Tag: Spike Lee (Page 2 of 2)

New York, I Love You

Composed like a mini festival of short films on the subject of love, “New York, I Love You,” the second installment in the city-based anthology series, starts off strong before coming to a screeching halt. A majority of the best segments not only occupy the first half of the film, but they also have the most star power, including one by Jiang Wen starring Hayden Christensen and Andy Garcia as two men vying for the attention of a beautiful girl (Rachel Bilson); Yvan Attal’s playful two-parter (featuring Ethan Hawke, Maggie Q, Chris Cooper and Robin Wright Penn) about flirting with strangers; and perhaps most surprisingly, Brett Ratner’s charming tale of a young kid (Anton Yelchin) whose last-minute prom date (Olivia Thirlby) turns out to be more than meets the eye. Mira Nair’s segment about a Jain gem merchant (Ifran Khan) and Chassidic dealer (Natalie Portman) haggling over the price of a diamond (and bonding over religion) is also cute, but it probably would have made for a better full-length feature.

Portman also directs a segment that is easily one of the weaker entries in the anthology, while Shekhar Kapur’s story about a retired opera singer (Julie Christie) just doesn’t fit tonally with the rest of the film. The same can be said about Scarlett Johansson’s contribution, which was deleted from the theatrical cut and appears only as a special feature on the DVD. It’s probably a good thing it was removed, because with the exception of a hilarious final segment starring Eli Wallach and Cloris Leachman as an old married couple making their way to Coney Island for their anniversary, the second half of the film is a bore. It’s also a little strange to see Woody Allen, Martin Scorsese and Spike Lee sitting on the sidelines, because no one knows New York better than these guys. Maybe the producers will be smart enough to recruit them during their next visit to the Big Apple.

Click to buy “New York, I Love You”

A Chat with Darryl Bell of “Househusbands of Hollywood”

It feels a little disingenuous for me to talking up a series which I can’t even watch in my area (Cox Communications in Hampton Roads, VA, has yet to pick up Fox Reality), but as someone who works at home and has a 4-year-old daughter, I respect the concept of “Househusbands of Hollywood” enough to do at least a little bit of promotion for it. I’ve already detailed the TCA panel about the show, but when the opportunity to sit down with one of the cast members – Darryl Bell, late of “A Different World” – became available, I couldn’t resist. In addition to his time spent on the “Cosby Show” spin-off, Bell has worked with Spike Lee and done time on a rather infamous sci-fi sitcom, but he’s still very much a working actor. He’s also the significant other of former “Cosby” kid Tempestt Bledsoe, a relationship which led him to this reality-show endeavor…and led me to my first question.

Bullz-Eye: First off, you two seem to be almost a ringer on the show. You’re not even husband and wife yet!

Darryl Bell: That is a good way to put it, Will. We are the ringers. That’s probably caused the most frequently asked questions, like, “You guys are the only couple who is not married, you’re the only ones without kids, so what are you doing here in a show called ‘Househusbands’?” The short answer to that has been Marilyn Wilson. Marilyn’s a good friend, produced Temp’s talk show. Marilyn and I have been out, pitched shows’ and tried to sell other things. We’ve worked together in that capacity. It was her assurances that we’re trying to do something that’s fun and not trying to ambush anyone or be mean spirited. “Come be a part of this, because we think you guys are hilarious.” Apparently, the more that I have even talked to other friends, they are, like, “Oh, we’ve been saying for years that you guys should have your own reality series, because you are just funny.” It just happened to come in this format. I don’t know that we would have agreed to have done this for anyone else. So, there you go.

BE: It makes it a little hard for me to ask, “Is it weird being a ‘Househusband’?”

DB: And I don’t know what that means for me, anyway, only from the standpoint that people ask me that because I’m on this show. But in terms of work-wise, it’s just like…even in the series, when Tempest was coming back from on location, shooting the film, I was going on location to shoot this show for TV One. That’s really the nature of our relationship. You know, it’s rare that we’ll both be doing something at the same time, but we’re always in this cyclical gig that is being a working actor in Hollywood. That’s just how our lives have operated. I was just saying in another interview, when Brad is off shooting a movie, Angelina isn’t always shooting one. She’s somewhere with the kids. Or when Angelina’s shooting and Brad is somewhere…? That’s just the way it works.

BE: So what kind of husbandly responsibilities do you have? I mean, do you chip in, doing the dishes or whatever when she’s not there?

DB: I mean, I can’t really call it husbandly duties. Our house is not a pigsty, but I can say that some of that is attributed to the housekeeper. You know what I mean? That helps out a lot. I can only say that when I think of that…when anything breaks, like most men, it’s, like, “Darryl, come fix it,” you know? I get that. But as a regular responsibility, that’s not me.

BE: Is there anything you do that would typically be considered a gender-specific thing, something that one would normally expect a wife to do?

DB: For us, no. For us, I guess that’s what has been so good: we have talked about not having an ego about anything. She likes to cook, so she has cooked for me, but I’ve cooked for her, you know? So from a relationship standpoint of view, I can’t say that…we don’t have any specifically defined roles, other than, as many men will find the case, she wanted pets and yet somehow they are my responsibility. You know how that works out.

BE: Hey, I feed our cat.

DB: Exactly, exactly. And what man asks for a cat? That’s just not the way it works. I want a Neapolitan Mastiff, but the reason I don’t have one is because she wanted a cat.

BE: Sure, that seems fair.

DB: That’s a whole different relationship kind of issue, you know what I mean? It’s not specific to the show, but that’s how it worked out.

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Blu Tuesday: Do the Right Thing, Street Fighter and Jonas Brothers 3-D

Much like last week’s disappointing selection of high-def titles, today’s pick of the litter isn’t quite as fresh as one might hope. There’s definitely a good variety among the movies available, but there’s nothing here that exactly screams “Buy me.” Still, while my personal collection will remain unchanged for another week, other Blu-ray enthusiasts might find something they’ve been waiting to pick up, or at the very least, take for a test drive.

“Do the Right Thing” (Universal)

I’ve never been a fan of Spike Lee, save for the uncharacteristic crime thriller, “Inside Man.” His fabricated racism is annoying, and it never fails in ruining an otherwise good story. Though it’s admirable to want to address a serious issue like racism through film, the way in which he tries to achieve it is nothing short of scandalous. Take Danny Aiello’s character in “Do the Right Thing,” whose life is ruined when a brawl inside his pizzeria leads to the accidental death of Radio Raheem. Not only is he completely warranted in his actions, but he isn’t even responsible for Raheem’s untimely demise. Of course, Lee wouldn’t have the ending he so desperately needs if he doesn’t lay the blame on Aiello, and instead of pointing a finger at Raheem (who refused to turn off his boom box after being asked nicely) or Giancarlo Esposito’s Buggin Out (the real culprit of the altercation), he decides to cook up a theory that even the much-loved (but still white) owner of the local hangout is a racist. Personal thoughts aside, the 20th anniversary Blu-ray release looks incredible, and the addition of a new retrospective documentary and audio commentary by Lee is a nice treat for fans of the film. You really have to love Lee’s work to want to sit through “Do the Right Thing” more than once, but if you do, you might as well watch it in HD.

“Street Fighter: The Legend of Chun-Li” (20th Century Fox)

Go ahead and file this one under Reasons Why Fanboys Hate 20th Century Fox. It’s not that the studio does a bad job of choosing properties to adapt. In fact, it’s quite the opposite, because they often make movies that no other studio would even bother with. Unfortunately, they don’t put nearly as much thought into the actual making of the film as they do into how much money they might make it if it’s a hit. I didn’t think it was possible to outdo the first “Street Fighter” film starring Jean-Claude Van Damme in terms of sheer crappiness, but “The Legend of Chun-Li” wins hands down. This is a movie that is so determined to ground the world of “Street Fighter” in reality that it loses all connection to the source material except for its characters’ names. The end result is just another generic martial arts movie with some of the worst acting you’ll ever see. It’s difficult to single out just one performance (take your pick), but when all is said and done, Chris Klein is practically guaranteed to walk away with a Razzie. “The Legend of Chun-Li” is a guilty pleasure at best, but unless you’re a fan of the game, and don’t mind seeing your a piece of your childhood ruined, you’d be best to stay away.

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Harlem Blues

With NPR launching its jazz page, A Blog Supreme (the title is a play on John Coltrane’s signature recording), I thought for the next week or so we’d highlight some great jazz moments from classic, or at least interesting, movies. For whatever reason, some of those may involve beautiful women.

Today, we’ll lead off with a scene from one of the movies we’ll be highlighting in an upcoming Bullz-Eye feature on Denzel Washington. This is Cynda Williams in my favorite sequence from Spike Lee’s beautiful, problematic follow-up to “Do the Right Thing,” 1990’s “Mo’ Better Blues.” You’ll see some very familiar faces pretending to play instruments, but that’s really Cynda’s voice we’re hearing. (You’ll also see those fake musicians uttering brief Italian phrases via the magic of cinema — you take what the the great god YouTube has to offer.)

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