that he’s made it, and he’s not afraid to mock how long it took.

“As I drove here today,” Dunham began, “I realized I was going past the comedy club here in Pasadena called The Ice House, and it was there at The Ice House in 1990 that I did my ninth audition for ‘The Tonight Show’ and was booked to do ‘The Tonight Show with Johnny Carson’ for the first of four times. And if I had known standing there in that parking lot in 1990 that I would be here at this time doing this for Comedy Central, I would have thought, ‘You know what? That just took too fucking long.'”

Of course, Dunham immediately broke out one of his little friends, and who better to present to a bunch of grumpy TV critics than Walter? I try desperately not to offer up actual transcripts of the panels, but given the necessary back-and-forth with a ventriloquist’s act, I’m guessing I’ll be allowed some leeway here…

Walter: Who the hell is the group?
Jeff Dunham: We talked about that earlier today, you know who it is.
Walter: No, I kind of forgot.
Jeff Dunham: Okay, I wrote it down for you.
Walter: Oh, good. Okay. Let’s see, the TV Critics Association Cable Press Tour. That’s it?
Jeff Dunham: That’s it.
Walter: I think our career has peaked. You know, I was thinking to myself just the other day, we’ve had specials on Comedy Central, we’ve opened for the President, but we’ve never done a show for the TV freakin critics. Are you being paid for this gig cash? It is none of that barter crap, is it? We’re not going to get like a year’s subscription to TV Guide for God sake, are we? This is just sad. Let me get this straight: so their job is to get up in the morning, turn on the TV, stuff their pie holes, and then trash the new shows.
Jeff Dunham: I guess.
Walter: This is genius. I want this job. “What’s your dad’s job?” “He tells the world that your dad’s show sucks.” Fantastic.

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TCA Jump-Ahead: “Curb Your Enthusiasm”

It occurs to me that, although I’m trying my best to cover the TCA tour in a chronological manner, there are some panels that you’d like to know about more quickly than I might otherwise get to them. As such, I’m instituting a new category called the TCA Jump-Ahead.

First up: “Curb Your Enthusiasm.”

It’s kind of a running joke in the entertainment industry about how every season of “Curb” should be considered the last season of “Curb” until Larry David says otherwise…and, generally, Larry David is glad to tell you that he’s done, he has no more ideas, and he can’t be bothered to try and think of any. Thankfully, David announced last year that he would indeed be moving forward with a seventh season of the cringe-worthy comedy (and I mean that in the best possible way), and since then, there have been multiple rumblings about how various members of the cast of “Seinfeld” would be popping up. In the “Curb” panel yesterday, David finally provided some context to exactly how they’d be appearing.

“For years, I’ve been asked about a ‘Seinfeld’ reunion, as has Jerry and the other cast members,” explained David, “and I would always say, ‘No, there’s no reunion. There’s not going to be a reunion show. We would never do that. It’s a lame idea.’ And then I thought, ‘But it might be very funny to do that on ‘Curb.’ And I kept thinking about the idea. I started to think of different scenarios and how we could pull this off. I called Jerry, and Jerry was game. And I said, ‘Well, I’ll call the others,’ and I did. And we did it. So we’re doing a ‘Seinfeld’ reunion show on ‘Curb.’ We’re going to see writing. We’ll see aspects of the read-through, parts of rehearsals. You’ll see the show being filmed. And you’ll see it on TV.

What will you see? You won’t see the entire show; you’ll see parts of the show. You will get an idea of what happened 11 years later. And within the show, it will be incorporated into regular ‘Curb’ episodes. So the cast members will be playing themselves on ‘Curb’ while all this is going on. You’re not going to see a ‘Seinfeld’ show from beginning to end, but you will see parts of the show.”

And will there be any reference to Michael Richards’ sordid post-“Seinfeld” problems?

“It’s possible.”

The reunion is scattered through the season, and by David’s admittedly questionable recollection, the cast will be on five shows, though they won’t all be on the five shows. (“Jerry’s on five shows, I think,” he said. “The others will be on at least four. Maybe one or two of the others will be on five. I’m not sure.”) The season finale will be about the reunion show and will possibly be an hour long, though David admits that he hasn’t finished editing it yet and can’t say for sure.

There’s just one thing, though: anyone who’s been watching “Curb” for the previous six seasons has to figure that the odds look good for Larry – the TV Larry, that is – to somehow screw up this reunion.

“He might,” said David. “Do you need a staff job for next season? My guy might consider wrecking something like that, yeah. We’ll see what happens. My guy could very well wreck it. I’m not saying he did…”

Want a few more tidbits about the upcoming season…?

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TCA Tour, Day 2: “Glenn Martin, DDS”

Last month, I had a chat with Kevin Nealon in conjunction with his most recent gig for TBS (he’s the standing host of their funniest-commercials specials), and during the conversation, he dropped a little bit of info about his upcoming stop-motion animated Nick at Nite series, “Glenn Martin, DDS”:

“It’s about a family who’s traveling around the country in an RV called the Molar Express. I play Glenn Martin, DDS, and I’m working my practice out of the RV. My wife is played by Catherine O’Hara, and we have a couple of kids. It’s a dysfunctional family, and it’s along the same lines of ‘Family Guy’ and ‘The Simpsons.’ We go to different parts of the country each week and get into a bunch of trouble. It’s stop-motion animation, and they really did a good job with it. I was really impressed with the results.”

It’s a good thing I was able to get Kevin’s comments on the show during our conversation, however, as the TCA panel dedicated to the series was very much under the control of the show’s executive producer, the one and only Michael Eisner. The show was introduced to the crowd by Cyma Zarghami, President of Nickelodeon and MTV Networks Kids and Family, and we would soon know why she was smirking when she asked Eisner, “Michael, do you want to say something before we start?” Worse, most of the things he had to say really didn’t serve to illuminate us very much about the show…or, at least, no more so than Kevin already had last month.

We did, however, learn at least one new thing: “Glenn Martin, DDS” will have a laugh track.

Co-creator Eric Fogel acknowledged that it was something they had experimented with a little bit before finally deciding to go with it, but “we all just really enjoyed the experience with the laugh track. Somehow it seemed like it elevated the experience, made the characters feel more real in a way.”

“It’s kind of tongue in cheek, too,” said Nealon, “because you know there’s not a live audience watching it. I think it goes with the whole feel of the show.”

“I like to imagine that there’s actually an audience of clay puppets out there laughing at the show,” added Fogel.

Here’s the trailer for the series:

I miss the old days of stop-motion animation just enough to be curious about the series on general principle, and while Kevin Nealon might not be my favorite “Weekend Update” anchor, I do think he’s a funny guy. In other words, I’ll be tuning in when “Glenn Martin, DDS” premieres on Nick at Nite on August 17th.

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