Tag: Stephen Colbert (Page 2 of 3)

Lifelike Yogi

yogi-bear

Sometimes a news story falls through the cracks and, since I don’t have Lewis Black working for me, they just kind of stay there until someone points them out. In this case, the fine cinephile blogger Peter Nellhaus of the well-named Coffee, Coffee and More Coffee alerted me via Facebook that I’d missed this item on the possible casting of Anna Faris, Dan Aykroyd, and Justin Timberlake for an upcoming CGI/live-action adaptation of the really not all that classic Hanna-Barbera cartoon adventures of Yogi Bear. (Any fond childhood memories I had left were quickly erased by actually trying to watch one.)

Admittedly, this idea for a film kind of sets my teeth on edge, but at the same time, that’s how I reacted when I heard they were doing a new “Battlestar Galactica” TV show. The first was so horrible, why revive it? “To make it really good this time” turned out to be the answer. Ideas are just ideas, the execution is where it’s at, and this could be brilliant for all any of us know, though the immutable laws of the entertainment universe — and a seemingly less than inspired choice for the director — indicates that it has at least a 90% chance of stinking. I have to say that the idea of Justin Timberlake doing the voice of Boo-Boo does kind of make me smile, however.

Only time will truly tell, but I’m using this opportunity to present an ancient video for “Life Like Yogi,” the anthem of the long defunct, highly ironic Hanna-Barbara obsessed punk bank, Stukas Over Bedrock — a group whose mid-Wilshire home I used to sometimes hang out at a long, long ago — led by my esteemed fellow cinephile John P. Garry III. A real walk down Punksville’s memory lane.

Ursine bonus videos after the flip.

*****

Continue reading »

Rainy days and movieland Mondays… (Updated)

…Can really get you down. Especially if you’re a deposed big time executive.

* Marc Shmuger and David Linde are both now former honchos at Universal. As reported in the show biz paper of record, having a far better and busier Monday are Adam Fogelson and Donna Langley, from the marketing and distribution departments respectively. As for the why, I’m sure it can mostly be summed by a number of fairly expensive/high profile box office disappointments/flops including “Duplicity,” “Funny People,” “State of Play,” and the one that got almost no respect from anyone (except Roger Ebert), “Land of the Lost.”

auniversalpicturelogoblpv1

Still, you can trust Nikki Finke to find a more down and dirty side (Shmuger was “‘The Schmuck'”! Poor Linde was “collateral damage”) while Anne Thompson provides her usual sober assessment and notes that the real killer might have been the lack of any apparent “tentpoles” coming any time soon.

* On a similar note, the Rich Ross ascension at Disney is starting to look like a sure thing amidst an overall shake-up — or at least that’s what they’re saying today at Variety. We’re told to expect “a greater emphasis on tentpoles and family fare.” Not a surprise…gotta have them tentpoles.

UPDATE: Ross’s promotion is official. Anne Thompson has the press release.

* Nikki Finke also has an item to gladden the heart of our own Chris Glotfelty. “Paranormal Activity” has had what the Finke terms “freakishly good” business with $15,000 per screening averages (matching the amount I’m seeing reported as the film’s budget…very spooky!) in a special midnight-only engagement in 33 cities Thursday through Saturday, which means some theaters were making those numbers not only at midnight but even on a day when most people had work/classes the next morning. The film will be expanding into a regular release in 40 cities on Friday.

After reading a few reviews and seeing some comments online in addition to what Chris wrote, I have to say that in the wake of so-called “torture porn” and considering that filmic horror has, long ago, sometimes gone to places so horrible and extreme an awful lot of us won’t even consider following (and I don’t just mean silly gorephobics like me), it’s nice to see you can still scare an audience, including hardy souls like Chris (and supposedly Steven Spielberg), to death with not much more than a big, slow build-up and some very inexpensive atmosphere and basic special effects. Is it possible that our filmgoing innocence still lingers?

* Work on the “Arrested Development” movie continues. Yay.

Continue reading »

Friday film news dump

mgm-logo

Howdy folks, I’ve been a bit distracted by a couple of big pieces I did earlier, but the movie world moves on and, in the tradition of the White House emitting unpleasant stories late on Fridays to avoid too much notice, we have a couple of new bummer items and some more typical stuff from before that I missed.

* Nikki Finke is breaking the news of some possibly very serious fiscal problems at MGM, though I have to admit that these sorts of details are about as clear as mud to this innumerate fiscal ignoramus. In any case, the once-dominant studio has long been a shadow of its former self and isn’t even really a studio anymore (though it owns UA, and boy is that a complicated story for a tired guy to follow/remember right now). It sold off its historic lot in 2004 — where I actually spent a few hours on Tuesday, as it happens — to Sony, which is a change I’ve yet to get used to. Still, they have their fingers in a few pies. As Finke reports, if the not-studio really does go bankrupt, it could affect both the upcoming adaptations of “The Hobbit” and the ever-present James Bond series through its ownership of the also much-smaller-than-it-used-to-be United Artists.

* In news that is worse because it’s certain, the popular Cinevegas Film Festival is taking a break next year and, it sounds like, the year after that and who knows for how long if the overall economy doesn’t pick up. Of course, Las Vegas is probably one of the most shell-shocked places in the U.S. by the real estate bubble and general over-development. During the boom times, I would go to Vegas, look at all the ultra-high end restaurants, spas, and especially the stores and wonder when they’d run out of rich people.

Continue reading »

Weekend at the Multiplex (Updated)

Christian Bale contemplates his eyelineHey folks. Now, if anyone out there remembers the series of “Multiplex Mayhem” posts I was writing back in the dark days of the late, late Bush Administration, I’m returning in a different, and briefer form. For this week and next, I’ll be covering the weekend box office, and then, starting next month, there will be more from me on movies in general here, and that’s all I’m saying for the time being.

This big movie Memorial Day weekend, though no longer the official start of summer movie season, brings us too major tentpole releases from the big studios: Warner’s “Terminator Salvation” and Fox’s “Night at the Museum: Battle of the Smithsonian.” The PG-13 Terminator reboot attempt is directed by McG, who Bullz-Eye’s Jason Zingale (who kinda sorta liked the movie) terms a “poor man’s Michael Bay.” Other critics were less charitable, and the film is getting easily the worst reviews in the entire history of the “Terminator” franchise, with the Rotten Tomatoes crowd giving it an underwhelming 35% “fresh” and generally seeming a little angry with star Christian Bale for walking into their collective eyeline. Not that any of that will matter to weekend grosses — and I do expect this to be the big winner of the long holiday weekend. However, if audiences agree that it really is inferior to prior “Terminator” flicks, it’s possible there will be a bigger drop-off later than expected. Still, at last night’s midnight’s screenings, it raked in a cool $3 million from the Red Bull drinking legions.

The sequel to 2006’s entirely unacclaimed “Night at the Museum” should also do well regardless of notices because it combines the only sure formula for box office success — a kid-friendly production that offers something, anything, to parents as well. In this case, Ben Stiller and a very strong supporting cast, even if the result had Roger Ebert squirming in boredom and remembering one of the truer critical refrains of all time:

I found myself yet once again echoing the frequent cry of Gene Siskel: Why not just give us a documentary of the same actors having lunch?

Still, the parents I know are mostly grateful for any movie that doesn’t involve CGI rodents eating their own feces, and at least this one encourages kids to go to museums.

And there is another option, that is the latest, at this point entirely unreviewed Wayans Brother’s spoof film from Paramount and MTV, “Dance Flick,” which at least has a reasonably funny trailer and Amy Sedaris (sister of writer/public radio superstar David Sedaris, frequent comedy companion of Stephen Colbert, before he was having portions of space stations named after him). Carl DiOrio says it will do well if can break out of the euphemistic “urban market”? Young folks looking for a comedy will likely go if they can’t get into something else, but something tells me that both “urban” people and their paler “suburban” friends will have other films to watch considering that, new releases aside, “Star Trek” and “Angels and Demons” are still very strong at the multiplex.

In limited release, we have Steve Soderbergh’s “The Girlfriend Experience” starring thinking man’s porn star Sasha Grey in a sexy but non-porn role which makes it something of a must for cinephile horndogs the world over. And because I’m the retro-guy who occasionally likes the same movies your grandma does, I feel compelled to mention both “The Boys: The Sherman Brothers Story,” about the guys responsible for the vast bulk of the pre-“Little Mermaid” Disney songs, and the Noel Coward adaptation “Easy Virtue,” which looks like it would go down very well with a nice dry martini made with a good, dry English gin. But you’ll want to see Sasha, won’t you?

UPDATE: Apparently some disagree with what I thought was a conventional-wisdom friendly guess about the weekend’s winner, since “Terminator” is such a time-tested franchise. Nikki Finke says it will be neck and neck but those famed “insiders” are predicting immense numbers for “Museum.” We’ll see.

A Colbert Christmas: The Greatest Gift of All

Colbert seems to have been trying to recapture the feel of every old network holiday variety special from the ’70s and ’80s — and he succeeded, at least insofar as A Colbert Christmas: The Greatest Gift of All consists of 45 minutes of cheesy sound effects, cheesier visual effects, and a nonsensical parade of seemingly random guest stars strung together by a plot that sounds like the product of a 64-gallon jug of brandy eggnog. It isn’t entirely without laughs — and may actually be worth purchasing if for no other reason than the chance to see Elvis Costello dressed up as the Nutcracker, a clown, and a bear who has eaten Elvis Costello — but the overall effect is similar to a bad episode of The Colbert Report. It’s a shame, because there really aren’t very many bad Report episodes, and Colbert is one of the funniest people on TV, but A Colbert Christmas swings feverishly back and forth between gratingly nonsensical and unexpectedly funny with exhausting speed. One consistent highlight, however, is the musical portion of the program, which includes an explosion-laced Christmas carol from Toby Keith, an plea for mankind to not “bogart love” from Willie Nelson, and an ode to nutmeg from John Legend. All told, any holiday special that ends with Santa in a knife fight with a grizzly can’t be all bad, but it’s nowhere near as funny as it should have been.

Click to buy “A Colbert Christmas: The Greatest Gift of All”

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑